tradictory conceptions above mentioned of fortune or of the gods, the belief in a universal worsening of things, in a fall or a regression, which had already been expressed in many ancient myths, were not by any means solutions. Owing to their failure to realize spiritual value as the immanent progressive force in history, even the loftiest of the ancient historians were not able to maintain the unity and autonomy of historiographical work, which in other respects they had discovered and asserted. Although they had penetrated the deception exercised by those histories that are really poetry, or lies and partisanship, or collections of material and unintelligent piling up of erudition, or instruments of pleasure, affording marvel for simple folk, yet they were on the other hand incapable of ever setting themselves free of the preconception of history as directed to an end of edification and chiefly of instruction. This real hetero- nomy then appeared to be autonomy. They are all agreed as to this: Thucydides proposed to narrate past events in order to predict from them future events, identical or similar, the perpetual return of human fortunes; Polybius sought out the causes of facts in order that he might apply them to analogous cases, and held those unexpected events to be of inferior importance whose irregularities place them outside rules; Tacitus, in conformity with his chief interest, which was rather moralistic than social or political, held his chief end to be the collection of facts notable for the vice or virtue which they contained, ne virtutes sileantur utquepravis dictis factisque ex posteritate et infamia metus sit. Behind them came all the minor historians, all the hypocrites, who re- peated by imitation or involuntary echo or false unction and in a superficial way what in the greater writers was the result of profound thought, as, for instance, the Sallusts, the Diogenes, the Diodori, the Plutarchs, and those that resemble them. Then there were all the ex- tractors of historical quintessences, of memorable deeds and words of statesmen, captains, and philosophers, and even of women (the ywaiKcov aperai}. Ancient historio- graphy has been called * pragmatical,* and such it is, in the double sense of the word, ancient and modern: in so far as it limits itself to the earthly side of things and especially to the political (the ' pragmatic ' of Polybius), and in so far as it adorns them with reflections and advice (the ' apodictic ' of the same historian-theorist).
198 HISTORY OF HISTORIOGRAPHY This heteronomous theory of history does not always remain merely theory, prologue, or frame, but some- times operates so as to lead to the mingling of elements that are not historiographical with history, such as, for instance, is the case with the ' speeches ' or ' orations ' of historical personages, not delivered or not in agreement with what was really said, but invented or arranged by the historian and put into the mouths of the personages. This, in my opinion, has been wrongly looked upon as a survival of the ' epic spirit ' in ancient historiography, or as a simple proof of the rhetorical ability of the narrators, because, if the first explanation hold as to some of the popular writers and the second as to certain rhetoricians, the origin of those falsifications was with the greater historians nothing but the fulfilment of the obligation of teaching and counselling accepted by them. But when such ends had been assigned to history, its intrinsic quality of truth and the line of demarcation which it drew between real and imaginary could not but vacil- late to some extent, since the imaginary sometimes served excellently well and even better than the real for those ends. And setting aside Plato, who despised all knowledge save that of the transcendental ideas, did not Aristotle himself ask whether the greater truth belonged to history or to poetry? Had he not indeed said that history is c less philosophical ' than poetry? And if so why should not history have availed itself of the aid of poetry and of imagination? In any case, resistance could be opposed to this ulterior perversion by seeking the truth with vigilant eye, and also by reducing the share of the imaginary speeches and other parerga to the smallest dimensions. But it was impossible to dispense with belief in the end of instruction, because it was in any case necessary that history should have , some end, and a true end had not been discovered, and the end of instruction performed almost the function of a metaphor of the truth, since it was to some extent the nearest to the truth. In Polybius critical vigilance, scientific austerity, a keen desire for ample and severe history, attain to so high a level that one would feel disposed to treat the historian of Megalopolis like one of those great pagans that medieval imagination admitted to Paradise, or at least to Purgatory, as worthy of having known the true God by extraordinary means and as a reward for their intense moral conscience. But if we envisage the matter with greater calmness we shall have to consign Polybius also to the Limbo where those who "were before Christianity " and "did not duly adore God " are received. They were men of great value and reached the boundary, even touching it, but they never passed beyond.
< Ill MEDIEVAL HISTORIOGRAPHY FOR the same reason that we must not look upon the beginning of any history as an absolute beginning, or conceive of epochs in a simplicistic manner, as though they were strictly limited to the determinations represented by their general character, we must be careful not to identify the humanistic conception of history with the ancient epoch of historio- graphy which it characterizes or symbolizes — in fact, we must not make historical the ideal categories, which are eternal. Graeco-Roman historiography was without doubt humanistic, but it was a Graeco-Roman humanism — that is to say, it not only had all the limitations that we have been pointing out, but also the special physiognomy which such humanism assumes in the ancient historians and thinkers, varying more or less in each one of them. Not only was it thus humanistic, but other formations of the same sort probably preceded, as they certainly followed, it in the course of the centuries. It is perhaps attractive, but it is also artificial (and contrary to the true concept of progress), to conceive of the history of philo- sophy and of historiography as of a series of ideal phases, which are traversed once only, and to transform philo- sophers into categories and categories into philosophers, making synonymous Democritus and the atom, Plato and the transcendental idea, Descartes and dualism, Spinoza and pantheism, Leibnitz and monadism, whittling down history to the dimensions of a Dynastengeschkhte^ as a German critic has satirically described it, or treating it .
MEDIEVAL HISTORIOGRAPHY 201 according to a sort of * line of buckets ' theory, as an Englishman has humorously described it. Hence, too, the view that history has not yet appeared in the world, or that it has appeared for the first time and by flashes, in response to the invocations made by the historian and the critic of the present day. But every thinking of his- tory is always adequate to the moment at which it appears and always inadequate to the moment that follows.
The opportuneness of this warning is confirmed by the astonishment of those who consider the passage from ancient to Christian or medieval historiography; for what can be the meaning of this passage, in which we find ourselves faced with a miraculous and mytholo- gical world all over again, identical as it seems, in its general characteristics, with that of the ancient historians, which has disappeared? It is certainly not progress, but rather falling into a ditch, into which also fall all the dearest illusions relating to the perpetual advance of humanity. And the Middle Ages did seem to be a ditch or a declivity, sometimes during the perioAJtself and most clearly at the Renaissance, and this image is still represented in common belief. Restricting our- selves solely to the domain of historiography, and following up the impression of astonishment at first caused by it, we end by representing events at the beginning of the Middle Ages somewhat in the way they appeared to our writer Adolfo Bartoli, in his introductory volume to the History of Italian Literature^ which is all broken up with cries of horror and with the gesture of covering the face lest he should see so much ugliness. " We are in a world," writes Bartoli, when speaking of Gregory of Tours, " where thought has descended so low as to cause pity, in a world where a conception of history no longer exists," and history also 202 HISTORY OF HISTORIOGRAPHY becomes "a humble handmaid to theology — that is to say, an aberration of the spirit." And after Gregory of Tours (continues Bartoli) there is a further fall: " Behold Fredigarius, in whom credulity, ignorance, and con- fusion surpass every limit...there survives in him nothing of a previous civilization." After Fredigarius, with the monastic chronicle, we take another step down- ward toward nothingness, though this would seem to be impossible. Here "we seem to see the lean monk putting his trembling head out of the narrow window of his cell every five or eleven years, to make sure that men are not all dead, and then shutting himself up again in the prison, where he lives only in the expectation of death." We must protest against such shrinking back (which makes the critic of to-day look like the " lean monk " whose appearance he has so vividly portrayed); we must assert that mythology and miracle and transcendency certainly returned in the Middle Ages — that is to say, that these ideal categories again acted with almost equal force and that they almost reassumed their ancient bulk, but they did not return historically identical with those of the pre-Hellenic world. We must seek in the heart of their new manifestations for the effective progress which is certainly accomplished by Gregory of Tours and Fredigarius, and even by the monkish chroniclers.
The divinity descends again to mingle anthropo- morphically with the affairs of men, as a most powerful or ultra-powerful personage among the less powerful; the gods are now the saints, and Peter and Paul intervene in favour of this or that people; St Mark, St Gregory, St Andrew, or St January lead the array of the combatants, the one vying with the other, and sometimes against the other, playing malicious tricks upon one another; and MEDIEVAL HISTORIOGRAPHY 203 in the performance or the non-performance of an act of worship is again placed the loss or gain of a battle: medieval poems and chronicles are full of such stories. These conceptions are analogous to the antique, and indeed they are their historical continuation. This is not only so (as has so often been pointed out) owing to the attachment of this or that particular of ancient faith to popular religion and to the transformation of gods into saints and demons, but also, and above all, to a more substantial reason. Ancient thought had left fortune, the divinity, the inscrutable, at the edge of its humanism, with the result that the prodigious was never completely eliminated even from the most severe his- torians— the door at any rate was left open by which it could return. All are aware with how many * super- stitions ' philosophy, science, history, and customs were impregnated during late antiquity, which in this respect was not intellectually superior, but indeed inferior, to the new Christian religion. In the latter the fables gradually formed and miracles which were believed became spiritualized and ceased to be * super- stitions ' — that is to say, something extraneous or dis- cordant to the general humanistic conception — and set themselves in harmony with the new supernaturalistic and transcendental conception, of which they were the accompaniment. Thus myth and miracle, becoming intensified in Christianity, became at the same time different from ancient myths and miracles.
They were different and more lofty, because they con- tained a more lofty thought: the thought of spiritual worth, which was not peculiar to this or to that people, but common to the whole of humanity. The ancients had indeed touched upon this thought in speculation, but they had never possessed it, and their philosophers had sought 2o4 HISTORY OF HISTORIOGRAPHY it in vain or attained to it only in abstract speculation not capable of investing the whole soul, as is the case with thoughts that are profoundly thought, and as was the case with Christianity. Paulus Orosius expresses this in his Historic adversus paganos, in such accents as no Graeco-Roman historian had been able to utter: Vbique patria^ ubique lex et religio mea est,...Latitudo orientis, septentrionis copiositas, meridiana dijfusio, mag- narum insularum largissima tutissimaque sedes mei juris et nominis sunt, quia ad Christianos et Romanos Romanus et Christianus accedo. To the virtue of the citizen is added that of man, of spiritual man, who puts himself on a level with the truth by means of his religious faith and by his work, which is humanly good. To the illustrious men among the pagans are opposed illustrious men among the Christians who are better than illustrious, being saints; and the new Plutarch is found in the Vita patrum or eremitarum^ in the lives of the confessors of Christ, of the martyrs, of the propagators of the true faith; the new epics describe the conflicts of the faithful against unbelievers, of Christians against heretics and Islamites. There is here a greater con- sciousness of conflict than the Greeks had of the conflict between Greeks and barbarians, or freedmen and slaves, which were usually looked upon rather as representing differences of nature than of spiritual values. Eccle- siastical history now appears, no longer that of Athens or of Rome, but of religion and of the Church which represented it in its strifes and in its triumphs — that is to say, the strifes and triumphs of the truth. This was a thing without precedent in the ancient world, whose histories of culture, of art or philosophy, did not go beyond the empirical stage, as we have seen, whereas ecclesiastical history has a spiritual value as its subject, MEDIEVAL HISTORIOGRAPHY 205 by means of which it illuminates and judges facts. To censure ecclesiastical history because it overrules and oppresses profane history will perhaps be justified, as we shall see, from certain points of view and in a certain sense; but it is not justifiable as a general criticism of the idea of that history, and, indeed, when we formulate the censure in these terms we are unconsciously pro- nouncing a warm eulogy of it. The historia spiri talis (as we may also call it, employing the title of Avito's poem) could not and in truth would not consent to be a mere part, or to suffer rivals at its side: it must dominate and affirm itself as the whole. And since history becomes history of the truth with Chris- tianity, it abandons at the same time the fortuitous and chance, to which the ancients had often abandoned it, and recognizes its own proper law, which is no longer a natural law, blind fate, or even the influence of the stars (St Augustine confutes this doctrine of the pagans), 1 but rationality, intelligence, providence. This conception was not unknown to ancient philosophy, but is now set free from the frost of intellectualism and abstractionism and becomes warm and fruitful. Providence guides and disposes the course of events, directing them to an end, permitting evils as punishments and as instruments of education, determining the greatness and the cata- strophes of empires, in order to prepare the kingdom of God. This means that for the first time is really broken the idea of the circle, of the perpetual return of human affairs to their starting-point, of the vain labour of the Danaids (St Augustine also combats the circuitus); history for the first time is here understood as progress: 2l progress that the ancient historians did not succeed in discovering, save in rare glimpses, thus falling into unconsolable pessimism, whereas Christian pessimism 206 HISTORY OF HISTORIOGRAPHY is irradiated with hope. Hence the importance to be attributed to the succession of empires and to the function fulfilled by each of them, and especially with regard to the Roman Empire, which politically unified the world that Christ came to unify spiritually, to the position of Judaism as opposed to Christianity, and the like. These questions have been answered in various ways, but on the common assumption that divine intelligence had willed those events, that greatness and that decadence, those joys and afflictions, and therefore that all had been necessary means of the divine work, and that all had competed in and were competing in the final end of history, linked one with the other, not as effects following from a blind cause, but as stages of a process. Hence, too, history understood as universal history, no longer in the sense of Polybius, who narrates the transactions of those states which enter into relations with one another, but in the profounder sense of a history of the universal, of the universal by excellence, which is history in labour with God and toward God. By means of this spirit which invests them, even the most neglected of the chronicles become surrounded with a halo, which is wanting to the classical histories of Greece and Rome, and which, however distant they be from our particular view-points, yet in their general aspect makes them very near to our heart and mind.
Such are the new problems and the new solutions which Christianity brought to historical thought, and it may be said of them, as of the political and humanistic thought of the ancients, that they constitute a solid possession of perpetual efficacy for the human spirit. Eusebius of Caesarea is to be placed beside Herodotus as ' father ' of modern historiography, however little disposed it may be to recognize its parents in that MEDIEVAL HISTORIOGRAPHY 207 barbaric author and in the others who were called 1 fathers of the Church, ' to whom, and particularly to St Augustine, it yet owes so great a part of itself. What are our histories of culture, of civilization, of progress, of humanity, of truth, save the form of ecclesiastical history in harmony with our times — that is to say, of the triumph and propagation of the faith, of the strife against the powers of darkness, of the successive treat- ments of the new evangel, or good news, made afresh with each succeeding epoch? Do not the modern histories, which narrate the function performed or the pre-eminence assumed by this or that nation in the work of civilization, correspond to the Gesta Dei per Francos and to other like formulas of medieval historiography? And our universal histories are such not only in the sense of Polybius, but also of the universal as ideal, purified and elevated in the Christian sense; hence the religious sentiment which we experience on approaching the solemnity of history.