SigPhiSigPhi

I racconti di Voltaire, completi in un unico volume

Voltaire

Lingua:
inglese
Stato:
Opera completa
Autorialità:
Scritta dall'autore
Stato del testo:
Testo pulito
Estensione:
~180.000 parole · 858 passi
Cita quest'opera
  • APAVoltaire. (n.d.). I racconti di Voltaire, completi in un unico volume. SigPhi. https://sigphiai.com/it/works/voltaire/voltaire-s-romances-complete-in-one-volume
  • MLAVoltaire. "I racconti di Voltaire, completi in un unico volume." SigPhi, https://sigphiai.com/it/works/voltaire/voltaire-s-romances-complete-in-one-volume.
  • ChicagoVoltaire. I racconti di Voltaire, completi in un unico volume. SigPhi. https://sigphiai.com/it/works/voltaire/voltaire-s-romances-complete-in-one-volume.

Di che cosa tratta

I racconti filosofici di Voltaire riuniti: Candido, Zadig, Micromega, L'ingenuo e gli altri, in traduzione inglese.

Contesto e storia

Voltaire non considerava questi testi la sua opera vera — si riteneva poeta e autore di tragedie — e li pubblicò quasi tutti senza firma, in qualche caso negando di averli scritti. La posterità ha fatto esattamente il contrario: le tragedie non le legge più nessuno, e il Candido non ha smesso di essere ristampato. Sono brevi, rapidi e scritti per demolire un'idea precisa; il Candido attacca la tesi che viviamo nel migliore dei mondi possibili, formulata da Leibniz, anch'egli presente in questo catalogo.

Contesto editoriale, non una fonte citabile: a differenza dei passi dell'opera, questi dati non si possono verificare sul corpus.

Come comincia
I choose that a story should be founded on probability, and not always resemble a dream. I desire to find nothing in it trivial or extravagant; and I desire above all, that under the appearance of fable there may appear some latent truth, obvious to the discerning eye, though it escape the observation of the vulgar.--_Voltaire._ COMPLETE IN ONE VOLUME. NEW YORK: PUBLISHED BY PETER ECKLER, 35 FULTON STREET. 1889. PUBLISHER'S PREFACE Voltaire wrote what the people thought, and consequently his writings were universally read. He wittily ridiculed established abuses, and keenly satirized venerable absurdities. For this he was consigned to the Bastile, and this distinction served to increase his popularity and extend his influence. He was thus enabled to cope successfully with the papal hierarchy, and laugh at the murmurs of the Vatican. The struggle commenced in his youth, and continued till his death. It was a struggle of light against darkness--of freedom against tyranny; and it ended in the triumph of truth over error and of toleration over bigotry. Educated by the Jesuits, he early learned their methods, and his great ability enabled him to circumvent their wiles. The ceremonious presentation of his tragedy of _Mahomet_[1] to Pope Benedict XIV., is an example of his daring audacity;--his success with the "head of the church" shows his intellectual superiority--whilst the gracious reply of "his Holiness" fitly illustrates the pontiff's vanity. From priest to bishop, from cardinal to pope, all felt his intellectual power and all dreaded his merciless satire. He was famous as poet, dramatist, historian, and philosopher. An experienced courtier and polished writer, he gracefully and politely conquered his clerical opponents, and with courteous irony overthrew his literary critics.…

Leggi l'opera intera →

← Torna a Voltaire