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Selezioni dagli scritti di Kierkegaard

Søren Kierkegaard

Lingua:
inglese
Stato:
Scelta o opera parziale
Autorialità:
Scritta dall'autore
Stato del testo:
Nessun rumore di scansione rilevato (misura automatica su tutto il testo, non verificata a mano)
Estensione:
~100.000 parole · 496 passi
Cita quest'opera
  • APASøren Kierkegaard. (n.d.). Selections from the writings of Kierkegaard [Selezioni dagli scritti di Kierkegaard]. Digital reproduction: SigPhi. https://sigphiai.com/it/works/kierkegaard/selections-from-the-writings-of-kierkegaard
  • MLASøren Kierkegaard. Selections from the writings of Kierkegaard [Selezioni dagli scritti di Kierkegaard]. Digital reproduction, SigPhi, https://sigphiai.com/it/works/kierkegaard/selections-from-the-writings-of-kierkegaard.
  • ChicagoSøren Kierkegaard. Selections from the writings of Kierkegaard [Selezioni dagli scritti di Kierkegaard]. Digital reproduction, SigPhi. https://sigphiai.com/it/works/kierkegaard/selections-from-the-writings-of-kierkegaard.

Riferimento all’edizione riprodotta. SigPhi è la riproduzione digitale. Anno, editore e traduttore compaiono quando noti; «n.d.» indica un anno sconosciuto.

Di che cosa tratta

Un'antologia inglese di Kierkegaard.

Contesto e storia

Attenzione: è una selezione, e Kierkegaard è un autore a cui le antologie fanno un danno particolare: scriveva sotto pseudonimi che si contraddicono di proposito, e leggerne frammenti sciolti fa sparire proprio quello. Il catalogo ha anche opere sue complete.

Contesto editoriale, non una fonte citabile: a differenza dei passi dell'opera, questi dati non si possono verificare sul corpus.

Estratto dell’edizione disponibile
had had nothing to do with the world, had been neither aroused and fired, nor disquieted and disturbed. Like a sleep-walker he bore the law of his actions within himself, and the amiable, kindly expression of his countenance concerned no one, but only mirrored the disposition of his soul. Selections from the Writings of Kierkegaard 47 The other person they called the Dressmaker, and that was his occupation. Of him it was impossible to get a consistent impression. He was dressed according to the very latest fashion, with his hair curled and perfumed, fragrant with eau-de-cologne. One moment his carriage did not lack self-possession, whereas in the next it assumed a certain dancing, festive air, a certain hovering motion which, however, was kept in rather definite bounds by the robustness of his figure. Even when he was most malicious in his speech his voice ever had a touch of the smooth-tonguedness of the shop, the suaveness of the dealer in fancy-goods, which evidently was utterly disgusting to himself and only satisfied his spirit of defiance. As I think of him now I understand him better, to be sure, than when I first saw him step out of his carriage and I involuntarily laughed. At the same time there is some contradiction left still. He had transformed or bewitched himself, had by the magic of his own will assumed the appearance of one almost halfwitted, but had not thereby entirely satisfied himself; and this is why his reflectiveness now and then peered forth from beneath his disguise.

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