entirely to what exists _in the mind_. "Subdivided," "_besondert_," like "_particularisirt_" above; because of the variety and diversity present in the mere material of colours, musical sounds, and ideas.
[171] Again, the subject of a Turner or Teniers is not objectively universal, in the simplest sense; not something that is actually and literally the same everywhere and for every one. And both painting and music (immediately sensuous elements) are less completely amalgamated with the ideal, represent it less solidly and thoroughly than the statue, so far as the ideal is itself external or plastic.
[172] The greater affinity of Romantic art with the movement and variety of the modern spirit displays itself not only in the greater flexibility of painting, music, or poetry, as compared with architecture and sculpture, but in the fact that the Romantic type contains these three arts at least, while the Symbolic and Classical types had only one art each.
[173] This is drawn from Goethe's doctrine of colour, which Hegel unfortunately adopted in opposition to Newton's theory.
[174] He means landscape, principally.
[175] "_Aufheben_," used pregnantly by Hegel to mean _both_ "cancel," "annul," _and_, "preserve," "fix in mind," "idealize." The use of this word is a cardinal point of his dialectic. See "Wiss. der Logik.," i. 104. I know of no equivalent but "put by," provincial Scotch "put past." The negation of space is an attribute of music. The parts of a chord are no more in space than are the parts of a judgment. Hegel expresses this by saying that music idealizes space and concentrates it into a point.
[176] The parts of space, though external to each other, are not distinguished by qualitative peculiarities.
[177] "_Aufheben._" [178] "Ideality of matter:" the distinctively material attribute of a sonorous body, its extension, only appears in its sound indirectly, or inferentially, by modifying the nature of the sound. It is, therefore, "idealized."
[179] Succession in time is a degree more "ideal" than co-existence in space, because it exists solely in the medium of memory.
[180] "_Seele_:" mind on its individual side, as a particular feeling subject. "_Geist_" is rather mind as the common nature of intelligence.
Thus in feeling and self-feeling, mind is said to concentrate itself into a soul.
[181] Hegel seems to accept this view. Was he insensible to sound in poetry? Some very grotesque verses of his, preserved in his biography, go to show that his ear was not sensitive. Yet his critical estimate of poetry is usually just. Shakespeare and Sophocles were probably his favourites. And, as a matter of proportion, what he here says is true.
It must be remembered that the beauty of sound in poetry is to a great extent indirect, being supplied by the passion or emotion which the ideas symbolized by the sounds arouse. The beauty of poetical sound in itself _is_ very likely less than often supposed. It must have the capacity for receiving passionate expression; but that is not the same as the sensuous beauty of a note or a colour. If the words used in a noble poem were divested of all meaning, they would lose much, though not all, of the beauty of their sound.
[182] "Stages or elements." "_Momente_," Hegel's technical phrase for the stages which form the essential parts or factors of any idea. They make their appearance successively, but the earlier are implied and retained in the later.
[183] Adequate, and so of permanent value.
THE END.
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INDEX.
Angling, 67 Animal Magnetism, 30 Anthropology, 48 Arts, Useful and Fine, 56 Astronomy, 49 Bibliography, 93 Biography, 34 Botany, 49 Buddhism, 91 Chemistry, 51 Chess, 56 China, 86 Diet, 57 Education, 44 Egypt, 87 Essays, 3 Ethnology, 48 Ethics, 31 Fiction, 12 Finance, 46 Folk-lore, 28 Gastronomy, 57 Geology, 51 History, 39 History, Constitutional, 45 India, 81 Islam, 89 Japan, 90 Languages, 67 Law, 45 Medicine, 57 Mental Science, 31 Metaphysics, 31 Meteorology, 51 Military Science, 60 Mineralogy, 51 Moral Science, 27 Music, 61 Mythology, 28 Numismatics, 61 Occult Sciences, 29 Oriental, 81 Painting, 62 Periodicals, 95 Persian, 78, 92 Philology, 67 Philosophy, 31 Philosophy, Religious, 27 Physics, 53 Physiology, 57 Poetry, 3 Politics, 46 Religion, 16 Sculpture, 62 Sociology, 44 Societies' Publications, 95 Speculative Theology, 27 Sports, 66 Technology, 63 Theosophy, 26 Topography, 41 Travels, 41 Voyages, 41 Zoology, 54 PATERNOSTER HOUSE, CHARING CROSS ROAD, LONDON, W.C.
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