is enough maladjustment between the necessities of the environment and the activities "natural" to man, so that constraint and fatigue would always accompany activity, and special forms of action be needed--forms that are significantly called re-creation.
Hence the immense moral importance of play and of fine, or make-believe, art--of activity, that is, which is make-believe from the standpoint of the useful arts enforced by the demands of the environment. When moralists have not regarded play and art with a censorious eye, they often have thought themselves carrying matters to the pitch of generosity by conceding that they may be morally indifferent or innocent. But in truth they are moral necessities. They are required to take care of the margin that exists between the total stock of impulses that demand outlet and the amount expended in regular action. They keep the balance which work cannot indefinitely maintain. They are required to introduce variety, flexibility and sensitiveness into disposition.
Yet upon the whole the humanizing capabilities of sport in its varied forms, drama, fiction, music, poetry, newspapers have been neglected.
They have been left in a kind of a moral no-man's territory. They have accomplished part of their function but they have not done what they are capable of doing. In many cases they have operated merely as reactions like those artificial and isolated stimulations already mentioned.
The suggestion that play and art have an indispensable moral function which should receive an attention now denied, calls out an immediate and vehement protest. We omit reference to that which proceeds from professional moralists to whom art, fun and sport are habitually under suspicion. For those interested in art, professional estheticians, will protest even more strenuously. They at once imagine that some kind of organized supervision if not censorship of play, drama and fiction is contemplated which will convert them into means of moral edification. If they do not think of Comstockian interference in the alleged interest of public morals, they at least think that what is intended is the elimination by persons of a Puritanic, unartistic temperament of everything not found sufficiently earnest and elevating, a fostering of art not for its own sake but as a means of doing good by something to somebody. There is a natural fear of injecting into art a spirit of earnest uplift, of surrendering art to the reformers.
But something quite other than this is meant. Relief from continuous moral activity--in the conventional sense of moral--is itself a moral necessity. The service of art and play is to engage and release impulses in ways quite different from those in which they are occupied and employed in ordinary activities. Their function is to forestall and remedy the usual exaggerations and deficits of activity, even of "moral" activity and to prevent a stereotyping of attention. To say that society is altogether too careless about the moral worth of art is not to say that carelessness about useful occupations is not a necessity for art.
On the contrary, whatever deprives play and art of their own careless rapture thereby deprives them of their moral function. Art then becomes poorer as art as a matter of course, but it also becomes in the same measure less effectual in its pertinent moral office. It tries to do what other things can do better, and it fails to do what nothing but itself can do for human nature, softening rigidities, relaxing strains, allaying bitterness, dispelling moroseness, and breaking down the narrowness consequent upon specialized tasks.
Even if the matter be put in this negative way, the moral value of art cannot be depreciated. But there is a more positive function. Play and art add fresh and deeper meanings to the usual activities of life. In contrast with a Philistine relegation of the arts to a trivial by-play from serious concerns, it is truer to say that most of the significance now found in serious occupations originated in activities not immediately useful, and gradually found its way from them into objectively serviceable employments. For their spontaneity and liberation from external necessities permits to them an enhancement and vitality of meaning not possible in preoccupation with immediate needs.
Later this meaning is transferred to useful activities and becomes a part of their ordinary working. In saying then that art and play have a moral office not adequately taken advantage of it is asserted that they are responsible to life, to the enriching and freeing of its meanings, not that they are responsible to a moral code, commandment or special task.
To a coarse view--and professed moral refinement is often given to taking coarse views--there is something vulgar not only in recourse to abnormal artificial exigents and stimulations but also in interest in useless games and arts. Negatively the two things have features which are alike. They both spring from failure of regular occupations to engage the full scope of impulses and instincts in an elastically balanced way. They both evince a surplusage of imagination over fact; a demand in imaginative activity for an outlet which is denied in overt activity. They both aim at reducing the domination of the prosaic; both are protests against the lowering of meanings attendant upon ordinary vocations. As a consequence no rule can be laid down for discriminating by direct inspection between unwholesome stimulations and invaluable excursions into appreciative enhancements of life. Their difference lies in the way they work, the careers to which they commit us.
Art releases energy and focuses and tranquilizes it. It releases energy in constructive forms. Castles in the air like art have their source in a turning of impulse away from useful production. Both are due to the failure in some part of man's constitution to secure fulfilment in ordinary ways. But in one case the conversion of direct energy into imagination is the starting point of an activity which _shapes_ material; fancy is fed upon a stuff of life which assumes under its influence a rejuvenated, composed and enhanced form. In the other case, fancy remains an end in itself. It becomes an indulging in fantasies which bring about withdrawal from all realities, while wishes impotent in action build a world which yields temporary excitement. Any imagination is a sign that impulse is impeded and is groping for utterance. Sometimes the outcome is a refreshed useful habit; sometimes it is an articulation in creative art; and sometimes it is a futile romancing which for some natures does what self-pity does for others.
The amount of potential energy of reconstruction that is dissipated in unexpressed fantasy supplies us with a fair measure of the extent to which the current organization of occupation balks and twists impulse, and, by the same sign, with a measure of the function of art which is not yet utilized.
The development of mental pathologies to the point where they need clinical attention has of late enforced a widespread consciousness of some of the evils of suppression of impulse. The studies of psychiatrists have made clear that impulses driven into pockets distil poison and produce festering sores. An organization of impulse into a working habit forms an interest. A surreptitious furtive organization which does not articulate in avowed expression forms a "complex."
Current clinical psychology has undoubtedly overworked the influence of sexual impulse in this connection, refusing at the hands of some writers to recognize the operation of any other modes of disturbance. There are explanations of this onesidedness. The intensity of the sexual instinct and its organic ramifications produce many of the cases that are so noticeable as to demand the attention of physicians. And social taboos and the tradition of secrecy have put this impulse under greater strain than has been imposed upon others. If a society existed in which the existence of impulse toward food were socially disavowed until it was compelled to live an illicit, covert life, alienists would have plenty of cases of mental and moral disturbance to relate in connection with hunger.
The significant thing is that the pathology arising from the sex instinct affords a striking case of a universal principle. Every impulse is, as far as it goes, force, urgency. It must either be used in some function, direct or sublimated, or be driven into a concealed, hidden activity. It has long been asserted on empirical grounds that expression and enslavement result in corruption and perversion. We have at last discovered the reason for this fact. The wholesome and saving force of intellectual freedom, open confrontation, publicity, now has the stamp of scientific sanction. The evil of checking impulses is not that they are checked. Without inhibition there is no instigation of imagination, no redirection into more discriminated and comprehensive activities. The evil resides in a refusal of direct attention which forces the impulse into disguise and concealment, until it enacts its own unavowed uneasy private life subject to no inspection and no control.
A rebellious disposition is also a form of romanticism. At least rebels set out as romantics, or, in popular parlance, as idealists. There is no bitterness like that of conscious impotency, the sense of suffocatingly complete suppression. The world is hopeless to one without hope. The rage of total despair is a vain effort at blind destructiveness. Partial suppression induces in some natures a picture of complete freedom, while it arouses a destructive protest against existing institutions as enemies that stand in the way of freedom. Rebellion has at least one advantage over recourse to artificial stimulation and to subconscious nursings of festering sore spots. It engages in action and thereby comes in contact with realities. It contains the possibility of learning something. Yet learning by this method is immensely expensive. The costs are incalculable. As Napoleon said, every revolution moves in a vicious circle. It begins and ends in excess.
To view institutions as enemies of freedom, and all conventions as slaveries, is to deny the only means by which positive freedom in action can be secured. A general liberation of impulses may set things going when they have been stagnant, but if the released forces are on their way to anything they do not know the way nor where they are going.
Indeed, they are bound to be mutually contradictory and hence destructive--destructive not only of the habits they wish to destroy but of themselves, of their own efficacy. Convention and custom are necessary to carrying forward impulse to any happy conclusion. A romantic return to nature and a freedom sought within the individual without regard to the existing environment finds its terminus in chaos.
Every belief to the contrary combines pessimism regarding the actual with an even more optimistic faith in some natural harmony or other--a faith which is a survival of some of the traditional metaphysics and theologies which professedly are to be swept away. Not convention but stupid and rigid convention is the foe. And, as we have noted, a convention can be reorganized and made mobile only by using some other custom for giving leverage to an impulse.
Yet it is too easy to utter commonplaces about the superiority of constructive action to destructive. At all events the professed conservative and classicist of tradition seeks too cheap a victory over the rebel. For the rebel is not self-generated. In the beginning no one is a revolutionist simply for the fun of it, however it may be after the furor of destructive power gets under way. The rebel is the product of extreme fixation and unintelligent immobilities. Life is perpetuated only by renewal. If conditions do not permit renewal to take place continuously it will take place explosively. The cost of revolutions must be charged up to those who have taken for their aim arrest of custom instead of its readjustment. The only ones who have the right to criticize "radicals"--adopting for the moment that perversion of language which identifies the radical with the destructive rebel--are those who put as much effort into reconstruction as the rebels are putting into destruction. The primary accusation against the revolutionary must be directed against those who having power refuse to use it for ameliorations. They are the ones who accumulate the wrath that sweeps away customs and institutions in an undiscriminating avalanche. Too often the man who should be criticizing institutions expends his energy in criticizing those who would re-form them. What he really objects to is any disturbance of his own vested securities, comforts and privileged powers.
VII We return to the original proposition. The position of impulse in conduct is intermediary. Morality is an endeavor to find for the manifestation of impulse in special situations an office of refreshment and renewal. The endeavor is not easy of accomplishment. It is easier to surrender the main and public channels of action and belief to the sluggishness of custom, and idealize tradition by emotional attachment to its ease, comforts and privileges instead of idealizing it in practice by making it more equably balanced with present needs. Again, impulses not used for the work of rejuvenation and vital recovery are sidetracked to find their own lawless barbarities or their own sentimental refinements. Or they are perverted to pathological careers--some of which have been mentioned.
In the course of time custom becomes intolerable because of what it suppresses and some accident of war or inner catastrophe releases impulses for unrestrained expression. At such times we have philosophies which identify progress with motion, blind spontaneity with freedom, and which under the name of the sacredness of individuality or a return to the norms of nature make impulse a law unto itself. The oscillation between impulse arrested and frozen in rigid custom and impulse isolated and undirected is seen most conspicuously when epochs of conservatism and revolutionary ardor alternate. But the same phenomenon is repeated on a smaller scale in individuals. And in society the two tendencies and philosophies exist simultaneously; they waste in controversial strife the energy that is needed for specific criticism and specific reconstruction.
The release of some portion of the stock of impulses is an opportunity, not an end. In its origin it is the product of chance; but it affords imagination and invention _their_ chance. The moral correlate of liberated impulse is not immediate activity, but reflection upon the way in which to use impulse to renew disposition and reorganize habit.
Escape from the clutch of custom gives an opportunity to do old things in new ways, and thus to construct new ends and means. Breach in the crust of the cake of custom releases impulses; but it is the work of intelligence to find the ways of using them. There is an alternative between anchoring a boat in the harbor till it becomes a rotting hulk and letting it loose to be the sport of every contrary gust. To discover and define this alternative is the business of mind, of observant, remembering, contriving disposition.
Habit as a vital art depends upon the animation of habit by impulse; only this inspiriting stands between habit and stagnation. But art, little as well as great, anonymous as well as that distinguished by titles of dignity, cannot be improvised. It is impossible without spontaneity, but it is not spontaneity. Impulse is needed to arouse thought, incite reflection and enliven belief. But only thought notes obstructions, invents tools, conceives aims, directs technique, and thus converts impulse into an art which lives in objects. Thought is born as the twin of impulse in every moment of impeded habit. But unless it is nurtured, it speedily dies, and habit and instinct continue their civil warfare. There is instinctive wisdom in the tendency of the young to ignore the limitations of the environment. Only thus can they discover their own power and learn the differences in different kinds of environing limitations. But this discovery when once made marks the birth of intelligence; and with its birth comes the responsibility of the mature to observe, to recall, to forecast. Every moral life has its radicalism; but this radical factor does not find its full expression in direct action but in the courage of intelligence to go deeper than either tradition or immediate impulse goes. To the study of intelligence in action we now turn our attention.
PART THREE THE PLACE OF INTELLIGENCE IN CONDUCT I In discussing habit and impulse we have repeatedly met topics where reference to the work of thought was imperative. Explicit consideration of the place and office of intelligence in conduct can hardly begin otherwise than by gathering together these incidental references and reaffirming their significance. The stimulation of reflective imagination by impulse, its dependence upon established habits, and its effect in transforming habit and regulating impulse forms, accordingly, our first theme.
Habits are conditions of intellectual efficiency. They operate in two ways upon intellect. Obviously, they restrict its reach, they fix its boundaries. They are blinders that confine the eyes of mind to the road ahead. They prevent thought from straying away from its imminent occupation to a landscape more varied and picturesque but irrelevant to practice. Outside the scope of habits, thought works gropingly, fumbling in confused uncertainty; and yet habit made complete in routine shuts in thought so effectually that it is no longer needed or possible. The routineer's road is a ditch out of which he cannot get, whose sides enclose him, directing his course so thoroughly that he no longer thinks of his path or his destination. All habit-forming involves the beginning of an intellectual specialization which if unchecked ends in thoughtless action.
Significantly enough this fullblown result is called absentmindedness.
Stimulus and response are mechanically linked together in an unbroken chain. Each successive act facilely evoked by its predecessor pushes us automatically into the next act of a predetermined series. Only a signal flag of distress recalls consciousness to the task of carrying on.
Fortunately nature which beckons us to this path of least resistance also puts obstacles in the way of our complete acceptance of its invitation. Success in achieving a ruthless and dull efficiency of action is thwarted by untoward circumstance. The most skilful aptitude bumps at times into the unexpected, and so gets into trouble from which only observation and invention extricate it. Efficiency in following a beaten path has then to be converted into breaking a new road through strange lands.
Nevertheless what in effect is love of ease has masqueraded morally as love of perfection. A goal of finished accomplishment has been set up which if it were attained would mean only mindless action. It has been called complete and free activity when in truth it is only a treadmill activity or marching in one place. The practical impossibility of reaching, in an all around way and all at once such a "perfection" has been recognized. But such a goal has nevertheless been conceived as the ideal, and progress has been defined as approximation to it. Under diverse intellectual skies the ideal has assumed diverse forms and colors. But all of them have involved the conception of a completed activity, a static perfection. Desire and need have been treated as signs of deficiency, and endeavor as proof not of power but of incompletion.
In Aristotle this conception of an end which exhausts all realization and excludes all potentiality appears as a definition of the highest excellence. It of necessity excludes all want and struggle and all dependencies. It is neither practical nor social. Nothing is left but a self-revolving, self-sufficing thought engaged in contemplating its own sufficiency. Some forms of Oriental morals have united this logic with a profounder psychology, and have seen that the final terminus on this road is Nirvana, an obliteration of all thought and desire. In medieval science, the ideal reappeared as a definition of heavenly bliss accessible only to a redeemed immortal soul. Herbert Spencer is far enough away from Aristotle, medieval Christianity and Buddhism; but the idea re-emerges in his conception of a goal of evolution in which adaptation of organism to environment is complete and final. In popular thought, the conception lives in the vague thought of a remote state of attainment in which we shall be beyond "temptation," and in which virtue by its own inertia will persist as a triumphant consummation. Even Kant who begins with a complete scorn for happiness ends with an "ideal" of the eternal and undisturbed union of virtue and joy, though in his case nothing but a symbolic approximation is admitted to be feasible.
The fallacy in these versions of the same idea is perhaps the most pervasive of all fallacies in philosophy. So common is it that one questions whether it might not be called _the_ philosophical fallacy. It consists in the supposition that whatever is found true under certain conditions may forthwith be asserted universally or without limits and conditions. Because a thirsty man gets satisfaction in drinking water, bliss consists in being drowned. Because the success of any particular struggle is measured by reaching a point of frictionless action, therefore there is such a thing as an all-inclusive end of effortless smooth activity endlessly maintained. It is forgotten that success is success _of_ a specific effort, and satisfaction the fulfilment _of_ a specific demand, so that success and satisfaction become meaningless when severed from the wants and struggles whose consummations they are, or when taken universally. The philosophy of Nirvana comes the closest to admission of this fact, but even it holds Nirvana to be desirable.
Habit is however more than a restriction of thought. Habits become negative limits because they are first positive agencies. The more numerous our habits the wider the field of possible observation and foretelling. The more flexible they are, the more refined is perception in its discrimination and the more delicate the presentation evoked by imagination. The sailor is intellectually at home on the sea, the hunter in the forest, the painter in his studio, the man of science in his laboratory. These commonplaces are universally recognized in the concrete; but their significance is obscured and their truth denied in the current general theory of mind. For they mean nothing more or less than that habits formed in process of exercising biological aptitudes are the sole agents of observation, recollection, foresight and judgment: a mind or consciousness or soul in general which performs these operations is a myth.
The doctrine of a single, simple and indissoluble soul was the cause and the effect of failure to recognize that concrete habits are the means of knowledge and thought. Many who think themselves scientifically emancipated and who freely advertise the soul for a superstition, perpetuate a false notion of what knows, that is, of a separate knower.
Nowadays they usually fix upon consciousness in general, as a stream or process or entity; or else, more specifically upon sensations and images as the tools of intellect. Or sometimes they think they have scaled the last heights of realism by adverting grandiosely to a formal knower in general who serves as one term in the knowing relation; by dismissing psychology as irrelevant to knowledge and logic, they think to conceal the psychological monster they have conjured up.
Now it is dogmatically stated that no such conceptions of the seat, agent or vehicle will go psychologically at the present time. Concrete habits do all the perceiving, recognizing, imagining, recalling, judging, conceiving and reasoning that is done. "Consciousness," whether as a stream or as special sensations and images, expresses functions of habits, phenomena of their formation, operation, their interruption and reorganization.
Yet habit does not, of itself, know, for it does not of itself stop to think, observe or remember. Neither does impulse of itself engage in reflection or contemplation. It just lets go. Habits by themselves are too organized, too insistent and determinate to need to indulge in inquiry or imagination. And impulses are too chaotic, tumultuous and confused to be able to know even if they wanted to. Habit as such is too definitely adapted to an environment to survey or analyze it, and impulse is too indeterminately related to the environment to be capable of reporting anything about it. Habit incorporates, enacts or overrides objects, but it doesn't know them. Impulse scatters and obliterates them with its restless stir. A certain delicate combination of habit and impulse is requisite for observation, memory and judgment. Knowledge which is not projected against the black unknown lives in the muscles, not in consciousness.
We may, indeed, be said to _know how_ by means of our habits. And a sensible intimation of the practical function of knowledge has led men to identify all acquired practical skill, or even the instinct of animals, with knowledge. We walk and read aloud, we get off and on street cars, we dress and undress, and do a thousand useful acts without thinking of them. We know something, namely, how to do them. Bergson's philosophy of intuition is hardly more than an elaborately documented commentary on the popular conception that by instinct a bird knows how to build a nest and a spider to weave a web. But after all, this practical work done by habit and instinct in securing prompt and exact adjustment to the environment is not knowledge, except by courtesy. Or, if we choose to call it knowledge--and no one has the right to issue an ukase to the contrary--then other things also called knowledge, knowledge _of_ and _about_ things, knowledge _that_ things are thus and so, knowledge that involves reflection and conscious appreciation, remains of a different sort, unaccounted for and undescribed.
For it is a commonplace that the more suavely efficient a habit the more unconsciously it operates. Only a hitch in its workings occasions emotion and provokes thought. Carlyle and Rousseau, hostile in temperament and outlook, yet agree in looking at consciousness as a kind of disease, since we have no consciousness of bodily or mental organs as long as they work at ease in perfect health. The idea of disease is, however, aside from the point, unless we are pessimistic enough to regard every slip in total adjustment of a person to its surroundings as something abnormal--a point of view which once more would identify well-being with perfect automatism. The truth is that in every waking moment, the complete balance of the organism and its environment is constantly interfered with and as constantly restored. Hence the "stream of consciousness" in general, and in particular that phase of it celebrated by William James as alternation of flights and perchings.
Life is interruptions and recoveries. Continuous interruption is not possible in the activities of an individual. Absence of perfect equilibrium is not equivalent to a complete crushing of organized activity. When the disturbance amounts to such a pitch as that, the self goes to pieces. It is like shell-shock. Normally, the environment remains sufficiently in harmony with the body of organized activities to sustain most of them in active function. But a novel factor in the surroundings releases some impulse which tends to initiate a different and incompatible activity, to bring about a redistribution of the elements of organized activity between those have been respectively central and subsidiary. Thus the hand guided by the eye moves toward a surface. Visual quality is the dominant element. The hand comes in contact with an object. The eye does not cease to operate but some unexpected quality of touch, a voluptuous smoothness or annoying heat, compels a readjustment in which the touching, handling activity strives to dominate the action. Now at these moments of a shifting in activity conscious feeling and thought arise and are accentuated. The disturbed adjustment of organism and environment is reflected in a temporary strife which concludes in a coming to terms of the old habit and the new impulse.
In this period of redistribution impulse determines the direction of movement. It furnishes the focus about which reorganization swirls. Our attention in short is always directed forward to bring to notice something which is imminent but which as yet escapes us. Impulse defines the peering, the search, the inquiry. It is, in logical language, the movement into the unknown, not into the immense inane of the unknown at large, but into that special unknown which when it is hit upon restores an ordered, unified action. During this search, old habit supplies content, filling, definite, recognizable, subject-matter. It begins as vague presentiment of what we are going towards. As organized habits are definitely deployed and focused, the confused situation takes on form, it is "cleared up"--the essential function of intelligence. Processes become objects. Without habit there is only irritation and confused hesitation. With habit alone there is a machine-like repetition, a duplicating recurrence of old acts. With conflict of habits and release of impulse there is conscious search.
II We are going far afield from any direct moral issue. But the problem of the place of knowledge and judgment in conduct depends upon getting the fundamental psychology of thought straightened out. So the excursion must be continued. We compare life to a traveler faring forth. We may consider him first at a moment where his activity is confident, straightforward, organized. He marches on giving no direct attention to his path, nor thinking of his destination. Abruptly he is pulled up, arrested. Something is going wrong in his activity. From the standpoint of an onlooker, he has met an obstacle which must be overcome before his behavior can be unified into a successful ongoing. From his own standpoint, there is shock, confusion, perturbation, uncertainty. For the moment he doesn't know what hit him, as we say, nor where he is going. But a new impulse is stirred which becomes the starting point of an investigation, a looking into things, a trying to see them, to find out what is going on. Habits which were interfered with begin to get a new direction as they cluster about the impulse to look and see. The blocked habits of locomotion give him a sense of where he _was_ going, of what he had set out to do, and of the ground already traversed. As he looks, he sees definite things which are not just things at large but which are related to his course of action. The momentum of the activity entered upon persists as a sense of direction, of aim; it is an anticipatory project. In short, he recollects, observes and plans.
The trinity of these forecasts, perceptions and remembrances form a subject-matter of discriminated and identified objects. These objects represent habits turned inside out. They exhibit both the onward tendency of habit and the objective conditions which have been incorporated within it. Sensations in immediate consciousness are elements of action dislocated through the shock of interruption. They never, however, completely monopolize the scene; for there is a body of residual undisturbed habits which is reflected in remembered and perceived objects having a meaning. Thus out of shock and puzzlement there gradually emerges a figured framework of objects, past, present, future. These shade off variously into a vast penumbra of vague, unfigured things, a setting which is taken for granted and not at all explicitly presented. The complexity of the figured scene in its scope and refinement of contents depends wholly upon prior habits and their organization. The reason a baby can know little and an experienced adult know much when confronting the same things is not because the latter has a "mind" which the former has not, but because one has already formed habits which the other has still to acquire. The scientific man and the philosopher like the carpenter, the physician and politician know with their habits not with their "consciousness." The latter is eventual, not a source. Its occurrence marks a peculiarly delicate connection between highly organized habits and unorganized impulses. Its contents or objects, observed, recollected, projected and generalized into principles, represent the incorporated material of habits coming to the surface, because habits are disintegrating at the touch of conflicting impulses. But they also gather themselves together to comprehend impulse and make it effective.
This account is more or less strange as psychology but certain aspects of it are commonplaces in a static logical formulation. It is, for example, almost a truism that knowledge is both synthetic and analytic; a set of discriminated elements connected by relations. This combination of opposite factors of unity and difference, elements and relations, has been a standing paradox and mystery of the theory of knowledge. It will remain so until we connect the theory of knowledge with an empirically verifiable theory of behavior. The steps of this connection have been sketched and we may enumerate them. We know at such times as habits are impeded, when a conflict is set up in which impulse is released. So far as this impulse sets up a definite forward tendency it constitutes the forward, prospective character of knowledge. In this phase unity or synthesis is found. We are striving to unify our responses, to achieve a consistent environment which will restore unity of conduct. Unity, relations, are prospective; they mark out lines converging to a focus.
They are "ideal." But _what_ we know, the objects that present themselves with definiteness and assurance, are retrospective; they are the conditions which have been mastered, incorporated in the past. They are elements, discriminated, analytic just because old habits so far as they are checked are also broken into objects which define the obstruction of ongoing activity. They are "real," not ideal. Unity is something sought; split, division is something given, at hand. Were we to carry the same psychology into detail we should come upon the explanation of perceived particulars and conceived universals, of the relation of discovery and proof, induction and deduction, the discrete and the continuous. Anything approaching an adequate discussion is too