so-called faculty of mind) into another. The refutation which such cognition gives of the semblance that the rational is _found_, starts from the certitude or the faith of intelligence in its capability of rational knowledge, and in the possibility of being able to appropriate the reason, which it and the content virtually is.
The distinction of Intelligence from Will is often incorrectly taken to mean that each has a fixed and separate existence of its own, as if volition could be without intelligence, or the activity of intelligence could be without will. The possibility of a culture of the intellect which leaves the heart untouched, as it is said, and of the heart without the intellect—of hearts which in one-sided way want intellect, and heartless intellects—only proves at most that bad and radically untrue existences occur. But it is not philosophy which should take such untruths of existence and of mere imagining for truth—take the worthless for the essential nature. A host of other phrases used of intelligence, e.g. that it receives and accepts impressions from outside, that ideas arise through the causal operations of external things upon it, &c., belong to a point of view utterly alien to the mental level or to the position of philosophic study.
A favourite reflectional form is that of powers and faculties of soul, intelligence, or mind. Faculty, like power or force, is the fixed quality of any object of thought, conceived as reflected into self. Force (§ 136) is no doubt the infinity of form—of the inward and the outward: but its essential finitude involves the indifference of content to form (ib.
note). In this lies the want of organic unity which by this reflectional form, treating mind as a “lot” of forces, is brought into mind, as it is by the same method brought into nature. Any aspect which can be distinguished in mental action is stereotyped as an independent entity, and the mind thus made a skeleton-like mechanical collection. It makes absolutely no difference if we substitute the expression “activities” for powers and faculties. Isolate the activities and you similarly make the mind a mere aggregate, and treat their essential correlation as an external incident.
The action of intelligence as theoretical mind has been called _cognition_ (knowledge). Yet this does not mean intelligence _inter alia_ knows,—besides which it also intuites, conceives, remembers, imagines, &c.
To take up such a position is in the first instance part and parcel of that isolating of mental activity just censured; but it is also in addition connected with the great question of modern times, as to whether true knowledge or the knowledge of truth is possible,—which, if answered in the negative, must lead to abandoning the effort. The numerous aspects and reasons and modes of phrase with which external reflection swells the bulk of this question are cleared up in their place: the more external the attitude of understanding in the question, the more diffuse it makes a simple object. At the present place the simple concept of cognition is what confronts the quite general assumption taken up by the question, viz.
the assumption that the possibility of true knowledge in general is in dispute, and the assumption that it is possible for us at our will either to prosecute or to abandon cognition. The concept or possibility of cognition has come out as intelligence itself, as the certitude of reason: the act of cognition itself is therefore the actuality of intelligence. It follows from this that it is absurd to speak of intelligence and yet at the same time of the possibility or choice of knowing or not. But cognition is genuine, just so far as it realises itself, or makes the concept its own. This nominal description has its concrete meaning exactly where cognition has it. The stages of its realising activity are intuition, conception, memory, &c.: these activities have no other immanent meaning: their aim is solely the concept of cognition (§ 445 note). If they are isolated, however, then an impression is implied that they are useful for something else than cognition, or that they severally procure a cognitive satisfaction of their own; and that leads to a glorification of the delights of intuition, remembrance, imagination. It is true that even as isolated (i.e. as non-intelligent), intuition, imagination, &c. can afford a certain satisfaction: what physical nature succeeds in doing by its fundamental quality—its out-of-selfness,—exhibiting the elements or factors of immanent reason external to each other,—that the intelligence can do by voluntary act, but the same result may happen where the intelligence is itself only natural and untrained. But the _true satisfaction_, it is admitted, is only afforded by an intuition permeated by intellect and mind, by rational conception, by products of imagination which are permeated by reason and exhibit ideas—in a word, by _cognitive_ intuition, cognitive conception, &c. The truth ascribed to such satisfaction lies in this, that intuition, conception, &c. are not isolated, and exist only as “moments” in the totality of cognition itself.
(α) Intuition (Intelligent Perception)(136).
§ 446. The mind which as soul is physically conditioned,—which as consciousness stands to this condition on the same terms as to an outward an inarticulate embryonic life, in which it is to itself as it were palpable and has the whole _material_ of its knowledge. In consequence of the immediacy in which it is thus originally, it is in this stage only as an individual and possesses a vulgar subjectivity. It thus appears as mind in the guise of _feeling_.
If feeling formerly turned up (§ 399) as a mode of the _soul’s_ existence, the finding of it or its immediacy was in that case essentially to be conceived as a congenital or corporeal condition; whereas at present it is only to be taken abstractly in the general sense of immediacy.
§ 447. The characteristic form of feeling is that though it is a mode of some “affection,” this mode is simple. Hence feeling, even should its import be most sterling and true, has the form of casual particularity,—not to mention that its import may also be the most scanty and most untrue.
It is commonly enough assumed that mind has in its feeling the material of its ideas, but the statement is more usually understood in a sense the opposite of that which it has here. In contrast with the simplicity of feeling it is usual rather to assume that the primary mental phase is judgment generally, or the distinction of consciousness into subject and object; and the special quality of sensation is derived from an independent _object_, external or internal. With us, in the truth of mind, the mere consciousness point of view, as opposed to true mental “idealism,” is swallowed up, and the matter of feeling has rather been supposed already as _immanent_ in the mind.—It is commonly taken for granted that as regards content there is more in feeling than in thought: this being specially affirmed of moral and religious feelings. Now the material, which the mind as it feels is to itself, is _here_ the result and the mature result of a fully organised reason: hence under the head of feeling is comprised all rational and indeed all spiritual content whatever. But the form of selfish singleness to which feeling reduces the mind is the lowest and worst vehicle it can have—one in which it is not found as a free and infinitely universal principle, but rather as subjective and private, in content and value entirely contingent. Trained and sterling feeling is the feeling of an educated mind which has acquired the consciousness of the true differences of things, of their essential relationships and real characters; and it is with such a mind that this rectified material enters into its feeling and receives this form. Feeling is the immediate, as it were the closest, contact in which the thinking subject can stand to a given content. Against that content the subject re-acts first of all with its particular self-feeling, which though it _may_ be of more sterling value and of wider range than a onesided intellectual standpoint, may just as likely be narrow and poor; and in any case is the form of the particular and subjective. If a man on any topic appeals not to the nature and notion of the thing, or at least to reasons—to the generalities of common sense—but to his feeling, the only thing to do is to let him alone, because by his behaviour he refuses to have any lot or part in common rationality, and shuts himself up in his own isolated subjectivity—his private and particular self.
§ 448. (2) As this immediate finding is broken up into elements, we have the one factor in _Attention_—the abstract _identical_ direction of mind (in feeling, as also in all other more advanced developments of it)—an active self-collection—the factor of fixing it as our own, but with an as yet only nominal autonomy of intelligence. Apart from such attention there is nothing for the mind. The other factor is to invest the special quality of feeling, as contrasted with this inwardness of mind, with the character of something existent, but as a _negative_ or as the abstract otherness of itself. Intelligence thus defines the content of sensation as something that is out of itself, projects it into time and space, which are the forms in which it is intuitive. To the view of consciousness the material is only an object of consciousness, a relative other: from mind it receives the rational characteristic of being _its very other_ (§§ 147, 254).
§ 449. (3) When intelligence reaches a concrete unity of the two factors, that is to say, when it is at once self-collected in this externally existing material, and yet in this self-collectedness sunk in the out-of-selfness, it is _Intuition_ or Mental Vision.
§ 450. At and towards this its own out-of-selfness, intelligence no less essentially directs its attention. In this its immediacy it is an awaking to itself, a recollection of itself. Thus intuition becomes a concretion of the material with the intelligence, which makes it its own, so that it no longer needs this immediacy, no longer needs to find the content.
(β) Representation (or Mental Idea)(137).
§ 451. Representation is this recollected or inwardised intuition, and as such is the middle between that stage of intelligence where it finds itself immediately subject to modification and that where intelligence is in its freedom, or, as thought. The representation is the property of intelligence; with a preponderating subjectivity, however, as its right of property is still conditioned by contrast with the immediacy, and the representation cannot as it stands be said to _be_. The path of intelligence in representations is to render the immediacy inward, to invest itself with intuitive action in itself, and at the same time to get rid of the subjectivity of the inwardness, and inwardly divest itself of it; so as to be in itself in an externality of its own. But as representation begins from intuition and the ready-found material of intuition, the intuitional contrast still continues to affect its activity, and makes its concrete products still “syntheses,” which do not grow to the concrete immanence of the notion till they reach the stage of thought.
(αα) Recollection(138).
§ 452. Intelligence, as it at first recollects the intuition, places the content of feeling in its own inwardness—in a space and a time of its own.
In this way that content is (1) an _image_ or picture, liberated from its original immediacy and abstract singleness amongst other things, and received into the universality of the ego. The image loses the full complement of features proper to intuition, and is arbitrary or contingent, isolated, we may say, from the external place, time, and immediate context in which the intuition stood.
§ 453. (2) The image is of itself transient, and intelligence itself is as attention its time and also its place, its when and where. But intelligence is not only consciousness and actual existence, but _quâ_ intelligence is the subject and the potentiality of its own specialisations. The image when thus kept in mind is no longer existent, but stored up out of consciousness.
To grasp intelligence as this night-like mine or pit in which is stored a world of infinitely many images and representations, yet without being in consciousness, is from the one point of view the universal postulate which bids us treat the notion as concrete, in the way we treat e.g. the germ as affirmatively containing, in virtual possibility, all the qualities that come into existence in the subsequent development of the tree. Inability to grasp a universal like this, which, though intrinsically concrete, still continues _simple_, is what has led people to talk about special fibres and areas as receptacles of particular ideas. It was felt that what was diverse should in the nature of things have a local habitation peculiar to itself. But whereas the reversion of the germ from its existing specialisations to its simplicity in a purely potential existence takes place only in another germ,—the germ of the fruit; intelligence _quâ_ intelligence shows the potential coming to free existence in its development, and yet at the same time collecting itself in its inwardness.
Hence from the other point of view intelligence is to be conceived as this sub-conscious mine, i.e. as the _existent_ universal in which the different has not yet been realised in its separations. And it is indeed this potentiality which is the first form of universality offered in mental representation.
§ 454. (3) An image thus abstractly treasured up needs, if it is to exist, an actual intuition: and what is strictly called Remembrance is the reference of the image to an intuition,—and that as a subsumption of the immediate single intuition (impression) under what is in point of form universal, under the representation (idea) with the same content. Thus intelligence recognises the specific sensation and the intuition of it as what is already its own,—in them it is still within itself: at the same time it is aware that what is only its (primarily) internal image is also an immediate object of intuition, by which it is authenticated. The image, which in the mine of intelligence was only its _property_, now that it has been endued with externality, comes actually into its _possession_. And so the image is at once rendered distinguishable from the intuition and separable from the blank night in which it was originally submerged.
Intelligence is thus the force which can give forth its property, and dispense with external intuition for its existence in it. This “synthesis” of the internal image with the recollected existence is _representation_ proper: by this synthesis the internal now has the qualification of being able to be presented before intelligence and to have its existence in it.
(ββ) Imagination(139).
§ 455. (1) The intelligence which is active in this possession is the _reproductive imagination_, where the images issue from the inward world belonging to the ego, which is now the power over them. The images are in the first instance referred to this external, immediate time and space which is treasured up along with them. But it is solely in the conscious subject, where it is treasured up, that the image has the individuality in which the features composing it are conjoined: whereas their original concretion, i.e. at first only in space and time, as a _unit_ of intuition, has been broken up. The content reproduced, belonging as it does to the self-identical unity of intelligence, and an out-put from its universal mine, has a general idea (representation) to supply the link of association for the images which according to circumstances are more abstract or more concrete ideas.
The so-called _laws of the association of ideas_ were objects of great interest, especially during that outburst of empirical psychology which was contemporaneous with the decline of philosophy. In the first place, it is not _Ideas_ (properly so called) which are associated. Secondly, these modes of relation are not _laws_, just for the reason that there are so many laws about the same thing, as to suggest a caprice and a contingency opposed to the very nature of law. It is a matter of chance whether the link of association is something pictorial, or an intellectual category, such as likeness and contrast, reason and consequence. The train of images and representations suggested by association is the sport of vacant-minded ideation, where, though intelligence shows itself by a certain formal universality, the matter is entirely pictorial.—Image and idea, if we leave out of account the more precise definition of those forms given above, present also a distinction in content. The former is the more consciously-concrete idea, whereas the idea (representation), whatever be its content (from image, notion, or idea), has always the peculiarity, though belonging to intelligence, of being in respect of its content given and immediate. It is still true of this idea or representation, as of all intelligence, that it finds its material, as a matter of fact, to _be_ so and so; and the universality which the aforesaid material receives by ideation is still abstract. Mental representation is the mean in the syllogism of the elevation of intelligence, the link between the two significations of self-relatedness—viz. _being_ and _universality_, which in consciousness receive the title of object and subject. Intelligence complements what is merely found by the attribution of universality, and the internal and its own by the attribution of being, but a being of its own institution. (On the distinction of representations and thoughts, see Introd. to the Logic, § 20 note.)
Abstraction, which occurs in the ideational activity by which general ideas are produced (and ideas _quâ_ ideas virtually have the form of generality), is frequently explained as the incidence of many similar images one upon another and is supposed to be thus made intelligible. If this super-imposing is to be no mere accident and without principle, a force of attraction in like images must be assumed, or something of the sort, which at the same time would have the negative power of rubbing off the dissimilar elements against each other. This force is really intelligence itself,—the self-identical ego which by its internalising recollection gives the images _ipso facto_ generality, and subsumes the single intuition under the already internalised image (§ 453).
§ 456. Thus even the association of ideas is to be treated as a subsumption of the individual under the universal, which forms their connecting link. But here intelligence is more than merely a general form: its inwardness is an internally definite, concrete subjectivity with a substance and value of its own, derived from some interest, some latent concept or Ideal principle, so far as we may by anticipation speak of such. Intelligence is the power which wields the stores of images and ideas belonging to it, and which thus (2) freely combines and subsumes these stores in obedience to its peculiar tenor. Such is creative imagination(140)—symbolic, allegoric, or poetical imagination—where the intelligence gets a definite embodiment in this store of ideas and informs them with its general tone. These more or less concrete, individualised creations are still “syntheses”: for the material, in which the subjective principles and ideas get a mentally pictorial existence, is derived from the data of intuition.
§ 457. In creative imagination intelligence has been so far perfected as to need no helps for intuition. Its self-sprung ideas have pictorial existence. This pictorial creation of its intuitive spontaneity is subjective—still lacks the side of existence. But as the creation unites the internal idea with the vehicle of materialisation, intelligence has therein _implicitly_ returned both to identical self-relation and to immediacy. As reason, its first start was to appropriate the immediate datum in itself (§§ 445, 455), i.e. to universalise it; and now its action as reason (§ 458) is from the present point directed towards giving the character of an existent to what in it has been perfected to concrete auto-intuition. In other words, it aims at making itself _be_ and be a fact. Acting on this view, it is self-uttering, intuition-producing: the imagination which creates signs.
Productive imagination is the centre in which the universal and being, one’s own and what is picked up, internal and external, are completely welded into one. The preceding “syntheses” of intuition, recollection, &c., are unifications of the same factors, but they are “syntheses”; it is not till creative imagination that intelligence ceases to be the vague mine and the universal, and becomes an individuality, a concrete subjectivity, in which the self-reference is defined both to being and to universality. The creations of imagination are on all hands recognised as such combinations of the mind’s own and inward with the matter of intuition; what further and more definite aspects they have is a matter for other departments. For the present this internal studio of intelligence is only to be looked at in these abstract aspects.—Imagination, when regarded as the agency of this unification, is reason, but only a nominal reason, because the matter or theme it embodies is to imagination _quâ_ imagination a matter of indifference; whilst reason _quâ_ reason also insists upon the _truth_ of its content.
Another point calling for special notice is that, when imagination elevates the internal meaning to an image and intuition, and this is expressed by saying that it gives the former the character of an _existent_, the phrase must not seem surprising that intelligence makes itself _be_ as a _thing_; for its ideal import is itself, and so is the aspect which it imposes upon it. The image produced by imagination of an object is a bare mental or subjective intuition: in the sign or symbol it adds intuitability proper; and in mechanical memory it completes, so far as it is concerned, this form of _being_.
§ 458. In this unity (initiated by intelligence) of an independent representation with an intuition, the matter of the latter is, in the first instance, something accepted, somewhat immediate or given (e.g. the colour of the cockade, &c.). But in the fusion of the two elements, the intuition does not count positively or as representing itself, but as representative of something else. It is an image, which has received as its soul and meaning an independent mental representation. This intuition is the _Sign_.
The sign is some immediate intuition, representing a totally different import from what naturally belongs to it; it is the pyramid into which a foreign soul has been conveyed, and where it is conserved. The _sign_ is different from the _symbol_: for in the symbol the original characters (in essence and conception) of the visible object are more or less identical with the import which it bears as symbol; whereas in the sign, strictly so-called, the natural attributes of the intuition, and the connotation of which it is a sign, have nothing to do with each other. Intelligence therefore gives proof of wider choice and ampler authority in the use of intuitions when it treats them as designatory (significative) rather than as symbolical.
In logic and psychology, signs and language are usually foisted in somewhere as an appendix, without any trouble being taken to display their necessity and systematic place in the economy of intelligence. The right place for the sign is that just given: where intelligence—which as intuiting generates the form of time and space, but is apparently recipient of sensible matter, out of which it forms ideas—now gives its own original ideas a definite existence from itself, treating the intuition (or time and space as filled full) as its own property, deleting the connotation which properly and naturally belongs to it, and conferring on it an other connotation as its soul and import. This sign-creating activity may be distinctively named “productive” Memory (the primarily abstract “Mnemosyne”); since memory, which in ordinary life is often used as interchangeable and synonymous with remembrance (recollection), and even with conception and imagination, has always to do with signs only.
§ 459. The intuition—in its natural phase a something given and given in space—acquires, when employed as a sign, the peculiar characteristic of existing only as superseded and sublimated. Such is the negativity of intelligence; and thus the truer phase of the intuition used as a sign is existence in _time_ (but its existence vanishes in the moment of being), and if we consider the rest of its external psychical quality, its _institution_ by intelligence, but an institution growing out of its (anthropological) own naturalness. This institution of the natural is the vocal note, where the inward idea manifests itself in adequate utterance.
The vocal note which receives further articulation to express specific ideas—speech and, its system, language—gives to sensations, intuitions, conceptions, a second and higher existence than they naturally possess,—invests them with the right of existence in the ideational realm.
Language here comes under discussion only in the special aspect of a product of intelligence for manifesting its ideas in an external medium.
If language had to be treated in its concrete nature, it would be necessary for its vocabulary or material part to recall the anthropological or psycho-physiological point of view (§ 401), and for the grammar or formal portion to anticipate the standpoint of analytic understanding. With regard to the elementary _material_ of language, while on one hand the theory of mere accident has disappeared, on the other the principle of imitation has been restricted to the slight range it actually covers—that of vocal objects. Yet one may still hear the German language praised for its wealth—that wealth consisting in its special expression for special sounds—_Rauschen_, _Sausen_, _Knarren_, &c.;—there have been collected more than a hundred such words, perhaps: the humour of the moment creates fresh ones when it pleases. Such superabundance in the realm of sense and of triviality contributes nothing to form the real wealth of a cultivated language. The strictly raw material of language itself depends more upon an inward symbolism than a symbolism referring to external objects; it depends, i.e. on anthropological articulation, as it were the posture in the corporeal act of oral utterance. For each vowel and consonant accordingly, as well as for their more abstract elements (the posture of lips, palate, tongue in each) and for their combinations, people have tried to find the appropriate signification. But these dull sub-conscious beginnings are deprived of their original importance and prominence by new influences, it may be by external agencies or by the needs of civilisation. Having been originally sensuous intuitions, they are reduced to signs, and thus have only traces left of their original meaning, if it be not altogether extinguished. As to the _formal_ element, again, it is the work of analytic intellect which informs language with its categories: it is this logical instinct which gives rise to grammar.
The study of languages still in their original state, which we have first really begun to make acquaintance with in modern times, has shown on this point that they contain a very elaborate grammar and express distinctions which are lost or have been largely obliterated in the languages of more civilised nations. It seems as if the language of the most civilised nations has the most imperfect grammar, and that the same language has a more perfect grammar when the nation is in a more uncivilised state than when it reaches a higher civilisation. (Cf. W. von Humboldt’s _Essay on the Dual_.)
In speaking of vocal (which is the original) language, we may touch, only in passing, upon written language,—a further development in the particular sphere of language which borrows the help of an externally practical activity. It is from the province of immediate spatial intuition to which written language proceeds that it takes and produces the signs (§ 454). In particular, hieroglyphics uses spatial figures to designate _ideas_; alphabetical writing, on the other hand, uses them to designate vocal notes which are already signs. Alphabetical writing thus consists of signs of signs,—the words or concrete signs of vocal language being analysed into their simple elements, which severally receive designation.—Leibnitz’s practical mind misled him to exaggerate the advantages which a complete written language, formed on the hieroglyphic method (and hieroglyphics are used even where there is alphabetic writing, as in our signs for the numbers, the planets, the chemical elements, &c.), would have as a universal language for the intercourse of nations and especially of scholars. But we may be sure that it was rather the intercourse of nations (as was probably the case in Phoenicia, and still takes place in Canton—see _Macartney’s Travels_ by Staunton) which occasioned the need of alphabetical writing and led to its formation. At any rate a comprehensive hieroglyphic language for ever completed is impracticable. Sensible objects no doubt admit of permanent signs; but, as regards signs for mental objects, the progress of thought and the continual development of logic lead to changes in the views of their internal relations and thus also of their nature; and this would involve the rise of a new hieroglyphical denotation. Even in the case of sense-objects it happens that their names, i.e. their signs in vocal language, are frequently changed, as e.g. in chemistry and mineralogy. Now that it has been forgotten what names properly are, viz. externalities which of themselves have no sense, and only get signification as signs, and now that, instead of names proper, people ask for terms expressing a sort of definition, which is frequently changed capriciously and fortuitously, the denomination, i.e. the composite name formed of signs of their generic characters or other supposed characteristic properties, is altered in accordance with the differences of view with regard to the genus or other supposed specific property. It is only a stationary civilisation, like the Chinese, which admits of the hieroglyphic language of that nation; and its method of writing moreover can only be the lot of that small part of a nation which is in exclusive possession of mental culture.—The progress of the vocal language depends most closely on the habit of alphabetical writing; by means of which only does vocal language acquire the precision and purity of its articulation. The imperfection of the Chinese vocal language is notorious: numbers of its words possess several utterly different meanings, as many as ten and twenty, so that, in speaking, the distinction is made perceptible merely by accent and intensity, by speaking low and soft or crying out. The European, learning to speak Chinese, falls into the most ridiculous blunders before he has mastered these absurd refinements of accentuation. Perfection here consists in the opposite of that _parler sans accent_ which in Europe is justly required of an educated speaker. The hieroglyphic mode of writing keeps the Chinese vocal language from reaching that objective precision which is gained in articulation by alphabetic writing.
Alphabetic writing is on all accounts the more intelligent: in it the _word_—the mode, peculiar to the intellect, of uttering its ideas most worthily—is brought to consciousness and made an object of reflection.
Engaging the attention of intelligence, as it does, it is analysed; the work of sign-making is reduced to its few simple elements (the primary postures of articulation) in which the sense-factor in speech is brought to the form of universality, at the same time that in this elementary phase it acquires complete precision and purity. Thus alphabetic writing retains at the same time the advantage of vocal language, that the ideas have names strictly so called: the name is the simple sign for the exact idea, i.e. the simple plain idea, not decomposed into its features and compounded out of them. Hieroglyphics, instead of springing from the direct analysis of sensible signs, like alphabetic writing, arise from an antecedent analysis of ideas. Thus a theory readily arises that all ideas may be reduced to their elements, or simple logical terms, so that from the elementary signs chosen to express these (as, in the case of the Chinese _Koua_, the simple straight stroke, and the stroke broken into two parts) a hieroglyphic system would be generated by their composition. This feature of hieroglyphic—the analytical designations of ideas—which misled Leibnitz to regard it as preferable to alphabetic writing is rather in antagonism with the fundamental desideratum of language,—the name. To want a name means that for the immediate idea (which, however ample a connotation it may include, is still for the mind simple in the name), we require a simple immediate sign which for its own sake does not suggest anything, and has for its sole function to signify and represent sensibly the simple idea as such. It is not merely the image-loving and image-limited intelligence that lingers over the simplicity of ideas and redintegrates them from the more abstract factors into which they have been analysed: thought too reduces to the form of a simple thought the concrete connotation which it “resumes” and reunites from the mere aggregate of attributes to which analysis has reduced it. Both alike require such signs, simple in respect of their meaning: signs, which though consisting of several letters or syllables and even decomposed into such, yet do not exhibit a combination of several ideas.—What has been stated is the principle for settling the value of these written languages.
It also follows that in hieroglyphics the relations of concrete mental ideas to one another must necessarily be tangled and perplexed, and that the analysis of these (and the proximate results of such analysis must again be analysed) appears to be possible in the most various and divergent ways. Every divergence in analysis would give rise to another formation of the written name; just as in modern times (as already noted, even in the region of sense) muriatic acid has undergone several changes of name. A hieroglyphic written language would require a philosophy as stationary as is the civilisation of the Chinese.