SigPhiSigPhi

Maria, o els greuges de la dona

Mary Wollstonecraft

Idioma:
anglès
Completesa:
Obra completa
Autoria:
Escrita per l'autor
Estat del text:
Sense soroll d'escaneig detectat (mesura automàtica sobre tot el text, no revisada a mà)
Extensió:
~46.500 paraules · 221 passatges
Cita aquesta obra
  • APAMary Wollstonecraft. (n.d.). Maria; Or, The Wrongs of Woman [Maria, o els greuges de la dona]. Digital reproduction: SigPhi. https://sigphiai.com/ca/works/mary-wollstonecraft/maria-or-the-wrongs-of-woman
  • MLAMary Wollstonecraft. Maria; Or, The Wrongs of Woman [Maria, o els greuges de la dona]. Digital reproduction, SigPhi, https://sigphiai.com/ca/works/mary-wollstonecraft/maria-or-the-wrongs-of-woman.
  • ChicagoMary Wollstonecraft. Maria; Or, The Wrongs of Woman [Maria, o els greuges de la dona]. Digital reproduction, SigPhi. https://sigphiai.com/ca/works/mary-wollstonecraft/maria-or-the-wrongs-of-woman.

Referència de l'edició que reprodueix SigPhi: SigPhi n'és la reproducció digital, no l'editor. L'any de l'edició no consta a les metadades (per això «n.d.») i el traductor només hi surt quan consta.

De què tracta

«Maria, o els greuges de la dona»: la novel·la que va deixar inacabada en morir el 1797.

Context i història

Comença amb una dona tancada per boja en un manicomi per ordre del marit, sense haver comès res. Wollstonecraft hi porta la novel·la allà on l'assaig no arriba: el matrimoni com a forma legal de captiveri. Godwin la va publicar pòstuma, amb els finals alternatius que ella havia esbossat.

Context editorial, no una font citable: a diferència dels passatges de l'obra, aquestes dades no es poden contrastar amb el corpus.

Com comença
resource to escape from sorrow, and the feverish dreams of ideal wretchedness or felicity, which equally weaken the intoxicated sensibility. Writing was then the only alternative, and she wrote some rhapsodies descriptive of the state of her mind; but the events of her past life pressing on her, she resolved circumstantially to relate them, with the sentiments that experience, and more matured reason, would naturally suggest. They might perhaps instruct her daughter, and shield her from the misery, the tyranny, her mother knew not how to avoid. This thought gave life to her diction, her soul flowed into it, and she soon found the task of recollecting almost obliterated impressions very interesting. She lived again in the revived emotions of youth, and forgot her present in the retrospect of sorrows that had assumed an unalterable character. Though this employment lightened the weight of time, yet, never losing sight of her main object, Maria did not allow any opportunity to slip of winning on the affections of Jemima; for she discovered in her a strength of mind, that excited her esteem, clouded as it was by the misanthropy of despair. An insulated being, from the misfortune of her birth, she despised and preyed on the society by which she had been oppressed, and loved not her fellow-creatures, because she had never been beloved. No mother had ever fondled her, no father or brother had protected her from outrage; and the man who had plunged her into infamy, and deserted her when she stood in greatest need of support, deigned not to smooth with kindness the road to ruin. Thus degraded, was she let loose on the world; and virtue, never nurtured by affection, assumed the stern aspect of selfish independence. This general view of her life, Maria gathered from her exclamations and dry remarks.…

Llegeix l'obra sencera →

← Torna a Mary Wollstonecraft