ماريا، أو مظالم المرأة
- اللغة:
- الإنجليزية
- الحالة:
- عمل غير مكتمل / مقتطف منشور بعد الوفاة
- التأليف:
- كتبه المؤلف بنفسه
- حالة النص:
- لم يُرصد تشويش في المسح الضوئي (قياس آلي على النص كله، لم يُراجَع يدويًا)
- الحجم:
- ~46,500 كلمة · 221 مقطعًا
Unfinished, posthumously published novel: Godwin’s preface, bracketed interpolations and editorial notes have distinct responsibility. Completeness of the digital reproduction is a separate question.
- William Godwin — editor, editorial preface, bracketed interpolations, notes, editorial conclusion
استشهد بهذا العمل
- APAماري وولستونكرافت. (n.d.). Maria; or, The Wrongs of Woman [ماريا، أو مظالم المرأة]. Digital reproduction: SigPhi. https://sigphiai.com/ar/works/mary-wollstonecraft/maria-or-the-wrongs-of-woman
- MLAماري وولستونكرافت. Maria; or, The Wrongs of Woman [ماريا، أو مظالم المرأة]. Digital reproduction, SigPhi, https://sigphiai.com/ar/works/mary-wollstonecraft/maria-or-the-wrongs-of-woman.
- Chicagoماري وولستونكرافت. Maria; or, The Wrongs of Woman [ماريا، أو مظالم المرأة]. Digital reproduction, SigPhi. https://sigphiai.com/ar/works/mary-wollstonecraft/maria-or-the-wrongs-of-woman.
مرجع الطبعة المعاد إنتاجها. SigPhi هو النسخة الرقمية. يُذكر العام والناشر والمترجم عند توفرها؛ وتشير «n.d.» إلى أن العام غير معروف.
عمّ يتحدث
Unfinished, posthumously published novel: Godwin’s preface, bracketed interpolations and editorial notes have distinct responsibility. Completeness of the digital reproduction is a separate question.
السياق والتاريخ
Posthumous unfinished novel, after the edition of 1798. William Godwin’s editorial preface, bracketed additions, notes and conclusion are distinct from Wollstonecraft’s authorial preface and narrative. Unwritten chapters are not an ingestion omission.
لم تُترجَم هذه البطاقة بعد: النص أعلاه هو الأصل الإنجليزي.
سياق تحريري، لا مصدر قابل للاقتباس: بخلاف مقاطع العمل نفسه، لا يمكن التحقق من هذه المعلومات في المدونة.
In many instances I could have made the incidents more dramatic, would I have sacrificed my main object, the desire of exhibiting the misery and oppression, peculiar to women, that arise out of the partial laws and customs of society. In the invention of the story, this view restrained my fancy; and the history ought rather to be considered, as of woman, than of an individual. The sentiments I have embodied. In many works of this species, the hero is allowed to be mortal, and to become wise and virtuous as well as happy, by a train of events and circumstances. The heroines, on the contrary, are to be born immaculate, and to act like goddesses of wisdom, just come forth highly finished Minervas from the head of Jove. [The following is an extract of a letter from the author to a friend, to whom she communicated her manuscript.] For my part, I cannot suppose any situation more distressing, than for a woman of sensibility, with an improving mind, to be bound to such a man as I have described for life; obliged to renounce all the humanizing affections, and to avoid cultivating her taste, lest her perception of grace and refinement of sentiment, should sharpen to agony the pangs of disappointment. Love, in which the imagination mingles its bewitching colouring, must be fostered by delicacy. I should despise, or rather call her an ordinary woman, who could endure such a husband as I have sketched. …