suppose a friendship and good-will to be conjoined with the riches.
Without that circumstance 'tis difficult to conceive on what we can found our hope of advantage from the riches of others, though there is nothing more certain than that we naturally esteem and respect the rich, even before we discover in them any such favourable disposition towards us.
But I carry this farther, and observe, not only that we respect the rich and powerful where they show no inclination to serve us, but also when we lie so much out of the sphere of their activity, that they cannot even be supposed to be endowed with that power. Prisoners of war are always treated with a respect suitable to their condition; and 'tis certain riches go very far towards fixing the condition of any person. If birth and quality enter for a share, this still affords us an argument of the same kind. For what is it we call a man of birth, but one who is descended from a long succession of rich and powerful ancestors, and who acquires our esteem by his relation to persons whom we esteem? His ancestors, therefore, though dead, are respected in some measure on account of their riches, and consequently without any kind of expectation.
But not to go so far as prisoners of war and the dead to find instances of this disinterested esteem for riches, let us observe, with a little attention, those phenomena that occur to us in common life and conversation. A man who is himself of a competent fortune, upon coming into a company of strangers, naturally treats them with different degrees of respect and deference, as he is informed of their different fortunes and conditions; though 'tis impossible he can ever propose, and perhaps would not accept of any advantage from them. A traveller is always admitted into company, and meets with civility in proportion as his train and equipage speak him a man of great or moderate fortune.
In short, the different ranks of men are in a great measure regulated by riches, and that with regard to superiors as well as inferiors, strangers as well as acquaintance.
There is, indeed, an answer to these arguments, drawn from the influence of _general rules_. It may be pretended, that, being accustomed to expect succour and protection from the rich and powerful, and to esteem them upon that account, we extend the same sentiments to those who resemble them in their fortune, but from whom we can never hope for any advantage. The general rule still prevails, and, by giving a bent to the imagination draws along the passion, in the same manner as if its proper object were real and existent.
But that this principle does not here take place, will easily appear, if we consider that, in order to establish a general rule, and extend it beyond its proper bounds, there is required a certain uniformity in our experience, and a great superiority of those instances, which are conformable to the rule, above the contrary. But here the case is quite otherwise. Of a hundred men of credit and fortune I meet with, there is not perhaps one from whom I can expect advantage, so that 'tis impossible any custom can ever prevail in the present case.
Upon the whole, there remains nothing which can give us an esteem for power and riches, and a contempt for meanness and poverty, except the pride of _sympathy_, by which we enter into the sentiments of rich and poor, and partake of their pleasure and uneasiness. Riches give satisfaction to their possessor; and this satisfaction is conveyed to the beholder by the imagination, which produces an idea resembling the original impression in force and vivacity. This agreeable idea or impression is connected with love, which is an agreeable passion. It proceeds from a thinking conscious being, which is the very object of love. From this relation of impressions, and identity of ideas, the passion arises according to my hypothesis.
The best method of reconciling us to this opinion, is to take a general survey of the universe, and observe the force of sympathy through the whole animal creation, and the easy communication of sentiments from one thinking being to another. In all creatures that prey not upon others, and are not agitated with violent passions, there appears a remarkable desire of company, which associates them together, without any advantages they can ever propose to reap from their union. This is still more conspicuous in man, as being the creature of the universe who has the most ardent desire of society, and is fitted for it by the most advantages. We can form no wish which has not a reference to society. A perfect solitude is, perhaps, the greatest punishment we can suffer. Every pleasure languishes when enjoyed apart from company, and every pain becomes more cruel and intolerable. Whatever other passions we may be actuated by, pride, ambition, avarice, curiosity, revenge or lust, the soul or animating principle of them all is sympathy; nor would they have any force, were we to abstract entirely from the thoughts and sentiments of others. Let all the powers and elements of nature conspire to serve and obey one man; let the sun rise and set at his command; the sea and rivers roll as he pleases, and the earth furnish spontaneously whatever may be useful or agreeable to him; he will still be miserable, till you give him some one person at least with whom he may share his happiness, and whose esteem and friendship he may enjoy.
This conclusion, from a general view of human nature, we may confirm by particular instances, wherein the force of sympathy is very remarkable.
Most kinds of beauty are derived from this origin; and though our first object be some senseless inanimate piece of matter, 'tis seldom we rest there, and carry not our view to its influence on sensible and rational creatures. A man who shows us any house or building, takes particular care, among other things, to point out the convenience of the apartments, the advantages of their situation, and the little room lost in the stairs, anti-chambers and passages; and indeed 'tis evident the chief part of the beauty consists in these particulars. The observation of convenience gives pleasure, since convenience is a beauty. But after what manner does it give pleasure? 'Tis certain our own interest is not in the least concerned; and as this is a beauty of interest, not of form, so to speak, it must delight us merely by communication, and by our sympathizing with the proprietor of the lodging. We enter into his interest by the force of imagination, and feel the same satisfaction that the objects naturally occasion in him.
This observation extends to tables, chairs, scrutoires, chimneys, coaches, saddles, ploughs, and indeed to every work of art; it being an universal rule, that their beauty is chiefly derived from their utility, and from their fitness for that purpose, to which they are destined. But this is an advantage that concerns only the owner, nor is there any thing but sympathy, which can interest the spectator.
'Tis evident that nothing renders a field more agreeable than its fertility, and that scarce any advantages of ornament or situation will be able to equal this beauty. 'Tis the same case with particular trees and plants, as with the field on which they grow. I know not but a plain, overgrown with furze and broom, may be, in itself, as beautiful as a hill covered with vines or olive trees, though it will never appear so to one who is acquainted with the value of each. But this is a beauty merely of imagination, and has no foundation in what appears to the senses. Fertility and value have a plain reference to use; and that to riches, joy, and plenty, in which, though we have no hope of partaking, yet we enter into them by the vivacity of the fancy, and share them in some measure with the proprietor.
There is no rule in painting more reasonable than that of balancing the figures, and placing them with the greatest exactness on their proper centre of gravity.
A figure which is not justly balanced is disagreeable; and that because it conveys the ideas of its fall, of harm, and of pain; which ideas are painful when by sympathy they acquire any degree of force and vivacity.
Add to this, that the principal part of personal beauty is an air of health and vigour, and such a construction of members as promises strength and activity. This idea of beauty cannot be accounted for but by sympathy.
In general we may remark, that the minds of men are mirrors to one another, not only because they reflect each others emotions, but also because those rays of passions, sentiments and opinions, may be often reverberated, and may decay away by insensible degrees. Thus, the pleasure which a rich man receives from his possessions, being thrown upon the beholder, causes a pleasure and esteem; which sentiments again being perceived and sympathized with, increase the pleasure of the possessor, and, being once more reflected, become a new foundation for pleasure and esteem in the beholder. There is certainly an original satisfaction in riches derived from that power which they bestow of enjoying all the pleasures of life; and as this is their very nature and essence, it must be the first source of all the passions which arise from them. One of the most considerable of these passions is that of love or esteem in others, which, therefore, proceeds from a sympathy with the pleasure of the possessor. But the possessor has also a secondary satisfaction in riches, arising from the love and esteem he acquires by them; and this satisfaction is nothing but a second reflection of that original pleasure which proceeded from himself.
This secondary satisfaction or vanity becomes one of the principal recommendations of riches, and is the chief reason why we either desire them for ourselves, or esteem them in others. Here then is a third rebound of the original pleasure, after which 'tis difficult to distinguish the images and reflections, by reason of their faintness and confusion.
SECTION VI.
OF BENEVOLENCE AND ANGER.
Ideas may be compared to the extension and solidity of matter and impressions, especially reflective ones, to colours, tastes, smells, and other sensible qualities. Ideas never admit of a total union, but are endowed with a kind of impenetrability by which they exclude each other, and are capable of forming a compound by their conjunction, not by their mixture. On the other hand, impressions and passions are susceptible of an entire union, and, like colours, may be blended so perfectly together, that each of them may lose itself, and contribute only to vary that uniform impression which arises from the whole. Some of the most curious phenomena of the human mind are derived from this property of the passions.
In examining those ingredients which are capable of uniting with love and hatred, I begin to be sensible, in some measure, of a misfortune that has attended every system of philosophy with which the world has been yet acquainted. 'Tis commonly found, that in accounting for the operations of nature by any particular hypothesis, among a number of experiments that quadrate exactly with the principles we would endeavour to establish, there is always some phenomenon which is more stubborn, and will not so easily bend to our purpose. We need not be surprised that this should happen in natural philosophy. The essence and composition of external bodies are so obscure, that we must necessarily, in our reasonings, or rather conjectures concerning them, involve ourselves in contradictions and absurdities. But as the perceptions of the mind are perfectly known, and I have used all imaginable caution in forming conclusions concerning them, I have always hoped to keep clear of those contradictions which have attended every other system. Accordingly, the difficulty which I have at present in my eye is no wise contrary to my system, but only departs a little from that simplicity which has been hitherto its principal force and beauty.
The passions of love and hatred are always followed by, or rather conjoined with, benevolence and anger. 'Tis this conjunction which chiefly distinguishes these affections from pride and humility. For pride and humility are pure emotions in the soul, unattended with any desire, and not immediately exciting us to action. But love and hatred are not completed within themselves, nor rest in that emotion which they produce, but carry the mind to something farther. Love is always followed by a desire of the happiness of the person beloved, and an aversion to his misery: as hatred produces a desire of the misery, and an aversion to the happiness of the person hated. So remarkable a difference betwixt these two sets of passions of pride and humility, love and hatred, which in so many other particulars correspond to each other, merits our attention.
The conjunction of this desire and aversion with love and hatred may be accounted for by two different hypotheses. The first is, that love and hatred have not only a _cause_ which excites them, viz. pleasure and pain, and an _object_ to which they are directed, viz. a person or thinking being, but likewise an _end_ which they endeavour to attain, viz. the happiness or misery of the person beloved or hated; all which views, mixing together, make only one passion. According to this system, love is nothing but the desire of happiness to another person, and hatred that of misery. The desire and aversion constitute the very nature of love and hatred. They are not only inseparable, but the same.
But this is evidently contrary to experience. For though 'tis certain we never love any person without desiring his happiness, nor hate any without wishing his misery, yet these desires arise only upon the ideas of the happiness or misery of our friend or enemy being presented by the imagination, and are not absolutely essential to love and hatred.
They are the most obvious and natural sentiments of these affections, but not the only ones. The passions may express themselves in a hundred ways, and may subsist a considerable time, without our reflecting on the happiness or misery of their objects; which clearly proves that these desires are not the same with love and hatred, nor make any essential part of them.
We may therefore infer, that benevolence and anger are passions different from love and hatred, and only conjoined with them by the original constitution of the mind. As nature has given to the body certain appetites and inclinations, which she increases, diminishes, or changes according to the situation of the fluids or solids, she has proceeded in the same manner with the mind. According as we are possessed with love or hatred, the correspondent desire of the happiness or misery of the person who is the object of these passions, arises in the mind, and varies with each variation of these opposite passions. This order of things, abstractedly considered, is not necessary. Love and hatred might have been unattended with any such desires, or their particular connexion might have been entirely reversed. If nature had so pleased, love might have had the same effect as hatred, and hatred as love. I see no contradiction in supposing a desire of producing misery annexed to love, and of happiness to hatred.
If the sensation of the passion and desire be opposite, nature could have altered the sensation without altering the tendency of the desire, and by that means made them compatible with each other.
SECTION VII.
OF COMPASSION.
But though the desire of the happiness or misery of others, according to the love or hatred we bear them, be an arbitrary and original instinct implanted in our nature, we find it may be counterfeited on many occasions, and may arise from secondary principles. _Pity_ is a concern for, and _malice_ a joy in, the misery of others, without any friendship or enmity to occasion this concern or joy. We pity even strangers, and such as are perfectly indifferent to us: and if our ill-will to another proceed from any harm or injury, it is not, properly speaking, malice, but revenge. But if we examine these affections of pity and malice, we shall find them to be secondary ones, arising from original affections, which are varied by some particular turn of thought and imagination.
'Twill be easy to explain the passion of _pity_, from the precedent reasoning concerning _sympathy_. We have a lively idea of every thing related to us. All human creatures are related to us by resemblance.
Their persons, therefore, their interests, their passions, their pains and pleasures, must strike upon us in a lively manner, and produce an emotion similar to the original one, since a lively idea is easily converted into an impression. If this be true in general, it must be more so of affliction and sorrow. These have always a stronger and more lasting influence than any pleasure or enjoyment.
A spectator of a tragedy passes through a long train of grief, terror, indignation, and other affections, which the poet represents in the persons he introduces. As many tragedies end happily, and no excellent one can be composed without some reverses of fortune, the spectator must sympathize with all these changes, and receive the fictitious joy as well as every other passion. Unless therefore it be asserted, that every distinct passion is communicated by a distinct original quality, and is not derived from the general principle of sympathy above explained, it must be allowed that all of them arise from that principle. To except any one in particular must appear highly unreasonable. As they are all first present in the mind of one person, and afterwards appear in the mind of another; and as the manner of their appearance, first as an idea, then as an impression, is in every case the same, the transition must arise from the same principle. I am at least sure, that this method of reasoning would be considered as certain, either in natural philosophy or common life.
Add to this, that pity depends, in a great measure, on the contiguity, and even sight of the object, which is a proof that 'tis derived from the imagination; not to mention that women and children are most subject to pity, as being most guided by that faculty. The same infirmity, which makes them faint at the sight of a naked sword, though in the hands of their best friend, makes them pity extremely those whom they find in any grief or affliction. Those philosophers, who derive this passion from I know not what subtile reflections on the instability of fortune, and our being liable to the same miseries we behold, will find this observation contrary to them among a great many others, which it were easy to produce.
There remains only to take notice of a pretty remarkable phenomenon of this passion, which is, that the communicated passion of sympathy sometimes acquires strength from the weakness of its original, and even arises by a transition from affections which have no existence.
Thus, when a person obtains any honourable office, or inherits a great fortune, we are always the more rejoiced for his prosperity, the less sense he seems to have of it, and the greater equanimity and indifference he shows in its enjoyment. In like manner, a man who is not dejected by misfortunes is the more lamented on account of his patience; and if that virtue extends so far as utterly to remove all sense of uneasiness, it still farther increases our compassion.
When a person of merit falls into what is vulgarly esteemed a great misfortune, we form a notion of his condition; and, carrying our fancy from the cause to the usual effect, first conceive a lively idea of his sorrow, and then feel an impression of it, entirely overlooking that greatness of mind which elevates him above such emotions, or only considering it so far as to increase our admiration, love, and tenderness for him. We find from experience, that such a degree of passion is usually connected with such a misfortune; and though there be an exception in the present case, yet the imagination is affected by the _general rule_, and makes us conceive a lively idea of the passion, or rather feel the passion itself in the same manner as if the person were really actuated by it. From the same principles we blush for the conduct of those who behave themselves foolishly before us, and that though they show no sense of shame, nor seem in the least conscious of their folly. All this proceeds from sympathy, but 'tis of a partial kind, and views its objects only on one side, without considering the other, which has a contrary effect, and would entirely destroy that emotion which arises from the first appearance.
We have also instances wherein an indifference and insensibility under misfortune increases our concern for the misfortunate, even though the indifference proceed not from any virtue and magnanimity.
'Tis an aggravation of a murder, that it was committed upon persons asleep and in perfect security; as historians readily observe of any infant prince, who is captive in the hands of his enemies, that he is more worthy of compassion the less sensible he is of his miserable condition. As we ourselves are here acquainted with the wretched situation of the person, it gives us a lively idea and sensation of sorrow, which is the passion that _generally_ attends it; and this idea becomes still more lively, and the sensation more violent by a contrast with that security and indifference which we observe in the person himself. A contrast of any kind never fails to effect the imagination, especially when presented by the subject; and 'tis on the imagination that pity entirely depends.[6] [6] To prevent all ambiguity, I must observe, that where I oppose the imagination to the memory, I mean in general the faculty that presents our fainter ideas. In all other places, and particularly when it is opposed to the understanding, I understand the same faculty, excluding only our demonstrative and probable reasonings.
SECTION VIII.
OF MALICE AND ENVY.
We must now proceed to account for the passion of _malice_, which imitates the effects of hatred as pity does those of love, and gives us a joy in the sufferings and miseries of others, without any offence or injury on their part.
So little are men governed by reason in their sentiments and opinions, that they always judge more of objects by comparison than from their intrinsic worth and value. When the mind considers, or is accustomed to any degree of perfection, whatever falls short of it, though really estimable, has, notwithstanding, the same effect upon the passions as what is defective and ill. This is an _original_ quality of the soul, and similar to what we have every day experience of in our bodies.
Let a man heat one hand and cool the other; the same water will at the same time seem both hot and cold, according to the disposition of the different organs. A small degree of any quality, succeeding a greater, produces the same sensation as if less than it really is, and even sometimes as the opposite quality. Any gentle pain that follows a violent one, seems as nothing, or rather becomes a pleasure; as, on the other hand, a violent pain succeeding a gentle one, is doubly grievous and uneasy.
This no one can doubt of with regard to our passions and sensations.
But there may arise some difficulty with regard to our ideas and objects. When an object augments or diminishes to the eye or imagination, from a comparison with others, the image and idea of the object are still the same, and are equally extended in the _retina_, and in the brain or organ of perception. The eyes refract the rays of light, and the optic nerves convey the images to the brain in the very same manner, whether a great or small object has preceded; nor does even the imagination alter the dimensions of its object on account of a comparison with others. The question then is, how, from the same impression, and the same idea, we can form such different judgments concerning the same object, and at one time admire its bulk, and at another despise its littleness? This variation in our judgments must certainly proceed from a variation in some perception; but as the variation lies not in the immediate impression or idea of the object, it must lie in some other impression that accompanies it.
In order to explain this matter, I shall just touch upon two principles, one of which shall be more fully explained in the progress of this Treatise; the other has been already accounted for. I believe it may safely be established for a general maxim, that no object is presented to the senses, nor image formed in the fancy, but what is accompanied with some emotion or movement of spirits proportioned to it; and however custom may make us insensible of this sensation, and cause us to confound it with the object or idea, 'twill be easy, by careful and exact experiments, to separate and distinguish them.
For, to instance only in the cases of extension and number, 'tis evident that any very bulky object, such as the ocean, an extended plain, a vast chain of mountains, a wide forest; or any very numerous collection of objects, such as an army, a fleet, a crowd, excite in the mind a sensible emotion; and that the admiration which arises on the appearance of such objects is one of the most lively pleasures which human nature is capable of enjoying. Now, as this admiration increases or diminishes by the increase or diminution of the objects, we may conclude, according to our foregoing principles,[7] that 'tis a compound effect, proceeding from the conjunction of the several effects which arise from each part of the cause. Every part, then, of extension, and every unite of number, has a separate emotion attending it when conceived by the mind; and though that emotion be not always agreeable, yet, by its conjunction with others, and by its agitating the spirits to a just pitch, it contributes to the production of admiration, which is always agreeable. If this be allowed with respect to extension and number, we can make no difficulty with respect to virtue and vice, wit and folly, riches and poverty, happiness and misery, and other objects of that kind, which are always attended with an evident emotion.
The second principle I shall take notice of is that of our adherence to _general rules_; which has such a mighty influence on the actions and understanding, and is able to impose on the very senses. When an object is found by experience to be always accompanied with another, whenever the first object appears, though changed in very material circumstances, we naturally fly to the conception of the second, and form an idea of it in as lively and strong a manner, as if we had inferred its existence by the justest and most authentic conclusion of our understanding. Nothing can undeceive us, not even our senses, which, instead of correcting this false judgment, are often perverted by it, and seem to authorize its errors.
The conclusion I draw from these two principles, joined to the influence of comparison above-mentioned, is very short and decisive.
Every object is attended with some emotion proportioned to it; a great object with a great emotion, a small object with a small emotion.
A great _object_, therefore, succeeding a small one, makes a great _emotion_ succeed a small one. Now, a great emotion succeeding a small one becomes still greater, and rises beyond its ordinary proportion.
But as there is a certain degree of an emotion which commonly attends every magnitude of an object, when the emotion increases, we naturally imagine that the object has likewise increased. The effect conveys our view to its usual cause, a certain degree of emotion to a certain magnitude of the object; nor do we consider, that comparison may change the emotion without changing any thing in the object. Those who are acquainted with the metaphysical part of optics, and know how we transfer the judgments and conclusions of the understanding to the senses, will easily conceive this whole operation.
But leaving this new discovery of an impression that secretly attends every idea, we must at least allow of that principle from whence the discovery arose, _that objects appear greater or less by a comparison with others_. We have so many instances of this, that it is impossible we can dispute its veracity; and 'tis from this principle I derive the passions of malice and envy.
'Tis evident we must receive a greater or less satisfaction or uneasiness from reflecting on our own condition and circumstances, in proportion as they appear more or less fortunate or unhappy, in proportion to the degrees of riches, and power, and merit, and reputation, which we think ourselves possest of. Now, as we seldom judge of objects from their intrinsic value, but form our notions of them from a comparison with other objects, it follows, that according as we observe a greater or less share of happiness or misery in others, we must make an estimate of our own, and feel a consequent pain or pleasure. The misery of another gives us a more lively idea of our happiness, and his happiness of our misery. The former, therefore, produces delight, and the latter uneasiness.
Here then is a kind of pity reverst, or contrary sensations arising in the beholder, from those which are felt by the person whom he considers. In general we may observe, that, in all kinds of comparison, an object makes us always receive from another, to which it is compared, a sensation contrary to what arises from itself in its direct and immediate survey. A small object makes a great one appear still greater. A great object makes a little one appear less. Deformity of itself produces uneasiness, but makes us receive new pleasure by its contrast with a beautiful object, whose beauty is augmented by it; as, on the other hand, beauty, which of itself produces pleasure, makes us receive a new pain by the contrast with any thing ugly, whose deformity it augments. The case, therefore, must be the same with happiness and misery. The direct survey of another's pleasure naturally gives us pleasure, and therefore produces pain when compared with our own. His pain, considered in itself, is painful to us, but augments the idea of our own happiness, and gives us pleasure.
Nor will it appear strange, that we may feel a reverst sensation from the happiness and misery of others, since we find the same comparison may give us a kind of malice against ourselves, and make us rejoice for our pains, and grieve for our pleasures. Thus, the prospect of past pain is agreeable, when we are satisfied with our present condition; as, on the other hand, our past pleasures give us uneasiness, when we enjoy nothing at present equal to them. The comparison being the same as when we reflect on the sentiments of others, must be attended with the same effects.
Nay, a person may extend this malice against himself, even to his present fortune, and carry it so far as designedly to seek affliction, and increase his pains and sorrows. This may happen upon two occasions.
_First_, Upon the distress and misfortune of a friend, or person dear to him. _Secondly_, Upon the feeling any remorses for a crime of which he has been guilty. 'Tis from the principle of comparison that both these irregular appetites for evil arise. A person who indulges himself in any pleasure while his friend lies under affliction, feels the reflected uneasiness from his friend more sensibly by a comparison with the original pleasure which he himself enjoys. This contrast, indeed, ought also to enliven the present pleasure. But as grief is here supposed to be the predominant passion, every addition falls to that side, and is swallowed up in it, without operating in the least upon the contrary affection. 'Tis the same case with those penances which men inflict on themselves for their past sins and failings. When a criminal reflects on the punishment he deserves, the idea of it is magnified by a comparison with his present ease and satisfaction, which forces him, in a manner, to seek uneasiness, in order to avoid so disagreeable a contrast.
This reasoning will account for the origin of envy as well as of malice. The only difference betwixt these passions lies in this, that envy is excited by some present enjoyment of another, which, by comparison, diminishes our idea of our own: whereas malice is the unprovoked desire of producing evil to another, in order to reap a pleasure from the comparison. The enjoyment, which is the object of envy, is commonly superior to our own. A superiority naturally seems to overshade us, and presents a disagreeable comparison. But even in the case of an inferiority, we still desire a greater distance, in order to augment still more the idea of ourself. When this distance diminishes, the comparison is, less to our advantage, and consequently gives us less pleasure, and is even disagreeable. Hence arises that species of envy which men feel, when they perceive their inferiors approaching or overtaking them in the pursuit of glory or happiness. In this envy we may see the effects of comparison twice repeated. A man, who compares himself to his inferior, receives a pleasure from the comparison; and when the inferiority decreases by the elevation of the inferior, what should only have been a decrease of pleasure, becomes a real pain, by a new comparison with its preceding condition.
'Tis worthy of observation concerning that envy which arises from a superiority in others, that 'tis not the great disproportion betwixt ourself and another, which produces it; but, on the contrary, our proximity. A common soldier bears no such envy to his general as to his sergeant or corporal; nor does an eminent writer meet with so great jealousy in common hackney scribblers, as in authors that more nearly approach him. It may indeed be thought, that the greater the disproportion is, the greater must be the uneasiness from the comparison. But we may consider on the other hand, that the great disproportion cuts off the relation, and either keeps us from comparing ourselves, with what is remote from us, or diminishes the effects of the comparison. Resemblance and proximity always produce a relation of ideas; and where you destroy these ties, however other accidents may bring two ideas together, as they have no bond or connecting quality to join them in the imagination, 'tis impossible they can remain long united, or have any considerable influence on each other.
I have observed, in considering the nature of ambition, that the great feel a double pleasure in authority, from the comparison of their own condition with that of their slaves; and that this comparison has a double influence, because 'tis natural, and presented by the subject.
When the fancy, in the comparison of objects, passes not easily from the one object to the other, the action of the mind is in a great measure broke, and the fancy, in considering the second object, begins, as it were, upon a new footing. The impression which attends every object, seems not greater in that case by succeeding a less of the same kind; but these two impressions are distinct, and produce their distinct effects, without any communication together. The want of relation in the ideas breaks the relation of the impressions, and by