such a separation prevents their mutual operation and influence.
To confirm this we may observe, that the proximity in the degree of merit is not alone sufficient to give rise to envy, but must be assisted by other relations. A poet is not apt to envy a philosopher, or a poet of a different kind, of a different nation, or a different age. All these differences prevent or weaken the comparison, and consequently the passion.
This too is the reason why all objects appear great or little, merely by a comparison with those of the same species. A mountain neither magnifies nor diminishes a horse in our eyes; but when a Flemish and a Welsh horse are seen together, the one appears greater and the other less, then when viewed apart.
From the same principle we may account for that remark of historians, that any party in a civil war always choose to call in a foreign enemy at any hazard, rather than submit to their fellow-citizens. Guicciardin applies this remark to the wars in Italy, where the relations betwixt the different states are, properly speaking, nothing but of name, language, and contiguity. Yet even these relations, when joined with superiority, by making the comparison more natural, make it likewise more grievous, and cause men to search for some other superiority, which may be attended with no relation, and by that means may have a less sensible influence on the imagination. The mind quickly perceives its several advantages and disadvantages; and finding its situation to be most uneasy, where superiority is conjoined with other relations, seeks its repose as much as possible by their separation, and by breaking that association of ideas, which renders the comparison so much more natural and efficacious. When it cannot break the association, it feels a stronger desire to remove the superiority; and this is the reason why travellers are commonly so lavish of their praises to the Chinese and Persians, at the same time that they depreciate those neighbouring nations which may stand upon a foot of rivalship with their native country.
These examples from history and common experience are rich and curious; but we may find parallel ones in the arts, which are no less remarkable. Should an author compose a treatise, of which one part was serious and profound, another light and humorous, every one would condemn so strange a mixture, and would accuse him of the neglect of all rules of art and criticism. These rules of art are founded on the qualities of human nature; and the quality of human nature, which requires a consistency in every performance, is that which renders the mind incapable of passing in a moment from one passion and disposition to a quite different one. Yet this makes us not blame Mr Prior for joining his Alma and his Solomon in the same volume; though that admirable poet has succeeded perfectly well in the gaiety of the one, as well as in the melancholy of the other. Even supposing the reader should peruse these two compositions without any interval, he would feel little or no difficulty in the change of passions: why? but because he considers these performances as entirely different, and, by this break in the ideas, breaks the progress of the affections, and hinders the one from influencing or contradicting the other.
An heroic and burlesque design, united in one picture, would be monstrous; though we place two pictures of so opposite a character in the same chamber, and even close by each other, without any scruple or difficulty.
In a word, no ideas can affect each other, either by comparison, or by the passions they separately produce, unless they be united together by some relation which may cause an easy transition of the ideas, and consequently of the emotions or impressions attending the ideas, and may preserve the one impression in the passage of the imagination to the object of the other. This principle is very remarkable, because it is analogous to what we have observed both concerning the _understanding_ and the _passions_. Suppose two objects to be presented to me, which are not connected by any kind of relation. Suppose that each of these objects separately produces a passion, and that these two passions are in themselves contrary; we find from experience, that the want of relation in the objects or ideas hinders the natural contrariety of the passions, and that the break in the transition of the thought removes the affections from each other, and prevents their opposition. 'Tis the same case with comparison; and from both these phenomena we may safely conclude, that the relation of ideas must forward the transition of impressions, since its absence alone is able to prevent it, and to separate what naturally should have operated upon each other. When the absence of an object or quality removes any usual or natural effect, we may certainly conclude that its presence contributes to the production of the effect.
[7] Book I. Part III. Sect. 15.
SECTION IX.
OF THE MIXTURE OF BENEVOLENCE AND ANGER WITH COMPASSION AND MALICE.
Thus we have endeavoured to account for _pity_ and _malice_. Both these affections arise from the imagination, according to the light in which it places its object. When our fancy considers directly the sentiments of others, and enters deep into them, it makes us sensible of all the passions it surveys, but in a particular manner of grief or sorrow.
On the contrary, when we compare the sentiments of others to our own, we feel a sensation directly opposite to the original one, viz. a joy from the grief of others, and a grief from their joy. But these are only the first foundations of the affections of pity and malice. Other passions are afterwards confounded with them. There is always a mixture of love or tenderness with pity, and of hatred or anger with malice.
But it must be confessed, that this mixture seems at first sight to be contradictory to my system. For as pity is an uneasiness, and malice a joy, arising from the misery of others, pity should naturally, as in all other cases, produce hatred, and malice, love. This contradiction I endeavour to reconcile, after the following manner.
In order to cause a transition of passions, there is required a double relation of impressions and ideas; nor is one relation sufficient to produce this effect. But that we may understand the full force of this double relation, we must consider, that 'tis not the present sensation alone or momentary pain or pleasure, which determines the character of any passion, but the whole bent or tendency of it from the beginning to the end. One impression may be related to another, not only when their sensations are resembling, as we have all along supposed in the preceding cases, but also when their impulses or directions are similar and correspondent. This cannot take place with regard to pride and humility, because these are only pure sensations, without any direction or tendency to action. We are, therefore, to look for instances of this peculiar relation of impressions only in such affections as are attended with a certain appetite or desire, such as those of love and hatred.
Benevolence, or the appetite which attends love, is a desire of the happiness of the person beloved, and an aversion to his misery, as anger, or the appetite which attends hatred, is a desire of the misery of the person hated, and an aversion to his happiness. A desire, therefore, of the happiness of another, and aversion to his misery, are similar to benevolence; and a desire of his misery and aversion to his happiness, are correspondent to anger. Now, pity is a desire of happiness to another, and aversion to his misery, as malice is the contrary appetite. Pity, then, is related to benevolence, and malice to anger; and as benevolence has been already found to be connected with love, by a natural and original quality, and anger with hatred, 'tis by this chain the passions of pity and malice are connected with love and hatred.
This hypothesis is founded on sufficient experience. A man, who, from any motives, has entertained a resolution of performing an action, naturally runs into every other view or motive which may fortify that resolution, and give it authority and influence on the mind. To confirm us in any design, we search for motives drawn from interest, from honour, from duty. What wonder, then, that pity and benevolence, malice and anger, being the same desires arising from different principles, should so totally mix together as to be undistinguishable? As to the connexion betwixt benevolence and love, anger and hatred, being _original_ and primary, it admits of no difficulty.
We may add to this another experiment, viz. that benevolence and anger, and, consequently, love and hatred, arise when our happiness or misery have any dependence on the happiness or misery of another person, without any farther relation. I doubt not but this experiment will appear so singular as to excuse us for stopping a moment to consider it.
Suppose that two persons of the same trade should seek employment in a town that is not able to maintain both, 'tis plain the success of one is perfectly incompatible with that of the other; and that whatever is for the interest of either is contrary to that of his rival, and so _vice versa_. Suppose, again, that two merchants, though living in different parts of the world, should enter into co-partnership together, the advantage or loss of one becomes immediately the advantage or loss of his partner, and the same fortune necessarily attends both. Now, 'tis evident, that, in the first case, hatred always follows upon the contrariety of interests; as, in the second, love arises from their union. Let us consider to what principle we can ascribe these passions.
'Tis plain they arise, not from the double relations of impressions and ideas, if we regard only the present sensation. For, taking the first case of rivalship, though the pleasure and advantage of an antagonist necessarily causes my pain and loss, yet, to counterbalance this, his pain and loss causes my pleasure and advantage; and, supposing him to be unsuccessful, I may, by this means, receive from him a superior degree of satisfaction. In the same manner the success of a partner rejoices me, but then his misfortunes afflict me in an equal proportion; and 'tis easy to imagine that the latter sentiment may, in some cases, preponderate. But whether the fortune of a rival or partner be good or bad, I always hate the former and love the latter.
This love of a partner cannot proceed from the relation or connexion betwixt us, in the same manner as I love a brother or countryman. A rival has almost as close a relation to me as a partner. For, as the pleasure of the latter causes my pleasure, and his pain my pain; so the pleasure of the former causes my pain, and his pain my pleasure. The connexion, then, of cause and effect, is the same in both cases; and if, in the one case, the cause and effect has a farther relation of resemblance, they have that of contrariety in the other; which, being also a species of resemblance, leaves the matter pretty equal.
The only explication, then, we can give of this phenomenon, is derived from that principle of a parallel direction above-mentioned. Our concern for our own interest gives us a pleasure in the pleasure, and a pain in the pain of a partner, after the same manner as by sympathy we feel a sensation correspondent to those which appear in any person who is present with us. On the other hand, the same concern for our interest makes us feel a pain in the pleasure, and a pleasure in the pain of a rival; and, in short, the same contrariety of sentiments as arises from comparison and malice. Since, therefore, a parallel direction of the affections, proceeding from interest, can give rise to benevolence or anger, no wonder the same parallel direction, derived from sympathy and from comparison, should have the same effect.
In general we may observe, that 'tis impossible to do good to others, from whatever motive, without feeling some touches of kindness and good will towards them; as the injuries we do not only cause hatred in the person who suffers them, but even in ourselves. These phenomena, indeed, may in part be accounted for from other principles.
But here there occurs a considerable objection, which 'twill be necessary to examine before we proceed any farther. I have endeavoured to prove that power and riches, or poverty and meanness, which give rise to love or hatred, without producing any original pleasure or uneasiness, operate upon us by means of a secondary sensation derived from a sympathy with that pain or satisfaction which they produce in the person who possesses them. From a sympathy with his pleasure there arises love; from that with his uneasiness, hatred. But 'tis a maxim which I have just now established, and which is absolutely necessary to the explication of the phenomena of pity and malice, "That 'tis not the present sensation or momentary pain or pleasure which determines the character of any passion, but the general bent or tendency of it from the beginning to the end." For this reason, pity or a sympathy with pain produces love, and that because it interests us in the fortunes of others, good or bad, and gives us a secondary sensation correspondent to the primary, in which it has the same influence with love and benevolence. Since, then, this rule holds good in one case, why does it not prevail throughout, and why does sympathy in uneasiness ever produce any passion beside good will and kindness? Is it becoming a philosopher to alter his method of reasoning, and run from one principle to its contrary, according to the particular phenomenon which he would explain?
I have mentioned two different causes from which a transition of passion may arise, viz. a double relation of ideas and impressions, and, what is similar to it, a conformity in the tendency and direction of any two desires which arise from different principles. Now I assert, that when a sympathy with uneasiness is weak, it produces hatred or contempt by the former cause; when strong, it produces love or tenderness by the latter. This is the solution of the foregoing difficulty, which seems so urgent; and this is a principle founded on such evident arguments, that we ought to have established it, even though it were not necessary to the explication of any phenomenon.
'Tis certain, that sympathy is not always limited to the present moment, but that we often feel, by communication, the pains and pleasures of others which are not in being, and which we only anticipate by the force of imagination. For, supposing I saw a person perfectly unknown to me, who, while asleep in the fields, was in danger of being trod under foot by horses, I should immediately run to his assistance; and in this I should be actuated by the same principle of sympathy which makes me concerned for the present sorrows of a stranger. The bare mention of this is sufficient. Sympathy being nothing but a lively idea converted into an impression, 'tis evident that, in considering the future possible or probable condition of any person, we may enter into it with so vivid a conception as to make it our own concern, and by that means be sensible of pains and pleasures which neither belong to ourselves, nor at the present instant have any real existence.
But however we may look forward to the future in sympathizing with any person, the extending of our sympathy depends in a great measure upon our sense of his present condition. 'Tis a great effort of imagination to form such lively ideas even of the present sentiments of others as to feel these very sentiments; but 'tis impossible we could extend this sympathy to the future without being aided by some circumstance in the present, which strikes upon us in a lively manner. When the present misery of another has any strong influence upon me, the vivacity of the conception is not confined merely to its immediate object, but diffuses its influence over all the related ideas, and gives me a lively notion of all the circumstances of that person, whether past, present, or future; possible, probable, or certain. By means of this lively notion I am interested in them, take part with them, and feel a sympathetic motion in my breast, conformable to whatever I imagine in his. If I diminish the vivacity of the first conception, I diminish that of the related ideas; as pipes can convey no more water than what arises at the fountain. By this diminution I destroy the future prospect which is necessary to interest me perfectly in the fortune of another. I may feel the present impression, but carry my sympathy no farther, and never transfuse the force of the first conception into my ideas of the related objects. If it be another's misery which is presented in this feeble manner, I receive it by communication, and am affected with all the passions related to it: but as I am not so much interested as to concern myself in his good fortune as well as his bad, I never feel the extensive sympathy, nor the passions related to _it_.
Now, in order to know what passions are related to these different kinds of sympathy, we must consider that benevolence is an original pleasure arising from the pleasure of the person beloved, and a pain proceeding from his pain: from which correspondence of impressions there arises a subsequent desire of his pleasure, and aversion to his pain. In order, then, to make a passion run parallel with benevolence, 'tis requisite we should feel these double impressions, correspondent to those of the person whom we consider; nor is any one of them alone sufficient for that purpose. When we sympathize only with one impression, and that a painful one, this sympathy is related to anger and to hatred, upon account of the uneasiness it conveys to us. But as the extensive or limited sympathy depends upon the force of the first sympathy, it follows that the passion of love or hatred depends upon the same principle. A strong impression, when communicated, gives a double tendency of the passions, which is related to benevolence and love by a similarity of direction, however painful the first impression might have been. A weak impression that is painful is related to anger and hatred by the resemblance of sensations. Benevolence, therefore, arises from a great degree of misery, or any degree strongly sympathized with: hatred or contempt from a small degree, or one weakly sympathized with; which is the principle I intended to prove and explain.
Nor have we only our reason to trust to for this principle, but also experience. A certain degree of poverty produces contempt; but a degree beyond causes compassion and good will. We may undervalue a peasant or servant; but when the misery of a beggar appears very great, or is painted in very lively colours, we sympathize with him in his afflictions, and feel in our heart evident touches of pity and benevolence. The same object causes contrary passions, according to its different degrees. The passions, therefore, must depend upon principles that operate in such certain degrees, according to my hypothesis. The increase of the sympathy has evidently the same effect as the increase of the misery.
A barren or desolate country always seems ugly and disagreeable, and commonly inspires us with contempt for the inhabitants. This deformity, however, proceeds in a great measure from a sympathy with the inhabitants, as has been already observed; but it is only a weak one, and reaches no farther than the immediate sensation, which is disagreeable. The view of a city in ashes conveys benevolent sentiments; because we there enter so deep into the interests of the miserable inhabitants, as to wish for their prosperity, as well as feel their adversity.
But though the force of the impression generally produces pity and benevolence, 'tis certain that, by being carried too far, it ceases to have that effect. This, perhaps, may be worth our notice. When the uneasiness is either small in itself, or remote from us, it engages not the imagination, nor is able to convey an equal concern for the future and contingent good, as for the present and real evil. Upon its acquiring greater force, we become so interested in the concerns of the person, as to be sensible both of his good and bad fortune; and from that complete sympathy there arises pity and benevolence. But 'twill easily be imagined, that where the present evil strikes with more than ordinary force, it may entirely engage our attention, and prevent that double sympathy above mentioned. Thus we find, that though every one, but especially women, are apt to contract a kindness for criminals who go to the scaffold, and readily imagine them to be uncommonly handsome and well-shaped; yet one who is present at the cruel execution of the rack, feels no such tender emotions; but is in a manner overcome with horror, and has no leisure to temper this uneasy sensation by any opposite sympathy.
But the instance which makes the most clearly for my hypothesis, is that wherein, by a change of the objects, we separate the double sympathy even from a middling degree of the passion; in which case we find that pity, instead of producing love and tenderness as usual, always gives rise to the contrary affection. When we observe a person in misfortune, we are affected with pity and love; but the author of that misfortune becomes the object of our strongest hatred, and is the more detested in proportion to the degree of our compassion. Now, for what reason should the same passion of pity produce love to the person who suffers the misfortune, and hatred to the person who causes it; unless it be because, in the latter case, the author bears a relation only to the misfortune; whereas, in considering the sufferer, we carry our view on every side, and wish for his prosperity, as well as are sensible of his affliction?
I shall just observe, before I leave the present subject, that this phenomenon of the double sympathy, and its tendency to cause love, may contribute to the production of the kindness which we naturally bear our relations and acquaintance. Custom and relation make us enter deeply into the sentiments of others; and whatever fortune we suppose to attend them, is rendered present to us by the imagination, and operates as if originally our own. We rejoice in their pleasures, and grieve for their sorrows, merely from the force of sympathy. Nothing that concerns them is indifferent to us; and as this correspondence of sentiments is the natural attendant of love, it readily produces that affection.
SECTION X.
OF RESPECT AND CONTEMPT.
There now remains only to explain the passions of _respect_ and _contempt_, along with the _amorous_ affection, in order to understand all the passions which have any mixture of love or hatred. Let us begin with respect and contempt.
In considering the qualities and circumstances of others, we may either regard them as they really are in themselves; or may make a comparison betwixt them and our own qualities and circumstances; or may join these two methods of consideration. The good qualities of others, from the first point of view, produce love; from the second, humility; and, from the third, respect; which is a mixture of these two passions. Their bad qualities, after the same manner, cause either hatred, or pride, or contempt, according to the light in which we survey them.
That there is a mixture of pride in contempt, and of humility in respect, is, I think, too evident, from their very feeling or appearance, to require any particular proof. That this mixture arises from a tacit comparison of the person contemned or respected with ourselves, is no less evident. The same man may cause either respect, love, or contempt, by his condition and talents, according as the person who considers him, from his inferior, becomes his equal or superior. In changing the point of view, though the object may remain the same, its proportion to ourselves entirely alters; which is the cause of an alteration in the passions. These passions, therefore, arise from our observing the proportion, that is, from a comparison.
I have already observed, that the mind has a much stronger propensity to pride than to humility, and have endeavoured, from the principles of human nature, to assign a cause for this phenomenon. Whether my reasoning be received or not, the phenomenon is undisputed, and appears in many instances. Among the rest, 'tis the reason why there is a much greater mixture of pride in contempt, than of humility in respect, and why we are more elevated with the view of one below us, than mortified with the presence of one above us. Contempt or scorn has so strong a tincture of pride, that there scarce is any other passion discernible: Whereas in esteem or respect, love makes a more considerable ingredient than humility. The passion of vanity is so prompt, that it rouses at the least call; while humility requires a stronger impulse to make it exert itself.
But here it may reasonably be asked, why this mixture takes place only in some cases, and appears not on every occasion. All those objects which cause love, when placed on another person, are the causes of pride when transferred to ourselves; and consequently ought to be causes of humility as well as love while they belong to others, and are only compared to those which we ourselves possess. In like manner every quality, which, by being directly considered, produces hatred, ought always to give rise to pride by comparison, and, by a mixture of these passions of hatred and pride, ought to excite contempt or scorn. The difficulty then is, why any objects ever cause pure love or hatred, and produce not always the mixt passions of respect and contempt.
I have supposed all along that the passions of love and pride, and those of humility and hatred, are similar in their sensations, and that the two former are always agreeable, and that the two latter painful.
But though this be universally true, 'tis observable, that the two agreeable as well as the two painful passions, have some differences, and even contrarieties, which distinguish them. Nothing invigorates and exalts the mind equally with pride and vanity; though at the same time love or tenderness is rather found to weaken and enfeeble it. The same difference is observable betwixt the uneasy passions. Anger and hatred bestow a new force on all our thoughts and actions; while humility and shame deject and discourage us. Of these qualities of the passions, 'twill be necessary to form a distinct idea. Let us remember that pride and hatred invigorate the soul, and love and humility enfeeble it.
From this it follows, that though the conformity betwixt love and hatred in the agreeableness of their sensation makes them always be excited by the same objects, yet this other contrariety is the reason why they are excited in very different degrees. Genius and learning are _pleasant_ and _magnificent_ objects, and by both these circumstances are adapted to pride and vanity, but have a relation to love by their pleasure only. Ignorance and simplicity are _disagreeable_ and _mean_, which in the same manner gives them a double connexion with humility, and a single one with hatred. We may, therefore, consider it as certain, that though the same object always produces love and pride, humility and hatred, according to its different situations, yet it seldom produces either the two former or the two latter passions in the same proportion.
'Tis here we must seek for a solution of the difficulty above-mentioned, why any object ever excites pure love or hatred, and does not always produce respect or contempt, by a mixture of humility or pride. No quality in another gives rise to humility by comparison, unless it would have produced pride by being placed in ourselves; and, _vice versa_, no object excites pride by comparison, unless it would have produced humility by the direct survey. This is evident, objects always produce by _comparison_ a sensation directly contrary to their _original_ one. Suppose, therefore, an object to be presented, which is peculiarly fitted to produce love, but imperfectly to excite pride, this object, belonging to another, gives rise directly to a great degree of love, but to a small one of humility by comparison; and consequently that latter passion is scarce felt in the compound, nor is able to convert the love into respect. This is the case with good nature, good humour, facility, generosity, beauty, and many other qualities. These have a peculiar aptitude to produce love in others; but not so great a tendency to excite pride in ourselves: for which reason the view of them, as belonging to another person, produces pure love, with but a small mixture of humility and respect. 'Tis easy to extend the same reasoning to the opposite passions.
Before we leave this subject, it may not be amiss to account for a pretty curious phenomenon, viz. why we commonly keep at a distance such as we contemn, and allow not our inferiors to approach too near even in place and situation. It has already been observed, that almost every kind of ideas is attended with some emotion, even the ideas of number and extension, much more those of such objects as are esteemed of consequence in life, and fix our attention. 'Tis not with entire indifference we can survey either a rich man or a poor one, but must feel some faint touches, at least, of respect in the former case, and of contempt in the latter. These two passions are contrary to each other; but in order to make this contrariety be felt, the objects must be someway related; otherwise the affections are totally separate and distinct, and never encounter. The relation takes place wherever the persons become contiguous; which is a general reason why we are uneasy at seeing such disproportioned objects as a rich man and a poor one, a nobleman and a porter, in that situation.
This uneasiness, which is common to every spectator, must be more sensible to the superior; and that because the near approach of the inferior is regarded as a piece of ill breeding, and shows that he is not sensible of the disproportion, and is no way affected by it. A sense of superiority in another breeds in all men an inclination to keep themselves at a distance from him, and determines them to redouble the marks of respect and reverence, when they are obliged to approach him; and where they do not observe that conduct, 'tis a proof they are not sensible of his superiority. From hence too it proceeds, that any great _difference_ in the degrees of any quality is called a _distance_ by a common metaphor, which, however trivial it may appear, is founded on natural principles of the imagination. A great difference inclines us to produce a distance. The ideas of distance and difference are, therefore, connected together. Connected ideas are readily taken for each other; and this is in general the source of the metaphor, as we shall have occasion to observe afterwards.
SECTION XI.
OF THE AMOROUS PASSION, OR LOVE BETWIXT THE SEXES.
Of all the compound passions which proceed from a mixture of love and hatred with other affections, no one better deserves our attention, than that love which arises betwixt the sexes, as well on account of its force and violence, as those curious principles of philosophy, for which it affords us an uncontestable argument. 'Tis plain that this affection, in its most natural state, is derived from the conjunction of three different impressions or passions, viz. the pleasing sensation arising from beauty; the bodily appetite for generation; and a generous kindness or good will. The origin of kindness from beauty may be explained from the foregoing reasoning. The question is, how the bodily appetite is excited by it.
The appetite of generation, when confined to a certain degree, is evidently of the pleasant kind, and has a strong connexion with all the agreeable emotions. Joy, mirth, vanity, and kindness, are all incentives to this desire, as well as music, dancing, wine, and good cheer. On the other hand, sorrow, melancholy, poverty, humility are destructive of it. From this quality, 'tis easily conceived why it should be connected with the sense of beauty.
But there is another principle that contributes to the same effect.
I have observed that the parallel direction of the desires is a real relation, and, no less than a resemblance in their sensation, produces a connexion among them. That we may fully comprehend the extent of this relation, we must consider that any principal desire may be attended with subordinate ones, which are connected with it, and to which, if other desires are parallel, they are by that means related to the principal one. Thus, hunger may oft be considered as the primary inclination of the soul, and the desire of approaching the meat as the secondary one, since 'tis absolutely necessary to the satisfying that appetite. If an object, therefore, by any separate qualities, inclines us to approach the meat, it naturally increases our appetite; as on the contrary, whatever inclines us to set our victuals at a distance, is contradictory to hunger, and diminishes our inclination to them. Now, 'tis plain, that beauty has the first effect, and deformity the second; which is the reason why the former gives us a keener appetite for our victuals, and the latter is sufficient to disgust us at the most savoury dish that cookery has invented. All this is easily applicable to the appetite for generation.
From these two relations, viz. resemblance and a parallel desire, there arises such a connexion betwixt the sense of beauty, the bodily appetite, and benevolence, that they become in a manner inseparable; and we find from experience, that 'tis indifferent which of them advances first, since any of them is almost sure to be attended with the related affections. One who is inflamed with lust, feels at least a momentary kindness towards the object of it, and at the same time fancies her more beautiful than ordinary; as there are many, who begin with kindness and esteem for the wit and merit of the person, and advance from that to the other passions. But the most common species of love is that which first arises from beauty, and afterwards diffuses itself into kindness, and into the bodily appetite. Kindness or esteem, and the appetite to generation, are too remote to unite easily together. The one is, perhaps, the most refined passion of the soul, the other the most gross and vulgar. The love of beauty is placed in a just medium betwixt them, and partakes of both their natures; from whence it proceeds, that 'tis so singularly fitted to produce both.
This account of love is not peculiar to my system, but is unavoidable on any hypothesis. The three affections which compose this passion are evidently distinct, and has each of them its distinct object. 'Tis certain, therefore, that 'tis only by their relation they produce each