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Creative Evolution

Henri Bergson

Lingua:
inglese
Stato:
Opera completa
Autorialità:
Scritta dall'autore
Stato del testo:
Testo pulito · 10 passi illeggibili, esclusi dalle risposte
Estensione:
~180.000 parole · 844 passi
Cita quest'opera
  • APAHenri Bergson. (n.d.). Creative Evolution. SigPhi. https://sigphiai.com/it/works/henri-bergson/creative-evolution
  • MLAHenri Bergson. "Creative Evolution." SigPhi, https://sigphiai.com/it/works/henri-bergson/creative-evolution.
  • ChicagoHenri Bergson. Creative Evolution. SigPhi. https://sigphiai.com/it/works/henri-bergson/creative-evolution.

Di che cosa tratta

La proposta di Bergson che l'evoluzione non si spieghi né col caso né con un piano prestabilito, ma con uno slancio — l'élan vital — che tenta vie e si ripartisce in direzioni divergenti.

Contesto e storia

Uscito nel 1907, ebbe un successo enorme fuori dalla filosofia e ne fece una celebrità; nel 1927 gli diedero il Nobel per la letteratura. La parte che ha retto meglio non è l'élan vital, che la biologia non accettò mai, ma la critica del modo in cui l'intelletto fabbrica il tempo: Bergson sostiene che il pensiero, fatto per l'azione, muta la durata in una successione di istanti immobili, e che per questo non può pensare ciò che cambia.

Contesto editoriale, non una fonte citabile: a differenza dei passi dell'opera, questi dati non si possono verificare sul corpus.

Come comincia
The history of the evolution of life, incomplete as it yet is, already reveals to us how the intellect has been formed, by an uninterrupted progress, along a line which ascends through the vertebrate series up to man. It shows us in the faculty of understanding an appendage of the faculty of acting, a more and more precise, more and more complex and supple adaptation of the consciousness of living beings to the conditions of existence that are made for them. Hence should result this consequence that our intellect, in the narrow sense of the word, is intended to secure the perfect fitting of our body to its environment, to represent the relations of external things among themselves--in short, to think matter. Such will indeed be one of the conclusions of the present essay. We shall see that the human intellect feels at home among inanimate objects, more especially among solids, where our action finds its fulcrum and our industry its tools; that our concepts have been formed on the model of solids; that our logic is, pre-eminently, the logic of solids; that, consequently, our intellect triumphs in geometry, wherein is revealed the kinship of logical thought with unorganized matter, and where the intellect has only to follow its natural movement, after the lightest possible contact with experience, in order to go from discovery to discovery, sure that experience is following behind it and will justify it invariably. But from this it must also follow that our thought, in its purely logical form, is incapable of presenting the true nature of life, the full meaning of the evolutionary movement. Created by life, in definite circumstances, to act on definite things, how can it embrace life, of which it is only an emanation or an aspect? Deposited by the evolutionary movement in the course of its way, how can it be applied to the evolutionary movement itself?…

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