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L'anarchia e la questione sessuale

Emma Goldman

Lingua:
inglese
Stato:
Opera completa
Autorialità:
Scritta dall'autore
Stato del testo:
Testo pulito
Estensione:
~1680 parole · 8 passi
Cita quest'opera
  • APAEmma Goldman. (n.d.). L'anarchia e la questione sessuale. SigPhi. https://sigphiai.com/it/works/emma-goldman/anarchy-and-the-sex-question
  • MLAEmma Goldman. "L'anarchia e la questione sessuale." SigPhi, https://sigphiai.com/it/works/emma-goldman/anarchy-and-the-sex-question.
  • ChicagoEmma Goldman. L'anarchia e la questione sessuale. SigPhi. https://sigphiai.com/it/works/emma-goldman/anarchy-and-the-sex-question.

Di che cosa tratta

Un articolo giovanile (1896) sul matrimonio, sull'amore e sulla dipendenza economica delle donne.

Contesto e storia

La prima formulazione di quel che Matrimonio e amore avrebbe sviluppato quindici anni dopo: che il matrimonio è prima di tutto un'istituzione economica. Vale come documento di femminismo anarchico prima che avesse un nome. Questo è un articolo breve, non un libro: la sua lunghezza nel catalogo non è un difetto della copia. Buona parte dell'opera di Goldman ha questa forma, sulla sua rivista Mother Earth e in opuscoli.

Contesto editoriale, non una fonte citabile: a differenza dei passi dell'opera, questi dati non si possono verificare sul corpus.

Come comincia
The workingman, whose strength and muscles are so admired by the pale, puny off-springs of the rich, yet whose labour barely brings him enough to keep the wolf of starvation from the door, marries only to have a wife and house-keeper, who must slave from morning till night, who must make every effort to keep down expenses. Her nerves are so tired by the continual effort to make the pitiful wages of her husband support both of them that she grows irritable and no longer is successful in concealing her want of affection for her lord and master, who, alas! soon comes to the conclusion that his hopes and plans have gone astray, and so practically begins to think that marriage is a failure. THE CHAIN GROWS HEAVIER AND HEAVIER As the expenses grow larger instead of smaller, the wife, who has lost all of the little strength she had at marriage, likewise feels herself betrayed, and the constant fretting and dread of starvation consumes her beauty in a short time after marriage. She grows despondent, neglects her household duties, and as there are no ties of love and sympathy between herself and her husband to give them strength to face the misery and poverty of their lives, instead of clinging to each other, they become more and more estranged, more and more impatient with each other's faults. The man cannot, like the millionaire, go to his club, but he goes to a saloon and tries to drown his misery in a glass of beer or whiskey. The unfortunate partner of his misery, who is too honest to seek forgetfulness in the arms of a lover, and who is too poor to allow herself any legitimate recreation or amusement, remains amid the squalid, half-kept surroundings she calls home, and bitterly bemoans the folly that made her a poor man's wife. Yet there is no way for them to part from each other. BUT THEY MUST WEAR IT.…

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