Schurig (_Spermatologia_, p. 357) at the beginning of the eighteenth century knew a Belgian lady who, when her dearly loved husband died, secretly cut off his penis and treasured it as a sacred relic in a silver casket. She eventually powdered it, he adds, and found it an efficacious medicine for herself and others. An earlier example, of a lady at the French court who embalmed and perfumed the genital organs of her dead husband, always preserving them in a gold casket, is mentioned by Brantôme. Mantegazza knew a man who kept for many years on his desk the skull of his dead mistress, making it his dearest companion. "Some," he remarks, "have slept for months and years with a book, a garment, a trifle. I once had a friend who would spend long hours of joy and emotion kissing a thread of silk which _she_ had held between her fingers, now the only relic of love." (Mantegazza, _Fisiologia dell' Amore_, cap. X.) In the same way I knew a lady who in old age still treasured in her desk, as the one relic of the only man she had ever been attracted to, a fragment of paper he had casually twisted up in a conversation with her half a century before.
The tendency to treasure the relics of a beloved person, more especially the garments, is the simplest and commonest foundation of erotic symbolism. It is without doubt absolutely normal. It is inevitable that those objects which have been in close contact with the beloved person's body, and are intimately associated with that person in the lover's mind, should possess a little of the same virtue, the same emotional potency. It is a phenomenon closely analogous to that by which the relics of saints are held to possess a singular virtue. But it becomes somewhat less normal when the garment is regarded as essential even in the presence of the beloved person.[10] While an extremely large number of objects and acts may be found to possess occasionally the value of erotic symbols, such symbols most frequently fall into certain well-defined groups. A vast number of isolated objects or acts may be exceptionally the focus of erotic contemplation, but the objects and acts which frequently become thus symbolic are comparatively few.
It seems to me that the phenomena of erotic symbolism may be most conveniently grouped in three great classes, on the basis of the objects or acts which arouse them.
I. PARTS OF THE BODY.--_A. Normal:_ Hand, foot, breasts, nates, hair, secretions and excretions, etc.
_B. Abnormal:_ Lameness, squinting, pitting of smallpox, etc. Paidophilia or the love of children, presbyophilia or the love of the aged, and necrophilia or the attraction for corpses, may be included under this head, as well as the excitement caused by various animals.
II. INANIMATE OBJECTS.[11]--_A. Garments:_ Gloves, shoes and stockings and garters, caps, aprons, handkerchiefs, underlinen.
_B. Impersonal Objects:_ Here may be included all the various objects that may accidentally acquire the power of exciting sexual feeling in auto-erotism. Pygmalionism may also be included.
III. ACTS AND ATTITUDES.--_A. Active:_ Whipping, cruelty, exhibitionism. _B. Passive:_ Being whipped, experiencing cruelty. Personal odors and the sound of the voice may be included under this head. _C. Mixoscopic:_ The vision of climbing, swinging, etc. The acts of urination and defecation. The coitus of animals.
Although the three main groups into which the phenomena of erotic symbolism are here divided may seem fairly distinct, they are yet very closely allied, and indeed overlap, so that it is possible, as we shall see, for a single complex symbol to fall into all three groups.
A very complete kind of erotic symbolism is furnished by Pygmalionism or the love of statues.[12] It is exactly analogous to the child's love of a doll, which is also a form of sexual (though not erotic) symbolism. In a somewhat less abnormal form, erotic symbolism probably shows itself in its simplest shape in the tendency to idealize unbeautiful peculiarities in a beloved person, so that such peculiarities are ever afterward almost or quite essential in order to arouse sexual attraction. In this way men have become attracted to limping women. Even the most normal man may idealize a trifling defect in a beloved woman. The attention is inevitably concentrated on any such slight deviation from regular beauty, and the natural result of such concentration is that a complexus of associated thoughts and emotions becomes attached to something that in itself is unbeautiful. A defect becomes an admired focus of attention, the embodied symbol of the lover's emotion.
Thus a mole is not in itself beautiful, but by the tendency to erotic symbolism it becomes so. Persian poets especially have lavished the richest imagery on moles (_Anis El-Ochchâq_ in _Bibliothèque des Hautes Etudes_, fasc, 25, 1875); the Arabs, as Lane remarks (_Arabian Society in the Middle Ages_, p. 214), are equally extravagant in their admiration of a mole.
Stendhal long since well described the process by which a defect becomes a sexual symbol. "Even little defects in a woman's face," he remarked, "such as a smallpox pit, may arouse the tenderness of a man who loves her, and throw him into deep reverie when he sees them in another woman. It is because he has experienced a thousand feelings in the presence of that smallpox mark, that these feelings have been for the most part delicious, all of the highest interest, and that, whatever they may have been, they are renewed with incredible vivacity on the sight of this sign, even when perceived on the face of another woman. If in such a case we come to prefer and love _ugliness_, it is only because in such a case ugliness is beauty. A man loved a woman who was very thin and marked by smallpox; he lost her by death. Three years later, in Rome, he became acquainted with two women, one very beautiful, the other thin and marked by smallpox, on that account, if you will, rather ugly. I saw him in love with this plain one at the end of a week, which he had employed in effacing her plainness by his memories." (_De l'Amour_, Chapter XVII.)
In the tendency to idealize the unbeautiful features of a beloved person erotic symbolism shows itself in a simple and normal form. In a less simple and more morbid form it appears in persons in whom the normal paths of sexual gratification are for some reasons inhibited, and who are thus led to find the symbols of natural love in unnatural perversions. It is for this reason that so many erotic symbolisms take root in childhood and puberty, before the sexual instincts have reached full development. It is for the same reason also, that, at the other end of life, when the sexual energies are failing, erotic symbols sometimes tend to be substituted for the normal pleasures of sex. It is for this reason, again, that both men and women whose normal energies are inhibited sometimes find the symbols of sexual gratification in the caresses of children.
The case of a schoolmistress recorded by Penta instructively shows how an erotic symbolism of this last kind may develop by no means as a refinement of vice, but as the one form in which sexual gratification becomes possible when normal gratification has been pathologically inhibited. F.R., aged 48, schoolmistress; she was some years ago in an asylum with religious mania, but came out well in a few months. At the age of 12 she had first experienced sexual excitement in a railway train from the jolting of the carriage. Soon after she fell in love with a youth who represented her ideal and who returned her affection. When, however, she gave herself to him, great was her disillusion and surprise to find that the sexual act which she had looked forward to could not be accomplished, for at the first contact there was great pain and spasmodic resistance of the vagina. There was a condition of vaginismus. After repeated attempts on subsequent occasions her lover desisted. Her desire for intercourse increased, however, rather than diminished, and at last she was able to tolerate coitus, but the pain was so great that she acquired a horror of the sexual embrace and no longer sought it. Having much will power, she restrained all erotic impulses during many years. It was not until the period of the menopause that the long repressed desires broke out, and at last found a symbolical outlet that was no longer normal, but was felt to supply a complete gratification. She sought the close physical contact of the young children in her care. She would lie on her bed naked, with two or three naked children, make them suck her breasts and press them to every part of her body. Her conduct was discovered by means of other children who peeped through the keyhole, and she was placed under Penta for treatment. In this case the loss of moral and mental inhibition, due probably to troubles of the climacteric, led to indulgence, under abnormal conditions, in those primitive contacts which are normally the beginning of love, and these, supported by the ideal image of the early lover, constituted a complete and adequate symbol of natural love in a morbidly perverted individual. (P. Penta, _Archivio delle Psicopatie Sessuali_, January, 1896.)
FOOTNOTES: [1] The term "erotic symbolism" has already been employed by Eulenburg (_Sexuale Neuropathie_, 1895, p. 101). It must be borne in mind that this term, implying the specific emotion, is much narrower than the term "sexual symbolism," which may be used to designate a great variety of ritual and social practices which have played a part in the evolution of civilization.
[2] _Sexual Selection in Man_, iv, "Vision."
[3] K. Groos, _Der Æsthetische Genuss_, p. 122. The psychology of the associations of contiguity and resemblance through which erotic symbolism operates its transference is briefly discussed by Ribot in the _Psychology of the Emotions_, Part 1, Chapter XII; the early chapters of the same author's _Logique des Sentiments_ may also be said to deal with the emotional basis on which erotic symbolism arises.
[4] A number of synonyms for the female pudenda are brought together by Schurig--cunnus, hortus, concha, navis, fovea, larva, canis, annulus, focus, cymba, antrum, delta, myrtus, etc.--and he discusses many of them. (_Muliebria_, Section I, cap. I.)
[5] Kleinpaul, _Sprache Ohne Worte_, pp. 24-29; cf. K. Pearson, on the general and special words for sex, _Chances of Death_, vol. ii, pp. 112-245; a selection of the literature of the rose will be found in a volume of translations entitled _Ros Rosarum_.
[8] A.R. Reynolds, _Medical Standard_, vol. x, cited by Kiernan, "Responsibility in Sexual Perversion," _American Journal of Neurology and Psychiatry_, 1882.
[9] R. Burton, _Anatomy of Melancholy_, Part III, Section II, Mem. II, Subs. II, and Mem. III, Subs. I.
[10] Numerous examples are given by Moll, _Konträre Sexualempfindung_, third edition, pp. 265-268.
[11] Chevalier (_De l'Inversion_, 1885; id., _L'Inversion Sexuelle_, 1892, p. 52), followed by E. Laurent (_L'Amour Morbide_, 1891, Chapter X), separates this group from other fetichistic perversions, under the head of "azoöphilie." I see no adequate ground for this step. The various forms of fetichism are too intimately associated to permit of any group of them being violently separated from the others.
[12] This has already been considered as a perversion founded on vision, in discussing _Sexual Selection in Man_. IV.
II.
Foot-fetichism and Shoe-fetichism--Wide Prevalence and Normal Basis--Restif de la Bretonne--The Foot a Normal Focus of Sexual Attraction Among Some Peoples--The Chinese, Greeks, Romans, Spaniards, etc.--The Congenital Predisposition in Erotic Symbolism--The Influence of Early Association and Emotional Shock--Shoe-fetichism in Relation to Masochism--The Two Phenomena Independent Though Allied--The Desire to be Trodden On--The Fascination of Physical Constraint--The Symbolism of Self-inflicted Pain--The Dynamic Element in Erotic Symbolism--The Symbolism of Garments.
Of all forms of erotic symbolism the most frequent is that which idealizes the foot and the shoe. The phenomena we here encounter are sometimes so complex and raise so many interesting questions that it is necessary to discuss them somewhat fully.
It would seem that even for the normal lover the foot is one of the most attractive parts of the body. Stanley Hall found that among the parts specified as most admired in the other sex by young men and women who answered a _questionnaire_ the feet came fourth (after the eyes, hair, stature and size).[13] Casanova, an acute student and lover of women who was in no degree a foot fetichist, remarks that all men who share his interest in women are attracted by their feet; they offer the same interest, he considers, as the question of the particular edition offers to the book-lover.[14] In a report of the results of a _questionnaire_ concerning children's sense of self, to which over 500 replies were received, Stanley Hall thus summarizes the main facts ascertained with reference to the feet: "A special period of noticing the feet comes somewhat later than that in which the hands are discovered to consciousness. Our records afford nearly twice as many cases for feet as for hands. The former are more remote from the primary psychic focus or position, and are also more often covered, so that the sight of them is a more marked and exceptional event. Some children become greatly excited whenever their feet are exposed. Some infants show signs of fear at the movement of their own knees and feet covered, and still more often fright is the first sensation which signalizes the child's discovery of its feet...Many are described as playing with them as if fascinated by strange, newly-discovered toys. They pick them up and try to throw them away, or out of the cradle, or bring them to the mouth, where all things tend to go...Children often handle their feet, pat and stroke them, offer them toys and the bottle, as if they, too, had an independent hunger to gratify, an _ego_ of their own...Children often develop [later] a special interest in the feet of others, and examine, feel them, etc., sometimes expressing surprise that the pinch of the mother's toe hurts her and not the child, or comparing their own and the feet of others point by point. Curious, too, are the intensifications of foot-consciousness throughout the early years of childhood, whenever children have the exceptional privilege of going barefoot, or have new shoes. The feet are often apostrophized, punished, beaten sometimes to the point of pain for breaking things, throwing the child down, etc. Several children have habits, which reach great intensity, and then vanish, of touching or tickling the feet, with gales of laughter, and a few are described as showing an almost morbid reluctance to wear anything upon the feet, or even to having them touched by others...Several almost fall in love with the great toe or the little one, especially admiring some crease or dimple in it, dressing it in some rag of silk or bit of ribbon, or cut-off glove fingers, winding it with string, prolonging it by tying on bits of wood. Stroking the feet of others, especially if they are shapely, often becomes almost a passion with young children, and several adults confess a survival of the same impulse which it is an exquisite pleasure to gratify. The interest of some mothers in babies' toes, the expressions of which are ecstatic and almost incredible, is a factor of great importance." (G. Stanley Hall, "Some Aspects of the Early Sense of Self," _American Journal of Psychology_, April, 1898.) In childhood, Stanley Hall remarks elsewhere (_Adolescence_, vol. ii, p. 104), "a form of courtship may consist solely in touching feet under the desk." It would seem that even animals have a certain amount of sexual consciousness in the feet; I have noticed a male donkey, just before coitus, bite the feet of his partner.
At the same time it is scarcely usual for the normal lover, in most civilized countries to-day, to attach primary importance to the foot, such as he very frequently attaches to the eyes, though the feet play a very conspicuous part in the work of certain novelists.[15] In a small but not inconsiderable minority of persons, however, the foot or the boot becomes the most attractive part of a woman, and in some morbid cases the woman herself is regarded as a comparatively unimportant appendage to her feet or her boots. The boots under civilized conditions much more frequently constitute the sexual symbol than do the feet themselves; this is not surprising since in ordinary life the feet are not often seen.
It is usually only under exceptionally favoring conditions that foot-fetichism occurs, as in the case recorded by Marandon de Montyel of a doctor who had been brought up in the West Indies. His mother had been insane and he himself was subject to obsessions, especially of being incapable of urinating; he had had nocturnal incontinence of urine in childhood. All the women of the people in the West Indies go about with naked feet, which are often beautiful. His puberty evolved under this influence, and foot-fetichism developed. He especially admired large, fat, arched feet, with delicate skin and large, regular toes. He masturbated with images of feet. At 15 he had relations with a colored chambermaid, but feared to mention his fetichism, though it was the touch of her feet that chiefly excited him. He now gave up masturbation, and had a succession of mistresses, but was always ashamed to confess his fancies until, at the age of 33, in Paris, a very intelligent woman who had become his mistress discovered his mania and skillfully enabled him to yield to it without shock to his modesty. He was devoted to this mistress, who had very beautiful feet (he had been horrified by the feet of Europeans generally), until she finally left him. (_Archives de Neurologie_, October, 1904.)
Probably the first case of shoe-fetichism ever recorded in any detail is that of Restif de la Bretonne (1734-1806), publicist and novelist, one of the most remarkable literary figures of the later eighteenth century in France. Restif was a neurotic subject, though not to an extreme degree, and his shoe-fetichism, though distinctly pronounced, was not pathological; that is to say, that the shoe was not itself an adequate gratification of the sexual impulse, but simply a highly important aid to tumescence, a prelude to the natural climax of detumescence; only occasionally, and _faute de mieux_, in the absence of the beloved person, was the shoe used as an adjunct to masturbation. In Restif's stories and elsewhere the attraction of the shoe is frequently discussed or used as a motive. His first decided literary success, _Le Pied de Fanchette_, was suggested by a vision of a girl with a charming foot, casually seen in the street. While all such passages in his books are really founded on his own personal feelings and experiences, in his elaborate autobiography, _Monsieur Nicolas_, he has frankly set forth the gradual evolution and cause of his idiosyncrasy. The first remembered trace dated from the age of 4, when he was able to recall having remarked the feet of a young girl in his native place. Restif was a sexually precocious youth, and at the age of 9, though both delicate in health and shy in manners, his thoughts were already absorbed in the girls around him. "While little Monsieur Nicolas," he tells us, "passed for a Narcissus, his thoughts, as soon as he was alone, by night or by day, had no other object than that sex he seemed to flee from. The girls most careful of their persons were naturally those who pleased him most, and as the part least easy to keep clean is that which touches the earth it was to the foot-gear that he mechanically gave his chief attention. Agathe, Reine, and especially Madeleine, were the most elegant of the girls at that time; their carefully selected and kept shoes, instead of laces or buckles, which were not yet worn at Sacy, had blue or rose ribbon, according to the color of the skirt. I thought of these girls with emotion; I desired--I knew not what; but I desired something, if it were only to subdue them." The origin Restif here assigns to his shoe-fetichism may seem paradoxical; he admired the girls who were most clean and neat in their dress, he tells us, and, therefore, paid most attention to that part of their clothing which was least clean and neat. But, however paradoxical the remark may seem, it is psychologically sound. All fetichism is a kind of not necessarily morbid obsession, and as the careful work of Janet and others in that field has shown, an obsession is a fascinated attraction to some object or idea which gives the subject a kind of emotional shock by its contrast to his habitual moods or ideas. The ordinary morbid obsession cannot usually be harmoniously co-ordinated with the other experiences of the subject's daily life, and shows, therefore, no tendency to become pleasurable. Sexual fetichisms, on the other hand, have a reservoir of agreeable emotion to draw on, and are thus able to acquire both stability and harmony. It will also be seen that no element of masochism is involved in Restif's fetichism, though the mistake has been frequently made of supposing that these two manifestations are usually or even necessarily allied. Restif wishes to subject the girl who attracts him, he has no wish to be subjected by her. He was especially dazzled by a young girl from another town, whose shoes were of a fashionable cut, with buckles, "and who was a charming person besides." She was delicate as a fairy, and rendered his thoughts unfaithful to the robust beauties of his native Sacy. "No doubt," he remarks, "because, being frail and weak myself, it seemed to me that it would be easier to subdue her." "This taste for the beauty of the feet," he continues, "was so powerful in me that it unfailingly aroused desire and would have made me overlook ugliness. It is excessive in all those who have it." He admired the foot as well as the shoe: "The factitious taste for the shoe is only a reflection of that for pretty feet. When I entered a house and saw the boots arranged in a row, as is the custom, I would tremble with pleasure; I blushed and lowered my eyes as if in the presence of the girls themselves. With this vivacity of feeling and a voluptuousness of ideas inconceivable at the age of 10 I still fled, with an involuntary impulse of modesty, from the girls I adored."
We may clearly see how this combination of sensitive and precocious sexual ardor with extreme shyness, furnished the soil on which the germ of shoe-fetichism was able to gain a firm root and persist in some degree throughout a long life very largely given up to a pursuit of women, abnormal rather by its excessiveness than its perversity. A few years later, he tells us, he happened to see a pretty pair of shoes in a bootmaker's shop, and on hearing that they belonged to a girl whom at that time he reverently adored at a distance he blushed and nearly fainted.
In 1749 he was for a time attracted to a young woman very much older than himself; he secretly carried away one of her slippers and kept it for a day; a little later he again took away a shoe of the same woman which had fascinated him when on her foot, and, he seems to imply, he used it to masturbate with.
Perhaps the chief passion of Restif's life was his love for Colette Parangon. He was still a boy (1752), she was the young and virtuous wife of the printer whose apprentice Restif was and in whose house he lived. Madame Parangon, a charming woman, as she is described, was not happily married, and she evidently felt a tender affection for the boy whose excessive love and reverence for her were not always successfully concealed. "Madonna Parangon," he tells us, "possessed a charm which I could never resist, a pretty little foot; it is a charm which arouses more than tenderness. Her shoes, made in Paris, had that voluptuous elegance which seems to communicate soul and life. Sometimes Colette wore shoes of simple white drugget or with silver flowers; sometimes rose-colored slippers with green heels, or green with rose heels; her supple feet, far from deforming her shoes, increased their grace and rendered the form more exciting." One day, on entering the house, he saw Madame Parangon elegantly dressed and wearing rose-colored shoes with tongues, and with green heels and a pretty rosette. They were new and she took them off to put on green slippers with rose heels and borders which he thought equally exciting. As soon as she had left the room, he continues, "carried away by the most impetuous passion and idolizing Colette, I seemed to see her and touch her in handling what she had just worn; my lips pressed one of these jewels, while the other, deceiving the sacred end of nature, from excess of exaltation replaced the object of sex (I cannot express myself more clearly). The warmth which she had communicated to the insensible object which had touched her still remained and gave a soul to it; a voluptuous cloud covered my eyes." He adds that he would kiss with rage and transport whatever had come in close contact with the woman he adored, and on one occasion eagerly pressed his lips to her cast-off underlinen, _vela secretiora penetralium_.
At this period Restif's foot-fetichism reached its highest point of development. It was the aberration of a highly sensitive and very precocious boy. While the preoccupation with feet and shoes persisted throughout life, it never became a complete perversion and never replaced the normal end of sexual desire. His love for Madam Parangon, one of the deepest emotions in his whole life, was also the climax of his shoe-fetichism. She represented his ideal woman, an ethereal sylph with wasp-waist and a child's feet; it was always his highest praise for a woman that she resembled Madame Parangon, and he desired that her slipper should be buried with him. (Restif de la Bretonne, _Monsieur Nicolas_, vols. i-iv, vol. xiii, p. 5; id., _Mes Inscriptions_, pp. ci-cv.)
Shoe-fetichism, more especially if we include under this term all the cases of real or pseudo-masochism in which an attraction to the boots or slippers is the chief feature, is a not infrequent phenomenon, and is certainly the most frequently occurring form of fetichism. Many cases are brought together by Krafft-Ebing in his _Psychopathia Sexualis_. Every prostitute of any experience has known men who merely desire to gaze at her shoes, or possibly to lick them, and who are quite willing to pay for this privilege. In London such a person is known as a "bootman," in Germany as a "Stiefelfrier."
The predominance of the foot as a focus of sexual attraction, while among us to-day it is a not uncommon phenomenon, is still not sufficiently common to be called normal; the majority of even ardent lovers do not experience this attraction in any marked degree. But these manifestations of foot-fetichism which with us to-day are abnormal, even when they are not so extreme as to be morbid, may perhaps become more intelligible to us when we realize that in earlier periods of civilization, and even to-day in some parts of the world, the foot is generally recognized as a focus of sexual attraction, so that some degree of foot-fetichism becomes a normal phenomenon.
The most pronounced and the best known example of such normal foot-fetichism at the present day is certainly to be found among the Southern Chinese. For a Chinese husband his wife's foot is more interesting than her face. A Chinese woman is as shy of showing her feet to a man as a European woman her breasts; they are reserved for her husband's eyes alone, and to look at a woman's feet in the street is highly improper and indelicate. Chinese foot-fetichism is connected with the custom of compressing the feet. This custom appears to rest on the fact that Chinese women naturally possess a very small foot and is thus an example of the universal tendency in the search for beauty to accentuate, even by deformation, the racial characteristics. But there is more than this. Beauty is largely a name for sexual attractiveness, and the energy expended in the effort to make the Chinese woman's small foot still smaller is a measure of the sexual fascination which it exerts. The practice arose on the basis of the sexual attractiveness of the foot, though it has doubtless served to heighten that attractiveness, just as the small waist, which (if we may follow Stratz) is a characteristic beauty of the European woman, becomes to the average European man still more attractive when accentuated, even to the extent of deformity, by the compression of the corset.
Referring to the sexual fascination exerted by the foot in China, Matignon writes: "My attention has been drawn to this point by a large number of pornographic engravings, of which the Chinese are very fond. In all these lascivious scenes we see the male voluptuously fondling the woman's foot. When a Celestial takes into his hand a woman's foot, especially if it is very small, the effect upon him is precisely the same as is provoked in a European by the palpation of a young and firm bosom. All the Celestials whom I have interrogated on this point have replied unanimously: 'Oh, a little foot! You Europeans cannot understand how exquisite, how sweet, how exciting it is!' The contact of the genital organ with the little foot produces in the male an indescribable degree of voluptuous feeling, and women skilled in love know that to arouse the ardor of their lovers a better method than all Chinese aphrodisiacs--including 'giusen' and swallows' nests--is to take the penis between their feet. It is not rare to find Chinese Christians accusing themselves at confession of having had 'evil thoughts on looking at a woman's foot.'" (Dr. J. Matignon, "A propos d'un Pied de Chinoise," _Archives d'Anthropologie Criminelle_, 1898.)
It is said that a Chinese Empress, noted for her vice and having a congenital club foot, about the year 1100 B.C., desired all women to resemble her, and that the practice of compressing the foot thus arose. But this is only tradition, since, in 300 B.C., Chinese books were destroyed (Morache, Art. "Chine," _Dictionnaire Encyclopédique des Sciences Médicales_, p. 191). It is also said that the practice owes its origin to the wish to keep women indoors. But women are not secluded in China, nor does foot compression usually render a woman unable to walk. Many intelligent Chinese are of opinion that its object is to promote the development of the sexual parts and of the thighs, and so to aid both intercourse and parturition. There is no ground for believing that it has any such influence, though Morache found that the mons veneris and labia are largely developed in Chinese women, and not in Tartar women living in Pekin (who do not compress the foot). If there is any correlation between the feet and the pelvic regions, it is more probably congenital than due to the artificial compression of the feet. The ancients seem to have believed that a small foot indicated a small vagina. Restif de la Bretonne, who had ample opportunities for forming an opinion on a matter in which he took so great an interest, believed that a small foot, round and short, indicated a large