even if it be in the same book and on the same page or in the same period, he is no longer a critic, but a practical reformer of art. In one domain of history alone is this pacific accompaniment of interpretations and aspirations impossible — in the history of philosophy, because when, as here, there is a difference between historical interpre- tation and the tendency of the philosopher, the difference reveals the insufficiency of the interpretation itself: in other words, if the theory of the historian of philosophy is at war with the theories of which he claims to expound the history, his theory must be false, just because it does not avail to justify the history of the theories. But this exception does not annul the distinction in other fields; indeed, it confirms it, and is not an exception in the empirical sense, as it appears to be: thought distinguishes and is distinguished from sentiment and will, but it is not distinguished from itself, precisely because it is the principle of distinction. A methodo- logical corollary of this distinction between history of historiography and history of practical tendencies is that the introduction into the first of considerations belonging to the second is to be held erroneous. Here I think Fueter has sinned to some extent in the book to which I have already referred, where he divides his material into humanistic, political, party, imperial, particularist, Protestant, Catholic, Jesuitic, illuministic, romanticist, erudite, lirico-subjective, national, statolatral, historiographical, and the like. Only some of the above divisions belong to, or can properly be reduced to, historiographical concepts, while the majority refer to social and political life. Hence the lack of sound organization that we observe in this book, which is yet so lively and ingenious: its divisions follow one another without sufficient logicality, continuity, and necessity, PRELIMINARY QUESTIONS 171 and are not the result of a single thought which posits them and develops itself through them. If, on the other hand, the genuinely historiographical portions, which have become mingled with it, should be eliminated, what remained could certainly be organized, but as social and political history, no longer as historiography, because the works of historians would be consulted only as documents showing the tendencies of the times in which they were written. Machiavelli, for instance, (to use the same example) would there figure as an Italian patriot and defender of absolute power, while Vico (a much greater historian than Machiavelli) would not be able to appear at all, or hardly at all, because his relation with the political life of his time was remote and general.
What I have been expounding may be resumed by saying that the history of historiography is neither literary history nor the history of cultural, social, political, moral doings, which are of a -practical nature, but that it is certainly all these things, by reason of the unbreakable unity of history, though with it the accent does not fall upon practical facts, but rather upon historiographical thought, which is its proper subject.
Having pointed out or recalled these distinctions, which, as we have seen, are sometimes neglected with evil results, we must now utter a warning against other distinctions, employed without rational basis, which rather overcloud and trouble the history of historiography than shed light upon it.
Fueter (I cite him again, although the error is not peculiar to him) declares that he has dealt in his book with historiographical theories and with historical method only in so far as they seem to have had influence upon actual historiography. The history of historicity (here 172 HISTORY OF HISTORIOGRAPHY is the reason he gives for the method he has followed) is as little the history of historiography as is the history of dramatic theories the history of the drama. This he considers to be proved by the fact that theory and practice often follow different paths, as, for instance, in Lope de Vega, whose theory of the drama and actual dramatic work were two different things, to such an extent that it was said of the Spanish dramatist that although he reverenced the poetical art, when he sat down to compose "he locked up the correct rules under seven keys." This argument is without doubt specious, and I was myself formerly seduced by it; but it is fallacious, as I realized when I thought it over again, and I now affirm it to be an error with all the conviction and authority of one who criticizes an error at one time his own. The argument is founded upon a false analogy between the production of art and that of history. Art, which is the work of the imagination, can be well dis- tinguished from the theory of art, which is the work of reflection; artistic genius produces the former, the speculative intellect the latter, and it often happens with artists that the speculative intellect is inferior to their genius, so that they do one thing and say another, or say one thing and do another, without its being possible to accuse them of logical incoherence, because the incoherence is between two discordant thoughts, never between a thought and an act of the imagination. But history and theory of history are both of them works of thought, bound to one another in the same way as thought is bound to itself, since it is one. Thus no historian but possesses in a more or less reflective way his theory of history, because, not to put too fine a point upon it, every historian implicitly or explicitly conducts a polemic against other historians (against other * versions ' PRELIMINARY QUESTIONS 173 and ' judgments ' of a fact), and how could he ever conduct a polemic or criticize others if he did not himself possess a conception of what history is and ought to be, to which to refer, a theory of history? The artist, on the other hand, in so far as he is an artist, does not polemize or criticize, but forms. It may quite well happen that an erroneous theory of historiography is expounded, while on the contrary the history as narrated may turn out to be well constructed. This is, of course, to be incoherent, but is so neither more nor less than when progress is effected in one branch of historiography, while there is backwardness in another. There may obtain, on the contrary, an excellent theory of history, where history itself is bad; but in the same way that in one field of historiography there is the sense of and striving for a better method, while there is adherence to old methods in all the other fields. The history of historiography is the history of historical thought; and here it is impossible to distinguish theory of history from history.
Another exclusion which Fueter declares that he has made is that of the philosophy of history. He does not give the reason for this, but allows it to be understood, for he evidently holds that philosophies of history do not possess a purely scientific character and are lacking in truth. But not only are what are called * philo- sophies of history ' erroneous conceptions of history, but so also are the naturalistic or deterministic conceptions opposed to them, and all the various forms of pseudo- history which have been described above, philological history, poetical history, rhetorical history. I do not find that he has excluded these from his history, any more than he has really excluded the theological and transcendental conception of history (philosophy of 174 HISTORY OF HISTORIOGRAPHY history); indeed, he constantly refers to it. Justice and logic would insist upon all or none being excluded — all really excluded, and not merely in words. But to exclude all of them, it may be said, would be anything but intelligent, because how could the history of his- tory ever be told in such a void? What is this history but the struggle of scientific historiography against inadequate scientific formulas? Certainly the former is the protagonist, but how could a drama be presented with a protagonist lacking antagonists? And even if historical philology be not considered directly, but referred back to philology, if poetical history be referred back to literature, rhetorical or practical to social and political history, it would nevertheless be necessary always to take account of the conversion that often occurs of those various mental constructions into assertions of reality, taken in exchange for and given the value of true and proper histories. In this sense they become in turn deterministic or transcendental con- ceptions of history, and both of them logical or illogical representations of all the others, and end by becoming equivalent to one another dialectically, and are always before the eyes of the historian, because the perpetual condition and the perpetual sign of the progress of historical thought reside in their movement, which passes from transcendency or false immanence to pure immanence, to return to them and enter into a more profound conception of immanency. To exclude philoso- phies of history from the history of historiography does not, therefore, seem to me to be justifiable, for the same reason as it seems to be unjustifiable to exclude from it historiographical theories, which are the consciousness that historiography acquires of itself: owing to their homogeneity, I say, owing indeed to PRELIMINARY QUESTIONS 175 their identity with history, of which they do not form accidental ingredients or material elements, but con- stitute the very essence. A proof of this is to be found in the Historical Philosophy of France of Flint. He pro- ceeds from a presumption that is perhaps the opposite of that of Fueter — that is to say, he treats of the philosophy of history, and not of history, but finds it impossible to maintain the dykes between the two. His treatise, therefore, when artificial obstacles have been overcome, runs like a single river and reveals to our view the whole history of historical French thought, to which Bossuet and Rollin, Condorcet and Voltaire, Auguste Comte and Michelet or Tocqueville equally belong.
At this point it will probably be objected (although Fueter does not propound this objection, it is probable that it is at the back of his mind) that what is desired in a history of historiography is not so much a history of historical thought as a history of history in the concrete: of the Storie fiorentine of Machiavelli, of the Sikle de Louis XIV of Voltaire, or of the Rbmische Geschichte of Niebuhr: that would be a general history, while what is desired is a specific history. But it is well to pay close attention to the meaning of such a request and to the possibility of what is asked. If I set out to write the history of the Storie fiorentine of Machiavelli, in respect to the particular material with which it deals, I shall rewrite the history of Florence, criticizing and completing Machiavelli, and shall thus be, for instance, a Villari, a Davidsohn, or a Salvemini. If I set out to write the history of the material of Voltaire's work, I shall criticize Voltaire and outline a new Siecle de Louis XIF> as has been done, for example, by Philippson. And if I set to work to examine and 176 HISTORY OF HISTORIOGRAPHY rethink the work of Niebuhr in respect to its particular material, I shall be a new historian of Rome, a Mommsen or (to quote the most recent writers) a Hector Pais or a Gaetano de Sanctis. But is this what is desired? Certainly not. But if this be not desired, if the parti- cular materials of those histories are not to be taken account of, what else remains save the * way ' in which they have been conceived, the ' mental form ' by means of which they construct their narratives, and therefore their theory and their historical * thought '?
Now, if this truth be admitted (and I do not see how it can be contested) it is not possible to reject an ulterior consequence which, although it is wont to arouse in some the sensation of a paradox, does not do so in us, for we find it altogether in accordance with the conception of the identity of history with philosophy that we have defended. Is a thought that is not thought conceivable? Is it permissible to dis- tinguish between the thought of the historian and the thought of the philosopher? Are there perhaps two different thoughts in the world? To persist in main- taining that the thought of the historian thinks the fact and not the theory is prevented by the preceding admission, if by nothing else: that the historian always thinks at least both the theory of history and the historical fact. But this admission entails his thinking the theory of all the things that he narrates, together with the theory of history. And indeed he could not narrate without understanding them. Fueter extols the merit of Winckelmann, who was the first to conceive a history, not of artists, but of art, of a pure spiritual activity, and that of Giannone, who was the first to attempt a history of the life of jurisprudence. But these writers made the progress they did because they PRELIMINARY QUESTIONS 177 had a new and more accurate conception of art and of rights, and if they went wrong as to certain points, that is because they did not always think those con- ceptions with equal exactitude. Winckelmann, for instance, materialized the spiritual activity of the artist when he posited an abstract, fixed material ideal of beauty, and gave an abstract history of artistic styles without regard to the temperaments, historical circum- stances, and individualities of the artists themselves. Giannone failed to supersede the dualism of Church and State. Without indulging in other too particular examples, it is evident at the first glance that ancient historiography concords with the ancient conception of religion of the state, of ethic, and of the whole of reality; the medieval with Christian theology and ethic; that of the first half of the nineteenth century with the idealistic and romantic philosophy, that of the second half with naturalistic and positivistic philosophy. Thus, ex parte historkorum^ there is no way of distinguishing historical and philosophical thought, which are perfectly commingled in the narratives. But there is also no possibility of maintaining such a distinction ex parte philosophorum either, because, as all know, or at least say, each period has the philosophy proper to it, which is the consciousness of that period, and as such is its history, at least in germ; or, as we have put it, philo- sophy and history coincide. And if they coincide, the history of philosophy and the history of historiography ilso coincide: the one is not only not distinguishable from the other, but is not even subordinate to the )ther, for it is all one with it.
The historiography of philosophy has already begun o open its arms, inviting and receiving the works of he historians. Every day it understands better that a 178 HISTORY OF HISTORIOGRAPHY history of Greek thought is not complete without taking count of Herodotus, Thucydides, and Polybius, nor of Roman thought without Livy and Tacitus, nor of the thought of the Renaissance without Machiavelli and Guicciardini. It must open them yet wider and clasp to its bosom even the humble medieval historiographers who noted the Gesta episcoporum or Historiola trans- lationum or Vita sanctorum^ or who bear witness to the Christian faith, according to their powers and in their own way, it is true, but not less than the great Augustine according to his powers. It must receive not only the hagiographical writers, but even obtuse philologists or sociologists who have amused us during the last decades and bear witness to the creed of positivism not other- wise than as Spencer or Haeckel in their systems. By means of this amplification of concepts and enrichment of material, the historiography of philosophy will place itself in the position of being able to show that philo- sophy is a force diffused throughout life, and not the particular invention and cult of certain men who are philosophers, and will obtain the means that have hitherto been lacking to effect a close conjunction with the whole historical movement.
In its turn the history of historiography will gain by the fusion, because it will find its own directive principles in philosophy, and by its means will be rendered capable of understanding both the problems of history in general and those of its various aspects as history of art and of philosophy, of economic and moral life. To seek elsewhere the criterion of explana- tion is vain. Fueter, who takes a glance at the most recent historiography, that posterior to 1870, at the end of his book, discerns in it the new consciousness that gives the highest place to political and military PRELIMINARY QUESTIONS 179 power and marks the end of the old liberalism, the strengthening of such consciousness by means of the Darwinian theories concerning the struggle for life, the influence of a more intense economical and industrial life and a greater intensity of world politics, the reper- cussion of Egyptian and Orientalistic discoveries, which have aided in disproving the illusion of Europe as the centre of the world, the attraction exercised by the theory of races, and so on. These observations are just, but they do not reach the heart and brain of the most recent historiography; they merely revolve round its body. The heart or brain is, as I have observed, naturalism, the ideal of historical culture inspired and to be inspired by the natural sciences. So true is this that Fueter himself burns a few grains of incense before this idol, sighing for a form of history that shall be beautiful with the beauty of a well-made machine, rivalling a book on physics such as the Theory of Tones of Helmholtz. The truth is that the ideal of the natural sciences, instead of being the perfection, is one of the many crises that historical thought has passed through and will pass through. Historical thought is dialectic of development, and not by any means a deterministic explanation by means of causes which does not explain anything because it does not develop anything. But whatever we may think of this, it is certain that naturalism — that is, the criticism of naturalism — can alone supply the clue for unravelling the web of the historiography of the last ten years; the same events and historical movements enumerated above have acted in the particular way in which they have acted owing to being constantly framed in naturalistic thought.
For the rest, nothing forbids, and it may even serve 1 useful purpose, that the history of philosophy and the 180 HISTORY OF HISTORIOGRAPHY history of historiography should receive literary treat- ment in different books, for altogether practical reasons, such, for instance, as the abundance of material and the different training and acquirements needed for the treatment of the different classes of material. But what is apparently disunited by practice thought really unifies; and this real unification is what I have wished to inculcate, without the pedantic idea ever passing through my mind of dictating rules for composing books, as to which it is desirable to leave all liberty of inclusion and exclusion to writers, in conformity with their various intentions.
II IGRjECO-ROMAN HISTORIOGRAPHY A FTER what we have said as to the nature of /% periodization,1 the usual custom, to which I too -a. A- bow here, of beginning the history of historio- graphy with that of the Greeks, and with the Greeks of the fifth or sixth century before Christ, will be taken for what it is really worth, but it must not be thought that we thus intend to announce the beginning of historiography, its first appearance in the world, when, on the contrary, all we wish to say is that our interest in the investigation of its course becomes more vivid at that point. History, like philosophy, has no historical beginning, but only an ideal or metaphysical beginning, in so far as it is an activity of thought, which is outside time. Historically speaking, it is quite clear that prior to Herodotus, prior to the logographs, prior indeed to Hesiod and to Homer, history was already, because it is impossible to conceive of men who do not think and do not narrate their deeds in some way or other. This explanation might seem to be superfluous if the confusion between historical beginning and ideal beginning had not led to the fancy of a * first philosophical step,' made by Thales or Zeno, or by somebody else, by means of which thinking the first stone is supposed to have been laid, as it was believed that by thinking another last step the pinnacle of the edifice of philosophy was or would be attained. But Thales and Herodotus should really be called rather the * sons ' of our interest in the development of those I8l 1 82 HISTORY OF HISTORIOGRAPHY disciplines than the ' fathers ' of philosophy and history, and it is we whom those sons salute as their ' fathers/ We have not usually much interest in what occurred prior to them or among people more distant than they from our point of view, ' not only because there is a scarcity of surviving documents concerning them, but above all because they are forms of thought which have but little connexion with our own actual problems.
From its point of view, too, the distinction that we laid down between history and philology suggests refraining from the search hitherto made for the begin- nings of Graeco-Roman historiography by means of composing lists of magistrates and of adding to these brief mention of wars, treatises, embassies from colonies, religious festivities, earthquakes, inundations, and the like, in the wpoi, and in the annates pontificum, in archives and museums made in temples, or indeed in the chrono- logical nails fixed to the walls, spoken of by Perizonius. Such things are extrinsic to historiography and form the precedent, not of it, but of chronicle and philology, which were not born for the first time in the nineteenth or seventeenth century, or at any rate during the Alexandrine period, but belong to all times, for in all times men take note of what they remember and attempt to preserve such memorials intact, to restore and to increase them. The precedent of history cannot be something different from history, but is history itself, as philosophy is the precedent of philosophy and the living of the living. Nevertheless the thought of Herodotus and of the logographs really does unite itself with religions, myths, theogonies, cosmogonies, genealogies, and with legendary and epical tales, which were not indeed poetry, or were not only poetry but also thoughts — that is to say, metaphysics and histories.
I The whole of later historiography developed from them by a dialectical process, for which they supplied the presuppositions — that is to say, concepts, proposi- tions of fact and fancy mingled, and with that the stimulus better to seek out the truth and to dissipate fancies. This dissipation took place more rapidly at the time which it is usual to fix by convention as the beginning of Greek historiography.
At that time thought deserts mythological history and its ruder form, prodigious or miraculous history, and enters earthly or human history — that is to say, the general conception that is still ours, so much so that it has been possible for an illustrious living historian to propose the works of Thucydides as an example and model to the historians of our times. Certainly that exit and that entrance did not represent for the Greeks a complete breaking with the past; and since earthly history could not have been altogether wanting in the past, so it is not to be believed that the Greeks from the sixth and seventh centuries onward should have abandoned all faith in mythology and prodigies. These things persisted not only with the people and among lesser or vulgar historiographers, but also left their traces among some of the greatest. Nevertheless, looking at the whole from above, as one should look at it, it is evident that the environment is altogether changed from what it was. Even the many fables that we read in Herodotus, and which were to be read in the logographs, are rarely (as has been justly observed) put forward ingenuously, but are usually given as by one who collects what others believe, and does not for that reason accept those beliefs,