Lettere di Abelardo ed Eloisa
- Lingua:
- inglese
- Traduzione:
- Scott Moncrieff
- Stato:
- Opera completa
- Autorialità:
- Scritta dall'autore
- Stato del testo:
- Testo pulito
- Estensione:
- ~56.400 parole · 268 passi
Cita quest'opera
- APAPietro Abelardo. (n.d.). Lettere di Abelardo ed Eloisa. SigPhi. https://sigphiai.com/it/works/peter-abelard/letters-of-abelard-and-heloise
- MLAPietro Abelardo. "Lettere di Abelardo ed Eloisa." SigPhi, https://sigphiai.com/it/works/peter-abelard/letters-of-abelard-and-heloise.
- ChicagoPietro Abelardo. Lettere di Abelardo ed Eloisa. SigPhi. https://sigphiai.com/it/works/peter-abelard/letters-of-abelard-and-heloise.
Di che cosa tratta
Le lettere di Abelardo ed Eloisa.
Contesto e storia
Lui le scrive da direttore spirituale; lei risponde che non si pente di nulla e che è entrata in convento per obbedienza a lui e non a Dio. Sono le lettere di Eloisa a rendere immortale la raccolta, e c'è chi ha dubitato che fossero sue proprio perché sono troppo belle.
Contesto editoriale, non una fonte citabile: a differenza dei passi dell'opera, questi dati non si possono verificare sul corpus.
It is very surprising that the _Letters of Abelard and Heloise_ have not sooner appeared in English, since it is generally allowed, by all who have seen them in other languages, that they are written with the greatest passion of any in this kind which are extant. And it is certain that the _Letters from a Nun to a Cavalier_, which have so long been known and admired among us, are in all respects inferior to them. Whatever those were, these are known to be genuine Pieces occasioned by an amour which had very extraordinary consequences, and made a great noise at the time when it happened, being between two of the most distinguished Persons of that age. These _Letters_, therefore, being truly written by the Persons themselves, whose names they bear, and who were both remarkable for their genius and learning, as well as by a most extravagant passion for each other, are every where full of sentiments of the heart, (which are not to be imitated in a feigned story,) and touches of Nature, much more moving than any which could flow from the Pen of a Writer of Novels, or enter into the imagination of any who had not felt the like emotions and distresses.
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