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Deerbrook

Harriet Martineau

Lingua:
inglese
Stato:
Opera completa
Autorialità:
Scritta dall'autore
Stato del testo:
Nessun rumore di scansione rilevato (misura automatica su tutto il testo, non verificata a mano)
Estensione:
~220.000 parole · 1035 passi
Cita quest'opera
  • APAHarriet Martineau. (n.d.). Deerbrook. Digital reproduction: SigPhi. https://sigphiai.com/it/works/harriet-martineau/deerbrook
  • MLAHarriet Martineau. Deerbrook. Digital reproduction, SigPhi, https://sigphiai.com/it/works/harriet-martineau/deerbrook.
  • ChicagoHarriet Martineau. Deerbrook. Digital reproduction, SigPhi. https://sigphiai.com/it/works/harriet-martineau/deerbrook.

Riferimento dell'edizione che SigPhi riproduce: SigPhi ne è la riproduzione digitale, non l'editore. L'anno dell'edizione non figura nei metadati (da qui «n.d.») e il traduttore compare solo quando è noto.

Di che cosa tratta

Un romanzo di villaggio inglese: due sorelle arrivano in una piccola comunità, e ciò che segue è soprattutto come il pettegolezzo, l'invidia e il timore dell'opinione altrui decidano delle vite.

Contesto e storia

Uscito nel 1839. Martineau è più nota come divulgatrice di economia politica e come colei che condensò Comte in inglese — opera anch'essa presente in questo catalogo — e questo romanzo resta di solito in secondo piano. Vale per una ragione: prende a materia la vita di un villaggio senza idealizzarla minimamente, e mette al centro una donna che lavora e pensa, in un tempo in cui il romanzo inglese lo faceva poco.

Contesto editoriale, non una fonte citabile: a differenza dei passi dell'opera, questi dati non si possono verificare sul corpus.

Come comincia
walking with their mother when the chaise came up the street; but being particularly desired not to look at it, they were not much benefited by the event. Their grandmamma, Mrs Enderby, was not at the moment under the same restriction; and her high cap might be seen above the green blind of her parlour as the chaise turned into Mr Grey's gate. The stationer, the parish clerk, and the milliner and her assistant, had obtained a passing view of sundry boxes, the face of an elderly woman, and the outline of two black bonnets,--all that they could boast of to repay them for the vigilance of a whole afternoon. Sophia Grey might be pardoned for some anxiety about the reception of the young ladies. She was four years younger than the younger of them; and Hester, the elder, was one-and-twenty,--a venerable age to a girl of sixteen. Sophia began to think she had never been really afraid of anything before, though she remembered having cried bitterly when first left alone with her governess; and though she had always been remarkable for clinging to her mother's side on all social occasions, in the approaching trial her mother could give her little assistance. These cousins would be always with her. How she should read history, or practise music with them in the room, she could not imagine, nor what she should find to say to them all day long. If poor Elizabeth had but lived, what a comfort she would have been now; the elder one would have taken all the responsibility! And she heaved a sigh once more, as she thought, to the memory of poor Elizabeth. Mr Grey was at a market some miles off; and Sydney was sent by his mother into the hall, to assist in the work of alighting, and causing the luggage to alight. As any other boy of thirteen would have done, he slunk behind the hall door, without venturing to speak to the strangers, and left the business to the guests and the maids.…

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