SigPhiSigPhi

Timeu

Plató

Idioma:
anglès
Completesa:
Obra completa
Autoria:
Escrita per l'autor
Estat del text:
Text net
Extensió:
~80.400 paraules · 382 passatges
Cita aquesta obra
  • APAPlató. (n.d.). Timeu. SigPhi. https://sigphiai.com/ca/works/plato/timaeus
  • MLAPlató. "Timeu." SigPhi, https://sigphiai.com/ca/works/plato/timaeus.
  • ChicagoPlató. Timeu. SigPhi. https://sigphiai.com/ca/works/plato/timaeus.

De què tracta

El relat de com es va formar el món: un artesà diví que ordena el caos mirant un model etern, amb una cosmologia, una física dels quatre elements i una fisiologia humana.

Context i història

Durant tota l'edat mitjana llatina va ser gairebé l'únic Plató que es podia llegir a Occident, i per això va marcar la manera cristiana de pensar la creació molt més que la resta de la seva obra. També és el text que ha donat l'Atlàntida, esmentada aquí i al Crítias i enlloc més d'antic.

Context editorial, no una font citable: a diferència dels passatges de l'obra, aquestes dades no es poden contrastar amb el corpus.

Com comença
Of all the writings of Plato the Timaeus is the most obscure and repulsive to the modern reader, and has nevertheless had the greatest influence over the ancient and mediaeval world. The obscurity arises in the infancy of physical science, out of the confusion of theological, mathematical, and physiological notions, out of the desire to conceive the whole of nature without any adequate knowledge of the parts, and from a greater perception of similarities which lie on the surface than of differences which are hidden from view. To bring sense under the control of reason; to find some way through the mist or labyrinth of appearances, either the highway of mathematics, or more devious paths suggested by the analogy of man with the world, and of the world with man; to see that all things have a cause and are tending towards an end—this is the spirit of the ancient physical philosopher. He has no notion of trying an experiment and is hardly capable of observing the curiosities of nature which are ‘tumbling out at his feet,’ or of interpreting even the most obvious of them. He is driven back from the nearer to the more distant, from particulars to generalities, from the earth to the stars. He lifts up his eyes to the heavens and seeks to guide by their motions his erring footsteps. But we neither appreciate the conditions of knowledge to which he was subjected, nor have the ideas which fastened upon his imagination the same hold upon us.…

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