why, upon the return of the same impression, we should be determined to place the same object in the same relation to it. There is no manner of necessity for the mind to feign any resembling and contiguous objects; and if it feigns such, there is as little necessity for it always to confine itself to the same, without any difference or variation. And indeed such a fiction is founded on so little reason, that nothing but pure caprice can determine the mind to form it; and that principle being fluctuating and uncertain, it is impossible it can ever operate with any considerable degree of force and constancy. The mind forsees and anticipates the change; and even from the very first instant feels the looseness of its actions, and the weak hold it has of its objects. And as this imperfection is very sensible in every single instance, it still encreases by experience and observation, when we compare the several instances we may remember, and form a general rule against the reposing any assurance in those momentary glimpses of light, which arise in the imagination from a feigned resemblance and contiguity.
The relation of cause and effect has all the opposite advantages. The objects it presents are fixt and unalterable. The impressions of the memory never change in any considerable degree; and each impression draws along with it a precise idea, which takes its place in the imagination as something solid and real, certain and invariable. The thought is always determined to pass from the impression to the idea, and from that particular impression to that particular idea, without any choice or hesitation.
But not content with removing this objection, I shall endeavour to extract from it a proof of the present doctrine. Contiguity and resemblance have an effect much inferior to causation; but still have some effect, and augment the conviction of any opinion, and the vivacity of any conception. If this can be proved in several new instances, beside what we have already observed, it will be allowed no inconsiderable argument, that belief is nothing but a lively idea related to a present impression.
To begin with contiguity; it has been remarked among the Mahometans as well as Christians, that those pilgrims, who have seen MECCA or the HOLY LAND, are ever after more faithful and zealous believers, than those who have not had that advantage. A man, whose memory presents him with a lively image of the Red-Sea, and the Desert, and Jerusalem, and Galilee, can never doubt of any miraculous events, which are related either by Moses or the Evangelists. The lively idea of the places passes by an easy transition to the facts, which are supposed to have been related to them by contiguity, and encreases the belief by encreasing the vivacity of the conception. The remembrance of these fields and rivers has the same influence on the vulgar as a new argument; and from the same causes.
We may form a like observation concerning resemblance. We have remarked, that the conclusion, which we draw from a present object to its absent cause or effect, is never founded on any qualities, which we observe in that object, considered in itself, or, in other words, that it is impossible to determine, otherwise than by experience, what will result from any phenomenon, or what has preceded it. But though this be so evident in itself, that it seemed not to require any, proof; yet some philosophers have imagined that there is an apparent cause for the communication of motion, and that a reasonable man might immediately infer the motion of one body from the impulse of another, without having recourse to any past observation. That this opinion is false will admit of an easy proof. For if such an inference may be drawn merely from the ideas of body, of motion, and of impulse, it must amount to a demonstration, and must imply the absolute impossibility of any contrary supposition. Every effect, then, beside the communication of motion, implies a formal contradiction; and it is impossible not only that it can exist, but also that it can be conceived. But we may soon satisfy ourselves of the contrary, by forming a clear and consistent idea of one body's moving upon another, and of its rest immediately upon the contact, or of its returning back in the same line in which it came; or of its annihilation; or circular or elliptical motion: and in short, of an infinite number of other changes, which we may suppose it to undergo.
These suppositions are all consistent and natural; and the reason, Why we imagine the communication of motion to be more consistent and natural not only than those suppositions, but also than any other natural effect, is founded on the relation of resemblance betwixt the cause and effect, which is here united to experience, and binds the objects in the closest and most intimate manner to each other, so as to make us imagine them to be absolutely inseparable. Resemblance, then, has the same or a parallel influence with experience; and as the only immediate effect of experience is to associate our ideas together, it follows, that all belief arises from the association of ideas, according to my hypothesis.
It is universally allowed by the writers on optics, that the eye at all times sees an equal number of physical points, and that a man on the top of a mountain has no larger an image presented to his senses, than when he is cooped up in the narrowest court or chamber. It is only by experience that he infers the greatness of the object from some peculiar qualities of the image; and this inference of the judgment he confounds with sensation, as is common on other occasions. Now it is evident, that the inference of the judgment is here much more lively than what is usual in our common reasonings, and that a man has a more vivid conception of the vast extent of the ocean from the image he receives by the eye, when he stands on the top of the high promontory, than merely from hearing the roaring of the waters. He feels a more sensible pleasure from its magnificence; which is a proof of a more lively idea: And he confounds his judgment with sensation, which is another proof of it. But as the inference is equally certain and immediate in both cases, this superior vivacity of our conception in one case can proceed from nothing but this, that in drawing an inference from the sight, beside the customary conjunction, there is also a resemblance betwixt the image and the object we infer; which strengthens the relation, and conveys the vivacity of the impression to the related idea with an easier and more natural movement.
No weakness of human nature is more universal and conspicuous than what we commonly call CREDULITY, or a too easy faith in the testimony of others; and this weakness is also very naturally accounted for from the influence of resemblance. When we receive any matter of fact upon human testimony, our faith arises from the very same origin as our inferences from causes to effects, and from effects to causes; nor is there anything but our experience of the governing principles of human nature, which can give us any assurance of the veracity of men. But though experience be the true standard of this, as well as of all other judgments, we seldom regulate ourselves entirely by it; but have a remarkable propensity to believe whatever is reported, even concerning apparitions, enchantments, and prodigies, however contrary to daily experience and observation. The words or discourses of others have an intimate connexion with certain ideas in their mind; and these ideas have also a connexion with the facts or objects, which they represent.
This latter connexion is generally much over-rated, and commands our assent beyond what experience will justify; which can proceed from nothing beside the resemblance betwixt the ideas and the facts. Other effects only point out their causes in an oblique manner; but the testimony of men does it directly, and is to be considered as an image as well as an effect. No wonder, therefore, we are so rash in drawing our inferences from it, and are less guided by experience in our judgments concerning it, than in those upon any other subject.
As resemblance, when conjoined with causation, fortifies our reasonings; so the want of it in any very great degree is able almost entirely to destroy them. Of this there is a remarkable instance in the universal carelessness and stupidity of men with regard to a future state, where they show as obstinate an incredulity, as they do a blind credulity on other occasions. There is not indeed a more ample matter of wonder to the studious, and of regret to the pious man, than to observe the negligence of the bulk of mankind concerning their approaching condition; and it is with reason, that many eminent theologians have not scrupled to affirm, that though the vulgar have no formal principles of infidelity, yet they are really infidels in their hearts, and have nothing like what we can call a belief of the eternal duration of their souls. For let us consider on the one hand what divines have displayed with such eloquence concerning the importance of eternity; and at the same time reflect, that though in matters of rhetoric we ought to lay our account with some exaggeration, we must in this case allow, that the strongest figures are infinitely inferior to the subject: And after this let us view on the other hand, the prodigious security of men in this particular: I ask, if these people really believe what is inculcated on them, and what they pretend to affirm; and the answer is obviously in the negative. As belief is an act of the mind arising from custom, it is not strange the want of resemblance should overthrow what custom has established, and diminish the force of the idea, as much as that latter principle encreases it. A future state is so far removed from our comprehension, and we have so obscure an idea of the manner, in which we shall exist after the dissolution of the body, that all the reasons we can invent, however strong in themselves, and however much assisted by education, are never able with slow imaginations to surmount this difficulty, or bestow a sufficient authority and force on the idea. I rather choose to ascribe this incredulity to the faint idea we form of our future condition, derived from its want of resemblance to the present life, than to that derived from its remoteness. For I observe, that men are everywhere concerned about what may happen after their death, provided it regard this world; and that there are few to whom their name, their family, their friends, and their country are in any period of time entirely indifferent.
And indeed the want of resemblance in this case so entirely destroys belief, that except those few, who upon cool reflection on the importance of the subject, have taken care by repeated meditation to imprint in their minds the arguments for a future state, there scarce are any, who believe the immortality of the soul with a true and established judgment; such as is derived from the testimony of travellers and historians. This appears very conspicuously wherever men have occasion to compare the pleasures and pains, the rewards and punishments of this life with those of a future; even though the case does not concern themselves, and there is no violent passion to disturb their judgment. The Roman Catholicks are certainly the most zealous of any sect in the Christian world; and yet you'll find few among the more sensible people of that communion who do not blame the Gunpowder-treason, and the massacre of St. Bartholomew, as cruel and barbarous, though projected or executed against those very people, whom without any scruple they condemn to eternal and infinite punishments.
All we can say in excuse for this inconsistency is, that they really do not believe what they affirm concerning a future state; nor is there any better proof of it than the very inconsistency.
We may add to this a remark; that in matters of religion men take a pleasure in being terrifyed, and that no preachers are so popular, as those who excite the most dismal and gloomy passions. In the common affairs of life, where we feel and are penetrated with the solidity of the subject, nothing can be more disagreeable than fear and terror; and it is only in dramatic performances and in religious discourses, that they ever give pleasure. In these latter cases the imagination reposes itself indolently on the idea; and the passion, being softened by the want of belief in the subject, has no more than the agreeable effect of enlivening the mind, and fixing the attention.
The present hypothesis will receive additional confirmation, if we examine the effects of other kinds of custom, as well as of other relations. To understand this we must consider, that custom, to which I attribute all belief and reasoning, may operate upon the mind in invigorating an idea after two several ways. For supposing that in all past experience we have found two objects to have been always conjoined together, it is evident, that upon the appearance of one of these objects in an impression, we must from custom make an easy transition to the idea of that object, which usually attends it; and by means of the present impression and easy transition must conceive that idea in a stronger and more lively manner, than we do any loose floating image of the fancy. But let us next suppose, that a mere idea alone, without any of this curious and almost artificial preparation, should frequently make its appearance in the mind, this idea must by degrees acquire a facility and force; and both by its firm hold and easy introduction distinguish itself from any new and unusual idea. This is the only particular, in which these two kinds of custom agree; and if it appear, that their effects on the judgment, are similar and proportionable, we may certainly conclude, that the foregoing explication of that faculty is satisfactory. But can we doubt of this agreement in their influence on the judgment, when we consider the nature and effects Of EDUCATION?
All those opinions and notions of things, to which we have been accustomed from our infancy, take such deep root, that it is impossible for us, by all the powers of reason and experience, to eradicate them; and this habit not only approaches in its influence, but even on many occasions prevails over that which a-rises from the constant and inseparable union of causes and effects. Here we most not be contented with saying, that the vividness of the idea produces the belief: We must maintain that they are individually the same. The frequent repetition of any idea infixes it in the imagination; but could never possibly of itself produce belief, if that act of the mind was, by the original constitution of our natures, annexed only to a reasoning and comparison of ideas. Custom may lead us into some false comparison of ideas. This is the utmost effect we can conceive of it. But it is certain it could never supply the place of that comparison, nor produce any act of the mind, which naturally belonged to that principle.
A person, that has lost a leg or an arm by amputation, endeavours for a long time afterwards to serve himself with them. After the death of any one, it is a common remark of the whole family, but especially of the servants, that they can scarce believe him to be dead, but still imagine him to be in his chamber or in any other place, where they were accustomed to find him. I have often heard in conversation, after talking of a person, that is any way celebrated, that one, who has no acquaintance with him, will say, I have never seen such-a-one, but almost fancy I have; so often have I heard talk of him. All these are parallel instances.
If we consider this argument from EDUCATION in a proper light, it will appear very convincing; and the more so, that it is founded on one of the most common phaenomena, that is any where to be met with. I am persuaded, that upon examination we shall find more than one half of those opinions, that prevail among mankind, to be owing to education, and that the principles, which are thus implicitely embraced, overballance those, which are owing either to abstract reasoning or experience. As liars, by the frequent repetition of their lies, come at last to remember them; so the judgment, or rather the imagination, by the like means, may have ideas so strongly imprinted on it, and conceive them in so full a light, that they may operate upon the mind in the same manner with those, which the senses, memory or reason present to us. But as education is an artificial and not a natural cause, and as its maxims are frequently contrary to reason, and even to themselves in different times and places, it is never upon that account recognized by philosophers; though in reality it be built almost on the same foundation of custom and repetition as our reasonings from causes and effects.[8] [8] In general we may observe, that as our assent to all probable reasonings is founded on the vivacity of ideas, It resembles many of those whimsies and prejudices, which are rejected under the opprobrious character of being the offspring of the imagination. By this expression it appears that the word, imagination, is commonly usd in two different senses; and tho nothing be more contrary to true philosophy, than this inaccuracy, yet in the following reasonings I have often been obligd to fall into it. When I oppose the Imagination to the memory, I mean the faculty, by which we form our fainter ideas. When I oppose it to reason, I mean the same faculty, excluding only our demonstrative and probable reasonings.
When I oppose it to neither, it is indifferent whether it be taken in the larger or more limited sense, or at least the context will sufficiently explain the meaning.
SECT. X. OF THE INFLUENCE OF BELIEF.
But though education be disclaimed by philosophy, as a fallacious ground of assent to any opinion, it prevails nevertheless in the world, and is the cause why all systems are apt to be rejected at first as new and unusual. This perhaps will be the fate of what I have here advanced concerning belief, and though the proofs I have produced appear to me perfectly conclusive, I expect not to make many proselytes to my opinion. Men will scarce ever be persuaded, that effects of such consequence can flow from principles, which are seemingly so inconsiderable, and that the far greatest part of our reasonings with all our actions and passions, can be derived from nothing but custom and habit. To obviate this objection, I shall here anticipate a little what would more properly fall under our consideration afterwards, when we come to treat of the passions and the sense of beauty.
There is implanted in the human mind a perception of pain and pleasure, as the chief spring and moving principle of all its actions. But pain and pleasure have two ways of making their appearance in the mind; of which the one has effects very different from the other. They may either appear in impression to the actual feeling, or only in idea, as at present when I mention them. It is evident the influence of these upon our actions is far from being equal. Impressions always actuate the soul, and that in the highest degree; but it is not every idea which has the same effect. Nature has proceeded with caution in this came, and seems to have carefully avoided the inconveniences of two extremes.
Did impressions alone influence the will, we should every moment of our lives be subject to the greatest calamities; because, though we foresaw their approach, we should not be provided by nature with any principle of action, which might impel us to avoid them. On the other hand, did every idea influence our actions, our condition would not be much mended. For such is the unsteadiness and activity of thought, that the images of every thing, especially of goods and evils, are always wandering in the mind; and were it moved by every idle conception of this kind, it would never enjoy a moment's peace and tranquillity.
Nature has, therefore, chosen a medium, and has neither bestowed on every idea of good and evil the power of actuating the will, nor yet has entirely excluded them from this influence. Though an idle fiction has no efficacy, yet we find by experience, that the ideas of those objects, which we believe either are or will be existent, produce in a lesser degree the same effect with those impressions, which are immediately present to the senses and perception. The effect, then, of belief is to raise up a simple idea to an equality with our impressions, and bestow on it a like influence on the passions. This effect it can only have by making an idea approach an impression in force and vivacity. For as the different degrees of force make all the original difference betwixt an impression and an idea, they must of consequence be the source of all the differences in the effects of these perceptions, and their removal, in whole or in part, the cause of every new resemblance they acquire.
Wherever we can make an idea approach the impressions in force and vivacity, it will likewise imitate them in its influence on the mind; and vice versa, where it imitates them in that influence, as in the present case, this must proceed from its approaching them in force and vivacity. Belief, therefore, since it causes an idea to imitate the effects of the impressions, must make it resemble them in these qualities, and is nothing but A MORE VIVID AND INTENSE CONCEPTION OF ANY IDEA. This, then, may both serve as an additional argument for the present system, and may give us a notion after what manner our reasonings from causation are able to operate on the will and passions.
As belief is almost absolutely requisite to the exciting our passions, so the passions in their turn are very favourable to belief; and not only such facts as convey agreeable emotions, but very often such as give pain, do upon that account become more readily the objects of faith and opinion. A coward, whose fears are easily awakened, readily assents to every account of danger he meets with; as a person of a sorrowful and melancholy disposition is very credulous of every thing, that nourishes his prevailing passion. When any affecting object is presented, it gives the alarm, and excites immediately a degree of its proper passion; especially in persons who are naturally inclined to that passion. This emotion passes by an easy transition to the imagination; and diffusing itself over our idea of the affecting object, makes us form that idea with greater force and vivacity, and consequently assent to it, according to the precedent system. Admiration and surprize have the same effect as the other passions; and accordingly we may observe, that among the vulgar, quacks and projectors meet with a more easy faith upon account of their magnificent pretensions, than if they kept themselves within the bounds of moderation. The first astonishment, which naturally attends their miraculous relations, spreads itself over the whole soul, and so vivifies and enlivens the idea, that it resembles the inferences we draw from experience. This is a mystery, with which we may be already a little acquainted, and which we shall have farther occasion to be let into in the progress of this treatise.
After this account of the influence of belief on the passions, we shall find less difficulty in explaining its effects on the imagination, however extraordinary they may appear. It is certain we cannot take pleasure in any discourse, where our judgment gives no assent to those images which are presented to our fancy. The conversation of those who have acquired a habit of lying, though in affairs of no moment, never gives any satisfaction; and that because those ideas they present to us, not being attended with belief, make no impression upon the mind. Poets themselves, though liars by profession, always endeavour to give an air of truth to their fictions; and where that is totally neglected, their performances, however ingenious, will never be able to afford much pleasure. In short, we may observe, that even when ideas have no manner of influence on the will and passions, truth and reality are still requisite, in order to make them entertaining to the imagination.
But if we compare together all the phenomena that occur on this head, we shall find, that truth, however necessary it may seem in all works of genius, has no other effect than to procure an easy reception for the ideas, and to make the mind acquiesce in them with satisfaction, or at least without reluctance. But as this is an effect, which may easily be supposed to flow from that solidity and force, which, according to my system, attend those ideas that are established by reasonings from causation; it follows, that all the influence of belief upon the fancy may be explained from that system. Accordingly we may observe, that wherever that influence arises from any other principles beside truth or reality, they supply its place, and give an equal entertainment to the imagination. Poets have formed what they call a poetical system of things, which though it be believed neither by themselves nor readers, is commonly esteemed a sufficient foundation for any fiction. We have been so much accustomed to the names of MARS, JUPITER, VENUS, that in the same manner as education infixes any opinion, the constant repetition of these ideas makes them enter into the mind with facility, and prevail upon the fancy, without influencing the judgment. In like manner tragedians always borrow their fable, or at least the names of their principal actors, from some known passage in history; and that not in order to deceive the spectators; for they will frankly confess, that truth is not in any circumstance inviolably observed: but in order to procure a more easy reception into the imagination for those extraordinary events, which they represent. But this is a precaution, which is not required of comic poets, whose personages and incidents, being of a more familiar kind, enter easily into the conception, and are received without any such formality, even though at first night they be known to be fictitious, and the pure offspring of the fancy.
This mixture of truth and falshood in the fables of tragic poets not only serves our present purpose, by shewing, that the imagination can be satisfyed without any absolute belief or assurance; but may in another view be regarded as a very strong confirmation of this system. It is evident, that poets make use of this artifice of borrowing the names of their persons, and the chief events of their poems, from history, in order to procure a more easy reception for the whole, and cause it to make a deeper impression on the fancy and affections. The several incidents of the piece acquire a kind of relation by being united into one poem or representation; and if any of these incidents be an object of belief, it bestows a force and vivacity on the others, which are related to it. The vividness of the first conception diffuses itself along the relations, and is conveyed, as by so many pipes or canals, to every idea that has any communication with the primary one. This, indeed, can never amount to a perfect assurance; and that because the union among the ideas is, in a manner, accidental: But still it approaches so near, in its influence, as may convince us, that they are derived from the same origin. Belief must please the imagination by means of the force and vivacity which attends it; since every idea, which has force and vivacity, is found to be agreeable to that faculty.
To confirm this we may observe, that the assistance is mutual betwixt the judgment and fancy, as well as betwixt the judgment and passion; and that belief not only gives vigour to the imagination, but that a vigorous and strong imagination is of all talents the most proper to procure belief and authority. It is difficult for us to withhold our assent from what is painted out to us in all the colours of eloquence; and the vivacity produced by the fancy is in many cases greater than that which arises from custom and experience. We are hurried away by the lively imagination of our author or companion; and even he himself is often a victim to his own fire and genius.
Nor will it be amiss to remark, that as a lively imagination very often degenerates into madness or folly, and bears it a great resemblance in its operations; so they influence the judgment after the same manner, and produce belief from the very same principles. When the imagination, from any extraordinary ferment of the blood and spirits, acquires such a vivacity as disorders all its powers and faculties, there is no means of distinguishing betwixt truth and falshood; but every loose fiction or idea, having the same influence as the impressions of the memory, or the conclusions of the judgment, is received on the same footing, and operates with equal force on the passions. A present impression and a customary transition are now no longer necessary to enliven our ideas.
Every chimera of the brain is as vivid and intense as any of those inferences, which we formerly dignifyed with the name of conclusions concerning matters of fact, and sometimes as the present impressions of the senses.
We may observe the same effect of poetry in a lesser degree; and this is common both to poetry and madness, that the vivacity they bestow on the ideas is not derived from the particular situations or connexions of the objects of these ideas, but from the present temper and disposition of the person. But how great soever the pitch may be, to which this vivacity rises, it is evident, that in poetry it never has the same feeling with that which arises in the mind, when we reason, though even upon the lowest species of probability. The mind can easily distinguish betwixt the one and the other; and whatever emotion the poetical enthusiasm may give to the spirits, it is still the mere phantom of belief or persuasion. The case is the same with the idea, as with the passion it occasions. There is no passion of the human mind but what may arise from poetry; though at the same time the feelings of the passions are very different when excited by poetical fictions, from what they are when they are from belief and reality. A passion, which is disagreeable in real life, may afford the highest entertainment in a tragedy, or epic poem. In the latter case, it lies not with that weight upon us: It feels less firm and solid: And has no other than the agreeable effect of exciting the spirits, and rouzing the attention. The difference in the passions is a clear proof of a like difference in those ideas, from which the passions are derived. Where the vivacity arises from a customary conjunction with a present impression; though the imagination may not, in appearance, be so much moved; yet there is always something more forcible and real in its actions, than in the fervors of poetry and eloquence. The force of our mental actions in this case, no more than in any other, is not to be measured by the apparent agitation of the mind.
A poetical description may have a more sensible effect on the fancy, than an historical narration. It may collect more of those circumstances, that form a compleat image or picture. It may seem to set the object before us in more lively colours. But still the ideas it presents are different to the feeling from those, which arise from the memory and the judgment. There is something weak and imperfect amidst all that seeming vehemence of thought and sentiment, which attends the fictions of poetry.
We shall afterwards have occasion to remark both the resemblance and differences betwixt a poetical enthusiasm, and a serious conviction. In the mean time I cannot forbear observing, that the great difference in their feeling proceeds in some measure from reflection and GENERAL RULES. We observe, that the vigour of conception, which fictions receive from poetry and eloquence, is a circumstance merely accidental, of which every idea is equally susceptible; and that such fictions are connected with nothing that is real. This observation makes us only lend ourselves, so to speak, to the fiction: But causes the idea to feel very different from the eternal established persuasions founded on memory and custom. They are somewhat of the same kind: But the one is much inferior to the other, both in its causes and effects.
A like reflection on general rules keeps us from augmenting our belief upon every encrease of the force and vivacity of our ideas. Where an opinion admits of no doubt, or opposite probability, we attribute to it a full conviction: though the want of resemblance, or contiguity, may render its force inferior to that of other opinions. It is thus the understanding corrects the appearances of the senses, and makes us imagine, that an object at twenty foot distance seems even to the eye as large as one of the same dimensions at ten.
We may observe the same effect of poetry in a lesser degree; only with this difference, that the least reflection dissipates the illusions of poetry, and Places the objects in their proper light. It is however certain, that in the warmth of a poetical enthusiasm, a poet has a counterfeit belief, and even a kind of vision of his objects: And if there be any shadow of argument to support this belief, nothing contributes more to his full conviction than a blaze of poetical figures and images, which have their effect upon the poet himself, as well as upon his readers.
SECT. XI. OF THE PROBABILITY OF CHANCES.
But in order to bestow on this system its full force and evidence, we must carry our eye from it a moment to consider its consequences, and explain from the same principles some other species of reasoning, which are derived from the same origin.
Those philosophers, who have divided human reason into knowledge and probability, and have defined the first to be that evidence, which arises from the comparison of ideas, are obliged to comprehend all our arguments from causes or effects under the general term of probability.
But though every one be free to use his terms in what sense he pleases; and accordingly in the precedent part of this discourse, I have followed this method of expression; it is however certain, that in common discourse we readily affirm, that many arguments from causation exceed probability, and may be received as a superior kind of evidence. One would appear ridiculous, who would say, that it is only probable the sun will rise to-morrow, or that all men must dye; though it is plain we have no further assurance of these facts, than what experience affords us. For this reason, it would perhaps be more convenient, in order at once to preserve the common signification of words, and mark the several degrees of evidence, to distinguish human reason into three kinds, viz.
THAT FROM KNOWLEDGE, FROM PROOFS, AND FROM PROBABILITIES. By knowledge, I mean the assurance arising from the comparison of ideas. By proofs, those arguments, which are derived from the relation of cause and effect, and which are entirely free from doubt and uncertainty. By probability, that evidence, which is still attended with uncertainty. It