The Philosophy of Fine Art, volume 3 (of 4)
- Idioma:
- anglès
- Completesa:
- Obra completa
- Autoria:
- Recollida o compilada per altri
- Estat del text:
- Text net
- Extensió:
- ~180.000 paraules · 873 passatges
Cita aquesta obra
- APAHegel. (n.d.). The Philosophy of Fine Art, volume 3 (of 4). SigPhi. https://sigphiai.com/ca/works/georg-wilhelm-friedrich-hegel/the-philosophy-of-fine-art-volume-3-of-4
- MLAHegel. "The Philosophy of Fine Art, volume 3 (of 4)." SigPhi, https://sigphiai.com/ca/works/georg-wilhelm-friedrich-hegel/the-philosophy-of-fine-art-volume-3-of-4.
- ChicagoHegel. The Philosophy of Fine Art, volume 3 (of 4). SigPhi. https://sigphiai.com/ca/works/georg-wilhelm-friedrich-hegel/the-philosophy-of-fine-art-volume-3-of-4.
De què tracta
El tercer volum de les lliçons de Hegel sobre l'estètica, en traducció anglesa.
Context i història
Com totes les lliçons de Hegel, aquest text no el va escriure ell: el van compondre els editors després de la seva mort a partir dels seus apunts i de quaderns d'estudiants de cursos diferents. L'esquema que se'n cita —art simbòlic, clàssic i romàntic, i el pas de l'arquitectura a la poesia— és seu, però la formulació concreta sovint no. La tesi més discutida, la de la fi de l'art, no diu que l'art s'acabi: diu que ha deixat de ser la manera més alta en què una època es diu a si mateixa la veritat.
Context editorial, no una font citable: a diferència dels passatges de l'obra, aquestes dades no es poden contrastar amb el corpus.
[Summary. Nature of the relation between the system of Art-types, or the collective totality of ideal world-presentments, and their objective realization in independent works of art. Nature of the process in the evolution of the specific arts themselves, and of the aspects identical in all. The origins of art. Grace, Charm, and severe or agreeable Style] DIVISION OF THE SUBJECT [The principle of differentiation as determined by the sensuous aspect of the subject-matter, and the relation thereto of the human senses of Sight, Hearing, and intellectual Conception. Insufficiency of such a principle of classification. Alternative principle discussed and illustrated of more concrete nature, in which the evolution of truth as the reality of the Idea itself is presented] SUBSECTION I ARCHITECTURE INTRODUCTION [Of the beginnings of human art, and that of building in particular. Of the nature of the subordinate classification of architecture viewed as symbolic, classical and romantic] Division of Subject CHAPTER I INDEPENDENT AND SYMBOLIC ARCHITECTURE Introduction and Subdivision 1. Works of architecture erected in order to unite peoples 2. Works of architecture intermediate between the arts of building and sculpture (_a_) The influence of the generative activity of Nature on the form of buildings (_b_) Further modification of similar conceptions in the obelisks of Egypt and other examples (_c_) Temple enclosures, labyrinths, etc. 3.…
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