The Philosophy of Fine Art, volume 1 (of 4)

first two Parts are concerned, merely a compressed summary, and only in particular passages is the translation anything but a very free rendering of the original, though there is a far closer approach to this in Part III. I have not seen Mr. Bryant's translation. As any approach to an adequate reproduction of Hegel's writing Mr. Hastie's translation of Michelet's work and Mr. Kedney's analysis are of very little value[5]. Professor Bosanquet's translation is admirable within the limits imposed. To that extent I have merely followed, as I was able, in my friend's footsteps; but this advance covers little more than one sixteenth part of the entire work of 1,600 pages. With regard to all such analyses I entirely concur with Professor Bosanquet's view stated in his preface, that such merely mislead if regarded as in any way a reflex of either Hegel himself or the German text. It is true that this work is--as are in their degree other volumes of the collected edition, the "Outlines of the Philosophy of Right" for example--a heterogeneous product, in our own instance not merely lacking the final revision of the author, but rather put together as such a connected treatise by the editor responsible (i) from several autograph MSS. of Hegel[6], some of which were little more than fragmentary notes for lectures, (ii) supplemented further from notes[7] taken by pupils who attended such lectures, the entire monumental work is an education in itself. It is at any rate one which cannot fail to enlarge our conceptions of the significance and dignity of human art. Nor is this by any means impossible, even though we are unable to concur in, or indeed remain insufficiently qualified to express a judgment upon all or even a few of the most important of its conclusions.…