Only an occasional knocking, as on metal, disturbs the stillness. I listen intently. Nearer and more audible seem the sounds, hesitating and apparently intentional I am involuntarily reminded of the methods of communication practiced by Russian politicals, and I strive to detect some meaning in the tapping. It grows clearer as I approach the back wall of the cell, and instantly I am aware of a faint murmur in the privy. Is it fancy, or did I hear my name?
"Halloa!" I call into the pipe.
The knocking ceases abruptly. I hear a suppressed, hollow voice: "That you, Aleck?"
"Yes. Who is it?"
"Never min'. You must be deaf not to hear me callin' you all this time. Take that cott'n out o' your ears."
"I didn't know you could talk this way."
"You didn't? Well, you know now. Them's empty pipes, no standin' water, see? Fine t' talk. Oh, dammit to--" The words are lost in the gurgle of rushing water. Presently the flow subsides, and the knocking is resumed. I bend over the privy.
"Hello, hello! That you, Aleck?"
"Git off that line, ye jabberin' idiot!" some one shouts into the pipe.
"Lay down, there!"
"Take that trap out o' the hole."
"Quit your foolin', Horsethief."
"Hey, boys, stop that now. That's me, fellers. It's Bob, Horsethief Bob. I'm talkin' business. Keep quiet now, will you? Are you there, Aleck? Yes? Well, pay no 'tention to them dubs. 'Twas that crazy Southside Slim that turned th' water on--" "Who you call crazy, damn you," a voice interrupts.
"Oh, lay down, Slim, will you? Who said you was crazy? Nay, nay, you're bugs. Hey, Aleck, you there?"
"Yes, Bob."
"Oh, got me name, have you? Yes, I'm Bob, Horsethief Bob. Make no mistake when you see me; I'm Big Bob, the Horsethief. Can you hear me? It's you, Aleck?"
"Yes, yes."
"Sure it's you? Got t' tell you somethin'. What's your number?"
"A 7."
"Right you are. What cell?"
"6 K."
"An' this is me, Big Bob, in--" "Windbag Bob," a heavy bass comments from above.
"Shut up, Curley, I'm on th' line. I'm in 6 F, Aleck, top tier. Call me up any time I'm in, ha, ha! You see, pipe's runnin' up an' down, an' you can talk to any range you want, but always to th' same cell as you're in, Cell 6, understand? Now if you wan' t' talk to Cell 14, to Shorty, you know--" "I don't want to talk to Shorty. I don't know him, Bob."
"Yes, you do. You list'n what I tell you, Aleck, an' you'll be all right. That's me talkin', Big Bob, see? Now, I say if you'd like t' chew th' rag with Shorty, you jest tell me. Tell Brother Bob, an' he'll connect you all right. Are you on? Know who's Shorty?"
"No."
"Yo oughter. That's Carl, Carl Nold. Know _him_, don't you?"
"What!" I cry in astonishment. "Is it true, Bob? Is Nold up there on your gallery?"
"Sure thing. Cell 14."
"Why didn't you say so at once? You've been talking ten minutes now. Did you see him?"
"What's your hurry, Aleck? _You_ can't see 'im; not jest now, anyway. P'r'aps bimeby, mebbe. There's no hurry, Aleck. _You_ got plenty o' time. A few years, _rather_, ha, ha, ha!"
"Hey, there, Horsethief, quit that!" I recognize "Curley's" deep bass. "What do you want to make the kid feel bad for?"
"No harm meant, Curley," Bob returns, "I was jest joshin' him a bit."
"Well, quit it."
"You don' min' it, Aleck, do you?" I hear Bob again, his tones softened, "I didn' mean t' hurt your feelin's. I'm your friend, Aleck, you can bet your corn dodger on that. Say, I've got somethin' for you from Shorty, I mean Carl, you savvy?"
"What have you, Bob?"
"Nixie through th' hole, ain't safe. I'm coffee-boy on this 'ere range. I'll sneak around to you in the mornin', when I go t' fetch me can of bootleg. Now, jiggaroo,[37] screw's comin'."
[37] Look out.
II The presence of my comrades is investing existence with interest and meaning. It has brought to me a breeze from the atmosphere of my former environment; it is stirring the graves, where lie my soul's dead, into renewed life and hope.
The secret exchange of notes lends color to the routine. It is like a fresh mountain streamlet joyfully rippling through a stagnant swamp. At work in the shop, my thoughts are engrossed with our correspondence. Again and again I review the arguments elucidating to my comrades the significance of my _Attentat_: they, too, are inclined to exaggerate the importance of the purely physical result. The exchange of views gradually ripens our previously brief and superficial acquaintance into closer intimacy. There is something in Carl Nold that especially attracts me: I sense in him a congenial spirit. His spontaneous frankness appeals to me; my heart echoes his grief at the realization of Most's unpardonable behavior. But the ill-concealed antagonism of Bauer is irritating. It reflects his desperate clinging to the shattered idol. Presently, however, a better understanding begins to manifest itself. The big, jovial German has earned my respect; he braved the anger of the judge by consistently refusing to betray the man who aided him in the distribution of the Anarchist leaflet among the Homestead workers. On the other hand, both Carl and Henry appreciate my efforts on the witness stand, to exonerate them from complicity in my act. Their condemnation, as acknowledged Anarchists, was, of course, a foregone conclusion, and I am gratified to learn that neither of my comrades had entertained any illusions concerning the fate that awaited them. Indeed, both have expressed surprise that the maximum revenge of the law was not visited upon them. Their philosophical attitude exerts a soothing effect upon me. Carl even voices satisfaction that the sentence of five years will afford him a long-needed vacation from many years of ceaseless factory toil. He is facetiously anxious lest capitalist industry be handicapped by the loss of such a splendid carpenter as Henry, whom he good-naturedly chaffs on the separation from his newly affianced.
* * * * * The evening hours have ceased to drag: there is pleasure and diversion in the correspondence. The notes have grown into bulky letters, daily cementing our friendship. We compare views, exchange impressions, and discuss prison gossip. I learn the history of the movement in the twin cities, the personnel of Anarchist circles, and collect a fund of anecdotes about Albrecht, the philosophic old shoemaker whose diminutive shop in Allegheny is the center of the radical _inteligenzia_. With deep contrition Bauer confesses how narrowly he escaped the role of my executioner. My unexpected appearance in their midst, at the height of the Homestead struggle, had waked suspicion among the Allegheny comrades. They sent an inquiry to Most, whose reply proved a warning against me. Unknown to me, Bauer shared the room I occupied in Nold's house. Through the long hours of the night he lay awake, with revolver cocked. At the first sign of a suspicious move on my part, he had determined to kill me.
The personal tenor of our correspondence is gradually broadening into the larger scope of socio-political theories, methods of agitation, and applied tactics. The discussions, prolonged and often heated, absorb our interest. The bulky notes necessitate greater circumspection; the difficulty of procuring writing materials assumes a serious aspect. Every available scrap of paper is exhausted; margins of stray newspapers and magazines have been penciled on, the contents repeatedly erased, and the frayed tatters microscopically covered with ink. Even an occasional fly-leaf from library books has been sacrilegiously forced to leave its covers, and every evidence of its previous association dexterously removed. The problem threatens to terminate our correspondence and fills us with dismay. But the genius our faithful postman, of proud horsethieving proclivities, proves equal to the occasion: Bob constitutes himself our commissary, designating the broom shop, in which he is employed, as the base of our future supplies.
The unexpected affluence fills us with joy. The big rolls requisitioned by "Horsethief" exclude the fear of famine; the smooth yellow wrapping paper affords the luxury of larger and more legible chirography. The pride of sudden wealth germinates ambitious projects. We speculate on the possibility of converting our correspondence into a magazinelet, and wax warm over the proposed list of readers. Before long the first issue of the _Zuchthausbluethen_[38] is greeted with the encouraging approval of our sole subscriber, whose contribution surprises us in the form of a rather creditable poem on the blank last page of the publication. Elated at the happy acquisition, we unanimously crown him _Meistersinger_, with dominion over the department of poetry. Soon we plan more pretentious issues: the outward size of the publication is to remain the same, three by five inches, but the number of pages is to be enlarged; each issue to have a different editor, to ensure equality of opportunity; the readers to serve as contributing editors. The appearance of the _Bluethen_ is to be regulated by the time required to complete the circle of readers, whose identity is to be masked with certain initials, to protect them against discovery. Henceforth Bauer, physically a giant, is to be known as "G"; because of my medium stature, I shall be designated with the letter "M"; and Nold, as the smallest, by "K."[39] The poet, his history somewhat shrouded in mystery, is christened "D" for _Dichter_. "M," "K," "G," are to act, in turn, as editor-in-chief, whose province it is to start the _Bluethen_ on its way, each reader contributing to the issue till it is returned to the original editor, to enable him to read and comment upon his fellow contributors. The publication, its contents growing transit, is finally to reach the second contributor, upon whom will devolve the editorial management of the following issue.
[38] Prison Blossoms.
[39] Initial of the German _klein_, small.
The unique arrangement proves a source of much pleasure and recreation. The little magazine is rich in contents and varied in style. The diversity of handwriting heightens the interest, and stimulates speculation on the personality of our increasing readers-contributors. In the arena of the diminutive publication, there rages the conflict of contending social philosophies; here a political essay rubs elbows with a witty anecdote, and a dissertation on "The Nature of Things" is interspersed with prison small-talk and personal reminiscence. Flashes of unstudied humor and unconscious rivalry of orthography lend peculiar charm to the unconventional editorials, and waft a breath of Josh Billings into the manuscript pages.
But the success of the _Zuchthausbluethen_ soon discovers itself a veritable Frankenstein, which threatens the original foundation and aims of the magazinelet. The popularity of joint editorship is growing at the cost of unity and tendency; the Bard's astonishing facility at versification, coupled with his Jules Vernian imagination, causes us grave anxiety lest his untamable Pegasus traverse the limits of our paper supply. The appalling warning of the commissary that the improvident drain upon his resources is about to force him on a strike, imperatively calls a halt. We are deliberating policies of retrenchment and economy, when unexpectedly the arrival of two Homestead men suggests an auspicious solution.
III III The presence of Hugh F. Dempsey and Robert J. Beatty, prominent in the Knights of Labor organization, offers opportunity for propaganda among workers representing the more radical element of American labor. Accused of poisoning the food served to the strike-breakers in the mills, Dempsey and Beatty appear to me men of unusual type. Be they innocent or guilty, the philosophy of their methods is in harmony with revolutionary tactics. Labor can never be unjust in its demands: is it not the creator of all the wealth in the world? Every weapon may be employed to return the despoiled People into its rightful ownership. Is not the terrorizing of scabbery, and ultimately of the capitalist exploiters, an effective means of aiding the struggle? Therefore Dempsey and Beatty deserve acclaim. Morally certain of their guilt, I respect them the more for it, though I am saddened by their denial of complicity in the scheme of wholesale extermination of the scabs. The blackleg is also human, it is true, and desires to live. But one should starve rather than turn traitor to the cause of his class. Moreover, the individual--or any number of them--cannot be weighed against the interests of humanity.
* * * * * * * * * * Infinite patience weaves the threads that bring us in contact with the imprisoned labor leaders. In the ceaseless duel of vital need against stupidity and malice, caution and wit are sharpened by danger. The least indiscretion, the most trifling negligence, means discovery, disaster. But perseverance and intelligent purpose conquer: by the aid of the faithful "Horsethief," communication with Dempsey and Beatty is established. With the aggressiveness of strong conviction I present to them my views, dwelling on the historic role of the _Attentaeter_ and the social significance of conscious individual protest. The discussion ramifies, the interest aroused soon transcending the limits of my paper supply. Presently I am involved in a correspondence with several men, whose questions and misinterpretations regarding my act I attempt to answer and correct with individual notes. But the method proves an impossible tax on our opportunities, and "KGM" finally decide to publish an English edition of the _Zuchthausbluethen_. The German magazinelet is suspended, and in its place appears the first issue of the _Prison Blossoms_.
CHAPTER XIII THE JUDAS "Ah, there, Sporty!" my assistant greets me in the shop. "Stand treat on this festive occasion?"
"Yes, Red. Have a chew," I reply with a smile, handing him my fresh plug of tobacco.
His eyes twinkle with mischievous humor as he scrutinizes my changed suit of dark gray. The larger part of the plug swelling out his cheek, he flings to me the remnant across the table, remarking: "Don't care for't. Take back your choo, I'll keep me honor,--your plug, I mean, sonny. A gentleman of my eminence, sir, a natural-born navigator on the high seas of social life,--are you on, me bye?--a gentleman, I repeat, sir, whose canoe the mutations of all that is human have chucked on this here dry, thrice damned dry latitude, sir, this nocuous plague-spot of civilization,--say, kid, what t' hell am I talkin' about? Damn if I ain't clean forgot."
"I'm sure I don't know, Red."
"Like hell you don't! It's your glad duds, kid. Offerin' _me_ a ch-aw tob-b-bac-co! Christ, I'm dyin' for a drop of booze. This magnificent occasion deserves a wetting, sir. And, say, Aleck, it won't hurt your beauty to stretch them sleeves of yours a bit. You look like a scarecrow in them high-water pants. Ain't old Sandy the king of skinners, though!"
"Whom do you mean, Red?"
"Who I mean, you idjot! Who but that skunk of a Warden, the Honorable Captain Edward S. Wright, if you please, sir. Captain of rotten old punks, that's what he is. You ask th' screws. He's never smelt powder; why, he's been _here_ most o' his life. But some o' th' screws been here longer, borned here, damn 'em; couldn't pull 'em out o' here with a steam engine, you couldn't. They can tell you all 'bout the Cap, though. Old Sandy didn' have a plugged nickel to his name when he come 'ere, an' now the damn stomach-robber is rich. Reg'lar gold mine this dump's for 'im. Only gets a lousy five thousan' per year. Got big fam'ly an' keeps carriages an' servants, see, an' can 'ford t' go to Europe every year, an' got a big pile in th' bank to boot, all on a scurvy five thousan' a year. Good manager, ain't he? A reg'lar church member, too, damn his rotten soul to hell!"
"Is he as bad as all that, Red?"
"Is he? A hypocrite dyed in th' wool, that's what he is. Plays the humanitarian racket. He had a great deal t' say t' the papers why he didn't believe in the brutal way Iams was punished by that Homestead colonel--er--what's 'is name?"
"Colonel Streator, of the Tenth Pennsylvania."
"That's the cur. He hung up Private Iams by the thumbs till th' poor boy was almost dead. For nothin', too. Suppose you remember, don't you? Iams had called for 'three cheers for the man who shot Frick,' an' they pretty near killed 'im for 't, an' then drummed 'im out of th' regiment with 'is head half shaved."
"It was a most barbarous thing."
"An' that damn Sandy swore in th' papers he didn't believe in such things, an' all th' while th' lyin' murderer is doin' it himself. Not a day but some poor con is 'cuffed up' in th' hole. That's th' kind of humanitarian _he_ is! It makes me wild t' think on 't. Why, kid, I even get a bit excited, and forget that you, young sir, are attuned to the dulcet symphonies of classic English. But whenever that skunk of a Warden is the subject of conversation, sir, even my usually imperturbable serenity of spirit and tranquil stoicism are not equal to 'Patience on a monument smiling at grief.' Watch me, sonny, that's yours truly spielin'. Why, look at them dingy rags of yours. I liked you better in th' striped duds. They give you the hand-me-downs of that nigger that went out yesterday, an' charge you on th' books with a bran' new suit. See where Sandy gets his slice, eh? An' say, kid, how long are you here?"
"About eight months, Red."
"They beat you out o' two months all right. Suppose they obey their own rules? Nit, sir. You are aware, my precious lamb, that you are entitled to discard your polychromic vestments of zebra hue after a sojourn of six months in this benevolent dump. I bet you that fresh fish at the loopin' machine there, came up 'ere some days ago, _he_ won't be kept waitin' more'n six months for 'is black clothes."
I glance in the direction of the recent arrival. He is a slender man, with swarthy complexion and quick, shifting eye. The expression of guilty cunning is repelling.
"Who is that man?" I whisper to the assistant.
"Like 'im, don't you? Permit me, sir, to introduce to you the handiwork of his Maker, a mealy-mouthed, oily-lipped, scurvy gaycat, a yellow cur, a snivelling, fawning stool, a filthy, oozy sneak, a snake in the grass whose very presence, sir, is a mortal insult to a self-respecting member of my clan,--Mr. Patrick Gallagher, of the honorable Pinkerton family, sir."
"Gallagher?" I ask, in astonishment. "The informer, who denounced Dempsey and Beatty?"
"The very same. The dirty snitch that got those fellows railroaded here for seven years. Dempsey was a fool to bunch up with such vermin as Gallagher and Davidson. He was Master Workman of some district of the Knights of Labor. Why in hell didn't he get his own men to do th' job? Goes to work an' hires a brace of gaycats; sent 'em to the scab mills, you savvy, to sling hash for the blacklegs and keep 'im posted on the goings on, see? S'pose you have oriented yourself, sir, concerning the developments in the culinary experiment?"
"Yes. Croton oil is supposed to have been used to make the scabs sick with diarrhoea."
"Make 'em sick? Why, me bye, scores of 'em croaked. I am surprised, sir, at your use of such a vulgar term as diarrhoea. You offend my aestheticism. The learned gentlemen who delve deeply into the bowels of earth and man, sir, ascribed the sudden and phenomenal increase of unmentionable human obligations to nature, the mysterious and extravagant popularity of the houses of ill odor, sir, and the automatic obedience to their call, as due entirely to the dumping of a lot o' lousy bums, sir, into filthy quarters, or to impurities of the liquid supply, or to--pardon my frankness, sir--to intestinal effeminacy, which, in flaccid excitability, persisted in ill-timed relaxation unseemly in well-mannered Christians. Some future day, sir, there may arise a poet to glorify with beauteous epic the heroic days of the modern Bull Run--an' I kin tell you, laddie, they run and kept runnin', top and bottom--or some lyric bard may put to Hudibrastic verse--watch me climbin' th' Parnassus, kid--the poetic feet, the numbers, the assonance, and strain of the inspiring days when Croton Oil was King. Yes, sirree; but for yours truly, me hand ain't in such pies; and moreover, sir, I make it an invariable rule of gentlemanly behavior t' keep me snout out o' other people's biz."
"Dempsey may be innocent, Red."
"Well, th' joory didn't think so. But there's no tellin'. Honest t' God, Aleck, that rotten scab of a Gallagher has cast the pale hue of resolution, if I may borrow old Billy Shake's slang, sir, over me gener'ly settled convictions. You know, in the abundant plenitude of my heterogeneous experience with all sorts and conditions of rats and gaycats, sir, fortified by a natural genius of no mean order, of 1859 vintage, damme if I ever run across such an acute form of confessionitis as manifested by the lout on th' loopin' machine there. You know what he done yesterday?"
"What?"
"Sent for th' distric' attorney and made another confesh."
"Really? How do you know?"
"Night screw's a particular fren' o' mine, kid. I shtands in, see? The mick's a reg'lar Yahoo, can't hardly spell 'is own name. He daily requisitions upon my humble but abundant intelligence, sir, to make out his reports. Catch on, eh? I've never earned a hand-out with more dignified probity, sir. It's a cinch. Last night he gimme a great slice of corn dodger. It was A 1, I tell you, an' two hard boiled eggs and half a tomato, juicy and luscious, sir. Didn't I enjoy it, though! Makes your mouth water, eh, kid? Well, you be good t' me, an' you kin have what I got. I'll divvy up with you. We-ll! Don' stand there an' gape at me like a wooden Injun. Has the unexpected revelation of my magnanimous generosity deprived you of articulate utterance, sir?"
The sly wink with which he emphasizes the offer, and his suddenly serious manner, affect me unpleasantly. With pretended indifference, I decline to share his delicacies.
"You need those little extras for yourself, Red," I explain. "You told me you suffer from indigestion. A change of diet now and then will do you good. But you haven't finished telling me about the new confession of Gallagher."
"Oh, you're a sly one, Aleck; no flies on you. But it's all right, me bye, mebbe I can do somethin' for you some day. I'm your friend, Aleck; count on me. But that mutt of a Gallagher, yes, sirree, made another confession; damme if it ain't his third one. Ever hear such a thing? I got it straight from th' screw all right. I can't make the damn snitch out. Unreservedly I avow, sir, that the incomprehensible vacillations of the honorable gentleman puzzle me noodle, and are calculated to disturb the repose of a right-thinking yagg in the silken lap of Morpheus. What's 'is game, anyhow? Shall we diagnoze the peculiar mental menstruation as, er--er--what's your learned opinion, my illustrious colleague, eh? What you grinnin' for, Four Eyes? It's a serious matter, sir; a highly instructive phenomenon of intellectual vacuity, impregnated with the pernicious virus of Pinkertonism, sir, and transmuted in the alembic of Carnegie alchemy. A judicious injection of persuasive germs by the sagacious jurisconsults of the House of Dempsey, and lo! three brand-new confessions, mutually contradictory and exclusive. Does that strike you in th' right spot, sonny?"
"In the second confession he retracted his accusations against Dempsey. What is the third about, Red?"
"Retracts his retraction, me bye. Guess why, Aleck."
"I suppose he was paid to reaffirm his original charges."
"You're not far off. After that beauty of a Judas cleared the man, Sandy notified Reed and Knox. Them's smart guys, all right; the attorneys of the Carnegie Company to interpret Madame Justicia, sir, in a manner--" "I know, Red," I interrupt him, "they are the lawyers who prosecuted me. Even in court they were giving directions to the district attorney, and openly whispering to him questions to be asked the witnesses. He was just a figurehead and a tool for them, and it sounded so ridiculous when he told the jury that he was not in the service of any individual or corporation, but that he acted solely as an officer of the commonwealth, charged with the sacred duty of protecting its interests in my prosecution. And all the time he was the mouthpiece of Frick's lawyers."
"Hold on, kid. I don't get a chance to squeeze a word in edgewise when you start jawin'. Think you're on th' platform haranguing the long-haired crowd? You can't convert _me_, so save your breath, man."
"I shouldn't want to convert you, Red. You are intelligent, but a hopeless case. You are not the kind that could be useful to the Cause."
"Glad you're next. Got me sized up all right, eh? Well, me saintly bye, I'm Johnny-on-the-spot to serve the cause, all right, all right, and the cause is Me, with a big M, see? A fellow's a fool not t' look out for number one. I give it t' you straight, Aleck. What's them high-flown notions of yours--oppressed humanity and suffering people--fiddlesticks! There you go and shove your damn neck into th' noose for the strikers, but what did them fellows ever done for you, eh? Tell me that! They won't do a darned thing fer you. Catch _me_ swinging for the peo-pul! The cattle don't deserve any better than they get, that's what _I_ say."
"I don't want to discuss these questions with you, Red. You'll never understand, anyhow."
"Git off, now. You voice a sentiment, sir, that my adequate appreciation of myself would prompt me to resent on the field of honor, sir. But the unworthy spirit of acerbity is totally foreign to my nature, sir, and I shall preserve the blessed meekness so becoming the true Christian, and shall follow the bidding of the Master by humbly offering the other cheek for that chaw of th' weed I gave you. Dig down into your poke, kid."
I hand him the remnant of my tobacco, remarking: "You've lost the thread of our conversation, as usual, Red. You said the Warden sent for the Carnegie lawyers after Gallagher had recanted his original confession. Well, what did they do?"
"Don't know what _they_ done, but I tole you that the muttonhead sent for th' district attorney the same day, an' signed a third confesh. Why, Dempsey was tickled to death, 'cause--" He ceases abruptly. His quick, short coughs warn me of danger. Accompanied by the Deputy and the shop officer, the Warden is making the rounds of the machines, pausing here and there to examine the work, and listen to the request of a prisoner. The youthfully sparkling eyes present a striking contrast to the sedate manner and seamed features framed in grayish-white. Approaching the table, he greets us with a benign smile: "Good morning, boys."
Casting a glance at my assistant, the Warden inquires: "Your time must be up soon, Red?"
"Been out and back again, Cap'n," the officer laughs.
"Yes, he is, hm, hm, back home." The thin feminine accents of the Deputy sound sarcastic.
"Didn't like it outside, Red?" the Warden sneers.
A flush darkens the face of the assistant. "There's more skunks out than in," he retorts.
The Captain frowns. The Deputy lifts a warning finger, but the Warden laughs lightly, and continues on his rounds.
We work in silence for a while. "Red" looks restive, his eyes stealthily following the departing officials. Presently he whispers: "See me hand it to 'im, Aleck? He knows I'm on to 'im, all right. Didn't he look mad, though? Thought he'd burst. Sobered 'im up a bit. Pipe 'is lamps, kid?"
"Yes. Very bright eyes."
"Bright eyes your grandmother! Dope, that's what's th' matter. Think I'd get off as easy if he wasn't chuck full of th' stuff? I knowed it the minute I laid me eyes on 'im. I kin tell by them shinin' glimmers and that sick smile of his, when he's feelin' good; know th' signals, all right. Always feelin' fine when he's hit th' pipe. That's th' time you kin get anythin' you wan' of 'im. Nex' time you see that smirk on 'im, hit 'im for some one t' give us a hand here; we's goin' t' be drowned in them socks, first thing you know."
"Yes, we need more help. Why didn't _you_ ask him?"
"Me? Me ask a favor o' the damn swine? Not on your tintype! You don' catch me to vouchsafe the high and mighty, sir, the opportunity--" "All right, Red. I won't ask him, either."
"I don't give a damn. For all I care, Aleck, and--well, confidentially speaking, sir, they may ensconce their precious hosiery in the infundibular dehiscence of his Nibs, which, if I may venture my humble opinion, young sir, is sufficiently generous in its expansiveness to disregard the rugosity of a stocking turned inside out, sir. Do you follow the argument, me bye?"
"With difficulty, Red," I reply, with a smile. "What are you really talking about? I do wish you'd speak plainer."
"You do, do you? An' mebbe you don't. Got to train you right; gradual, so to speak. It's me dooty to a prushun. But we'se got t' get help here. I ain't goin' t' kill meself workin' like a nigger. I'll quit first. D' you think--s-s-ss!"
The shop officer is returning. "Damn your impudence, Red," he shouts at the assistant. "Why don't you keep that tongue of yours in check?"
"Why, Mr. Cosson, what's th' trouble?"
"You know damn well what's the trouble. You made the old man mad clean through. You ought t' know better'n that. He was nice as pie till you opened that big trap of yourn. Everythin' went wrong then. He gave me th' dickens about that pile you got lyin' aroun' here. Why don't you take it over to th' loopers, Burk?"
"They have not been turned yet," I reply.
"What d' you say? Not turned!" he bristles. "What in hell are you fellows doin', I'd like t' know."
"We're doin' more'n we should," "Red" retorts, defiantly.
"Shut up now, an' get a move on you."
"On that rotten grub they feed us?" the assistant persists.
"You better shut up, Red."
"Then give us some help."
"I will like hell!"
The whistle sounds the dinner hour.
CHAPTER XIV THE DIP For a week "Boston Red" is absent from work. My best efforts seem ineffectual in the face of the increasing mountain of unturned hosiery, and the officer grows more irritable and insistent. But the fear of clogging the industrial wheel presently forces him to give me assistance, and a dapper young man, keen-eyed and nervous, takes the vacant place.
"He's a dip,"[40] Johnny Davis whispers to me. "A top-notcher," he adds, admiringly.
[40] Pickpocket.
I experience a tinge of resentment at the equality implied by the forced association. I have never before come in personal contact with a professional thief, and I entertain the vaguest ideas concerning his class. But they are not producers; hence parasites who deliberately prey upon society, upon the poor, mostly. There can be nothing in common between me and this man.
* * * * * * * * * * The new helper's conscious superiority is provoking. His distant manner piques my curiosity. How unlike his scornful mien and proudly independent bearing is my youthful impression of a thief! Vividly I remember the red-headed Kolya, as he was taken from the classroom by a fierce gendarme. The boys had been missing their lunches, and Kolya confessed the theft. We ran after the prisoner, and he hung his head and looked frightened, and so pale I could count each freckle on his face. He did not return to school, and I wondered what had become of him. The terror in his eyes haunted my dreams, the brown spots on his forehead shaping themselves into fiery letters, spelling the fearful word _vor_.[41] [41] Thief.
"That's a snap," the helper's voice breaks in on my reverie. He speaks in well-modulated tones, the accents nasal and decided. "You needn't be afraid to talk," he adds, patronizingly.
"I am not afraid," I impatiently resent the insinuation. "Why should I be afraid of you?"
"Not of me; of the officer, I meant."
"I am not afraid of him, either."
"Well, then, let's talk about something. It will help while away the time, you know."
His cheerful friendliness smooths my ruffled temper. The correct English, in striking contrast with the peculiar language of my former assistant, surprises me.
"I am sorry," he continues, "they gave you such a long sentence, Mr. Berkman, but--"