SigPhiSigPhi

كيب كود

هنري ديفيد ثورو

اللغة:
الإنجليزية
الحالة:
عمل كامل
التأليف:
كتبه المؤلف بنفسه
حالة النص:
لم يُرصد تشويش في المسح الضوئي (قياس آلي على النص كله، لم يُراجَع يدويًا)
الحجم:
~76,200 كلمة · 362 مقطعًا
استشهد بهذا العمل
  • APAهنري ديفيد ثورو. (n.d.). Cape Cod [كيب كود]. Digital reproduction: SigPhi. https://sigphiai.com/ar/works/thoreau/cape-cod
  • MLAهنري ديفيد ثورو. Cape Cod [كيب كود]. Digital reproduction, SigPhi, https://sigphiai.com/ar/works/thoreau/cape-cod.
  • Chicagoهنري ديفيد ثورو. Cape Cod [كيب كود]. Digital reproduction, SigPhi. https://sigphiai.com/ar/works/thoreau/cape-cod.

مرجع الطبعة المعاد إنتاجها. SigPhi هو النسخة الرقمية. يُذكر العام والناشر والمترجم عند توفرها؛ وتشير «n.d.» إلى أن العام غير معروف.

عمّ يتحدث

الكتاب الذي صاغه ثورو من أربع رحلاتٍ إلى كيب كود بين 1849 و1857: أكثر كتبه قتامةً وأكثرها إضحاكًا.

السياق والتاريخ

يفتتحه مشهدٌ يحسم النبرة: ففي يوم وصوله كانت سفينةٌ تحمل مهاجرين إيرلنديين قد تحطّمت لتوّها، والشاطئ ملآن جثثًا يتعرّف الناس عليها واحدةً واحدة. ومن هناك يمشي ثورو الساحل الخارجي، المطلّ على المحيط المفتوح، ويكتب عن الرمل، وعن ضراوة البحر، وعن الغرقى والسفن المحطّمة، وعن الأهالي — صيّادين، وجامعي محار، وشيخٍ يقصّ عليه أكاذيب بديعة — وعن النبت الذي يتشبّث حيث لا تربة. وطبيعة هذا الكتاب ليست طبيعة «ڤالدن»: فهي لا تُعزّي أحدًا، ولم تُصنع لأجلنا. صدر بعد وفاته سنة 1865، وهو الكتاب الذي تظهر فيه فكاهته الجافّة أوضح ما تكون.

سياق تحريري، لا مصدر قابل للاقتباس: بخلاف مقاطع العمل نفسه، لا يمكن التحقق من هذه المعلومات في المدونة.

مقتطف من الطبعة المتاحة
absorb the greater part of the old clothes of the Cape, leaving but few rags for the pedlers. The wind-mills on the hills,—large weather-stained octagonal structures,—and the salt-works scattered all along the shore, with their long rows of vats resting on piles driven into the marsh, their low, turtle-like roofs, and their slighter wind-mills, were novel and interesting objects to an inlander. The sand by the road-side was partially covered with bunches of a moss-like plant, _Hudsonia tomentosa_, which a woman in the stage told us was called “poverty-grass,” because it grew where nothing else would. I was struck by the pleasant equality which reigned among the stage company, and their broad and invulnerable good-humor. They were what is called free and easy, and met one another to advantage, as men who had at length learned how to live. They appeared to know each other when they were strangers, they were so simple and downright. They were well met, in an unusual sense, that is, they met as well as they could meet, and did not seem to be troubled with any impediment. They were not afraid nor ashamed of one another, but were contented to make just such a company as the ingredients allowed. It was evident that the same foolish respect was not here claimed for mere wealth and station that is in many parts of New England; yet some of them were the “first people,” as they are called, of the various towns through which we passed. Retired sea-captains, in easy circumstances, who talked of farming as sea-captains are wont; an erect, respectable, and trustworthy-looking man, in his wrapper, some of the salt of the earth, who had formerly been the salt of the sea; or a more courtly gentleman, who, perchance, had been a representative to the General Court in his day; or a broad, red-faced Cape Cod man, who had seen too many storms to be easily irritated; or a fisherman’s wife, who had been waiting a week for a coaster to leave Boston, and had at…

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