Aut-Aut
- Lingua:
- inglese
- Stato:
- Opera completa
- Autorialità:
- Scritta dall'autore
- Stato del testo:
- Testo pulito · 7 passi illeggibili, esclusi dalle risposte
- Estensione:
- ~300.000 parole · 1436 passi
Cita quest'opera
- APASøren Kierkegaard. (n.d.). Aut-Aut. SigPhi. https://sigphiai.com/it/works/kierkegaard/eitheror
- MLASøren Kierkegaard. "Aut-Aut." SigPhi, https://sigphiai.com/it/works/kierkegaard/eitheror.
- ChicagoSøren Kierkegaard. Aut-Aut. SigPhi. https://sigphiai.com/it/works/kierkegaard/eitheror.
Di che cosa tratta
Due modi di vivere posti l'uno accanto all'altro senza arbitro: le carte dell'esteta «A» — vi si trovano il saggio sul Don Giovanni di Mozart e il Diario del seduttore — e le lettere del giudice Wilhelm, che difende la scelta etica e il matrimonio.
Contesto e storia
Uscito nel 1843 sotto lo pseudonimo di Victor Eremita, il quale dice di aver trovato le carte dentro un vecchio scrittoio. Kierkegaard non dice mai chi abbia ragione, e non è civetteria: se il libro decidesse per te, la scelta che esige non sarebbe più tua. Il titolo è per intero l'esigenza.
Contesto editoriale, non una fonte citabile: a differenza dei passi dell'opera, questi dati non si possono verificare sul corpus.
It may at times have occurred to you, dear reader, to doubt somewhat the accuracy of that familiar philosophical thesis that the outer is the inner and the inner is the outer.? Perhaps you yourself have concealed a secret that in its joy or in its pain you felt was too intimate to share with others. Perhaps your life has put you in touch with people about whom you suspected that something of this nature was the case, although neither by force nor by inveiglement were you able to bring out into the open that which was hidden. Perhaps neither case applies to you and your life, and yet you are not unacquainted with that doubt; like a fleeting shape, it has drifted through your mind now and then. A doubt such as this comes and goes, and no one knows whence it comes or whither it goes.? I myself have always been rather heretically minded on this philosophical point and therefore early in my life developed the habit of making observations and investigations as well as possible. For guidance, I have consulted the authors whose view I shared in this respect—in brief, I have done all I could to make up for what has been left undone in the philosophical writings. Gradually, then, hearing became my most cherished sense, for just as the voice is the disclosure of inwardness incommensurable with the exterior, so the ear is the instrument that apprehends this inwardness, hearing the sense by which it