SigPhiSigPhi

The Twilight of the Idols; or, How to Philosophize with the Hammer. The Antichri

Nietzsche

Idioma:
anglès
Completesa:
Obra completa
Autoria:
Escrita per l'autor
Estat del text:
Text net
Extensió:
~72.800 paraules · 346 passatges
Cita aquesta obra
  • APANietzsche. (n.d.). The Twilight of the Idols; or, How to Philosophize with the Hammer. The Antichri. SigPhi. https://sigphiai.com/ca/works/nietzsche/the-twilight-of-the-idols-or-how-to-philosophize-with-the-hammer-the-antichri
  • MLANietzsche. "The Twilight of the Idols; or, How to Philosophize with the Hammer. The Antichri." SigPhi, https://sigphiai.com/ca/works/nietzsche/the-twilight-of-the-idols-or-how-to-philosophize-with-the-hammer-the-antichri.
  • ChicagoNietzsche. The Twilight of the Idols; or, How to Philosophize with the Hammer. The Antichri. SigPhi. https://sigphiai.com/ca/works/nietzsche/the-twilight-of-the-idols-or-how-to-philosophize-with-the-hammer-the-antichri.

De què tracta

«El crepuscle dels ídols» i «L'Anticrist» (1888) en un sol volum.

Context i història

El «Crepuscle» és el resum de tot Nietzsche en cent pàgines, escrit en una setmana, i el millor lloc per començar-lo si no se n'ha llegit res. «Filosofar amb el martell» no vol dir destruir: vol dir picar els ídols per sentir si sonen buits. **Avís:** «L'Anticrist» també hi consta com a obra a part. No són cap duplicat —el volum i l'obra sola són unitats editorials diferents— i tots dos es queden. Traducció anglesa de l'edició completa dirigida per Oscar Levy (1909-1913), que és la que hi ha en domini públic. Té més de cent anys i es nota. L'original és ALEMANY, i per citar mana l'original: al catàleg n'hi ha dos, «Also sprach Zarathustra» i «Der Wille zur Macht»; per a la resta, aquí només hi ha la traducció.

Context editorial, no una font citable: a diferència dels passatges de l'obra, aquestes dades no es poden contrastar amb el corpus.

Com comença
To maintain a cheerful attitude of mind in the midst of a gloomy and exceedingly responsible task, is no slight artistic feat. And yet, what could be more necessary than cheerfulness? Nothing ever succeeds which exuberant spirits have not helped to produce. Surplus power, alone, is the proof of power.—A _transvaluation of all values,_—this note of interrogation which is so black, so huge, that it casts a shadow even upon him who affixes it,—is a task of such fatal import, that he who undertakes it is compelled every now and then to rush out into the sunlight in order to shake himself free from an earnestness that becomes crushing, far too crushing. This end justifies every means, every event on the road to it is a windfall. Above all _war._ War has always been the great policy of all spirits who have penetrated too far into themselves or who have grown too deep; a wound stimulates the recuperative powers. For many years, a maxim, the origin of which I withhold from learned curiosity, has been my motto: _ increscunt animi, virescit volnere virtus._ At other times another means of recovery which is even more to my taste, is to cross-examine idols. There are more idols than realities in the world: this constitutes my “evil eye” for this world: it is also my “evil ear.” To put questions in this quarter with a hammer, and to hear perchance that well-known hollow sound which tells of blown-out frogs,—what a joy this is for one who has ears even behind his ears, for an old psychologist and Pied Piper like myself in whose presence precisely that which would fain be silent, _must betray itself._ Even this treatise—as its title shows—is above all a recreation, a ray of sunshine, a leap sideways of a psychologist in his leisure moments. Maybe, too, a new war? And are we again cross-examining new idols?…

Llegeix l'obra sencera →

← Torna a Nietzsche