the wicked are such necessarily, does not mean that they undergo an external constraint, but that their character is constituted by wickedness. The influence of the course of the stars does not destroy our liberty, for, if every action in us were determined by the exterior influence of such agents, everything would go on as these agents desired it; consequently, men would not commit any actions contrary to the will of these agents. If the divinities alone were the authors of all our actions, there would be no impious persons; therefore, impiety is due to men. It is true that, once the cause is given, the effects will follow, if only the whole series of causes be given. But man himself is one of these causes; he therefore does good by his own nature, and he is a free cause.
EVEN THE SHADOWS ARE NECESSARY TO THE PERFECTION OF A PICTURE.
11. Is it true that all things are produced by necessity, and by the natural concatenation of causes and effects, and that, thus, they are as good as possible? No! It is the Reason which, governing the world, produces all things (in this sense that it contains all the "seminal reasons"), and which decrees that they shall be what they are. It is Reason that, in conformity with its rational nature, produces what are called evils, because it does not wish everything to be equally good. An artist would not cover the body of a pictured animal with eyes.[57] Likewise, Reason did not limit itself to the creation of divinities; it produced beneath them guardians, then men, then animals, not by envy (as Plato remarks[58]); but because its rational essence contains an intellectual variety (that is, contains the "seminal reasons" of all different beings). We resemble such men as know little of painting, and who would blame an artist for having put shadows in his picture; nevertheless, he has only properly disposed the contrasts of light. Likewise, well-regulated states are not composed of equal orders. Further, one would not condemn a tragedy, because it presents personages other than heroes, such as slaves or peasants who speak incorrectly.[78] To cut out these inferior personages, and all the parts in which they appear, would be to injure the beauty of the composition.[59] IT IS REASONABLE FOR THE REASON TO ASSIGN SOULS TO DIFFERENT RANKS IN THE UNIVERSE.
12. Since it is the Reason (of the world) which produced all things by an alliance with matter, and by preserving its peculiar nature, which is to be composed of different parts, and to be determined by the principle from which it proceeds (that is, by Intelligence), the work produced by Reason under these conditions could not be improved in beauty. Indeed, the Reason (of the world) could not be composed of homogeneous and similar parts; it must, therefore, not be accused, because it is all things, and because all its parts differ from others.
If it had introduced into the world things which it had not previously contained, as for instance, souls, and had forced them to enter into the order of the world without considering their nature, and if it had made many become degraded, Reason would certainly be to blame.
Therefore, we must acknowledge that the souls are parts of Reason, and that Reason harmonizes them with the world without causing their degradation, assigning to each that station which is suitable to her.
DIVINE JUSTICE EXTENDS ALSO INTO PAST AND FUTURE.
13. There is a further consideration that should not be overlooked, namely: that if you desire to discover the exercise of the distributive Justice of the divinity, it is not sufficient to examine only the present; the past and future must also be considered. Those who, in a former life, were slave-owners, if they abused their power, will be enslaved; and this change would be useful to them. It impoverishes those who have badly used their wealth; for poverty is of service even to virtuous people. Likewise, those who kill will in their turn be killed; he who commits homicide acts unjustly, but he who is its victim suffers justly. Thus arises a harmony between the disposition of the man who is maltreated, and the disposition of him who maltreats him as he deserved. It is not by chance that a man becomes a slave, is made prisoner, or is dishonored. He (must himself) have committed the violence which he in turn undergoes. He who kills his mother will be killed by his son; he who has violated a woman will in turn become a woman in order to become the victim of a rape. Hence, the divine Word[80] called Adrastea.[60] The orderly system here mentioned really is "unescapeable," truly a justice and an admirable wisdom. From the things that we see in the universe we must conclude that the order which reigns in it is eternal, that it penetrates everywhere, even in the smallest thing; and that it reveals an admirable art not only in the divine things, but also in those that might be supposed to be beneath the notice of Providence, on account of their minuteness.
Consequently, there is an admirable variety of art in the vilest animal. It extends even into plants, whose fruits and leaves are so distinguished by the beauty of form, whose flowers bloom with so much grace, which grow so easily, and which offer so much variety. These things were not produced once for all; they are continually produced with variety, because the stars in their courses do not always exert the same influence on things here below. What is transformed is not transformed and metamorphosed by chance, but according to the laws of beauty, and the rules of suitability observed by divine powers. Every divine Power acts according to its nature, that is, in conformity with its essence. Now its essence is to develop justice and beauty in its actualizations; for if justice and beauty did not exist here, they could not exist elsewhere.
THE CREATOR IS SO WISE THAT ALL COMPLAINTS AMOUNT TO GROTESQUENESS.
14. The order of the universe conforms to divine Intelligence without implying that on that account its author needed to go through the process of reasoning. Nevertheless, this order is so perfect that he who best knows how to reason would be astonished to see that even with reasoning one could not discover a plan wiser than that discovered as realized in particular natures, and that this plan better conforms to the laws of Intelligence than any that could result from reasoning.
It can never, therefore, be proper to find fault with the Reason that produces all things because of any (alleged imperfections) of any natural object, nor to claim, for the beings whose existence has begun, the perfection of the beings whose existence had no beginning, and which are eternal, both in the intelligible World, and in this sense-world. That would amount to wishing that every being should possess more good than it can carry, and to consider as insufficient the form it received. It would, for instance, amount to complaining, that man does not bear horns, and to fail to notice that, if Reason had to spread abroad everywhere, it was still necessary for something great to contain something less, that in everything there should be parts, and that these could not equal the whole without ceasing to be parts.
In the intelligible World every thing is all; but here below each thing is not all things. The individual man does not have the same properties as the universal Man. For if the individual beings had something which was not individual, then they would be universal. We should not expect an individual being as such to possess the highest perfection; for then it would no longer be an individual being. Doubtless, the beauty of the part is not incompatible with that of the whole; for the more beautiful a part is, the more does it embellish the whole. Now the part becomes more beautiful on becoming similar to the whole, or imitating its essence, and in conforming to its order. Thus a ray (of the supreme Intelligence) descends here below upon man, and shines in him like a star in the divine sky. To imagine the universe, one should imagine a colossal statue[79] that were perfectly beautiful, animated or formed by the art of Vulcan, whose ears, face and breast would be adorned with shimmering stars disposed with marvelous skill.[62] OBJECTION OF INTERNECINE WAR AMONG ANIMALS AND MEN.
15. The above considerations suffice for things studied each in itself.
The mutual relation, however, between things already begotten, and those that are still being begotten from time to time, deserves to attract attention, and may give rise to some objections, such as the following: How does it happen that animals devour each other, that men attack each other mutually, and that they are always in ceaseless internecine warfare?[62] How could the reason (of the universe) have constituted such a state of affairs, while still claiming that all is for the best?
RESPONSIBILITY CANNOT BE SHIFTED FROM REASON WHICH IS RESPONSIBLE.
It does not suffice here to answer:[63] "Everything is for the best possible. Matter is the cause that things are in a state of inferiority; evils could not be destroyed." It is true enough, indeed, that things had to be what they are, for they are good. It is not matter which has come to dominate the universe; it has been introduced in it so that the universe might be what it is, or rather, it is caused by reason (?). The principle of things is, therefore, the Logos, or Reason[64] (of the universe), which is everything. By it were things begotten, by it were they co-ordinated in generation.
NECESSITY OF INTERNECINE WARFARE.
What then (will it be objected) is the necessity of this natural internecine warfare of animals, and also of men? First, animals have to devour each other in order to renew themselves; they could not, indeed, last eternally, even if they were not killed. Is there any reason to complain because, being already condemned to death, as they are, they should find an end which is useful to other beings? What objection can there be to their mutually devouring each other, in order to be reborn under other forms? It is as if on the stage an actor who is thought to be killed, goes to change his clothing, and returns under another mask.
Is it objected that he was not really dead? Yes indeed, but dying is no more than a change of bodies, just as the comedian changes his costume, or if the body were to be entirely despoiled, this is no more than when an actor, at the end of a drama, lays aside his costume, only to take it up again when once more the drama begins. Therefore, there is nothing frightful in the mutual transformation of animals into each other. Is it not better for them to have lived under this condition, than never to have lived at all? Life would then be completely absent from the universe, and life could no longer be communicated to other beings. But as this universe contains a multiple life, it produces and varies everything during the course of its existence; as it were joking with them, it never ceases to beget living beings, remarkable by beauty and by the proportion of their forms. The combats in which mortal men continually fight against each other, with a regularity strongly reminding of the Pyrrhic dances (as thought Plato[65]), clearly show how all these affairs, that are considered so serious, are only children's games, and that their death was nothing serious. To die early in wars and battles is to precede by only a very little time the unescapable fate of old age, and it is only an earlier departure for a closer return. We may be comforted for the loss of our possessions during our lifetime by observing that they have belonged to others before us, and that, for those who have deprived us thereof, they form but a very fragile possession, since they, in turn, will be bereft thereof by others; and that, if they be not despoiled of their riches, they will lose still more by keeping them.[66] Murders, massacres, the taking and pillaging of towns should be considered as in the theatre we consider changes of scene and of personages, the tears and cries of the actors.[67] ALL THESE CHANGES OF FORTUNE AFFECT ONLY THE OUTER MAN IN ANY CASE.
In this world, indeed, just as in the theatre, it is not the soul, the interior man, but his shadow, the exterior man, who gives himself up to lamentations and groans, who on this earth moves about so much, and who makes of it the scene of an immense drama with numberless different acts (?) Such is the characteristic of the actions of a man who considers exclusively the things placed at his feet, and outside of him, and who does not know that his tears and serious occupations are any more than games.[68] The really earnest man occupies himself seriously only with really serious affairs, while the frivolous man applies himself to frivolous things. Indeed, frivolous things become serious for him who does not know really serious occupations, and who himself is frivolous. If, indeed, one cannot help being mixed up in this child's play, it is just as well to know that he has fallen into child's play where one's real personality is not in question. If Socrates were to mingle in these games, it would only be his exterior man who would do so. Let us add that tears and groans do not prove that the evils we are complaining of are very real evils; for often children weep and lament over imaginary grievances.
DOES THIS POINT OF VIEW DESTROY SIN AND JUSTICE?
16. If the above considerations be true, what about wickedness, injustice, and sin? For if everything be well, how can there be agents who are unjust, and who sin? If no one be unjust, or sinful, how can unhappy men exist? How can we say that certain things conform to nature, while others are contrary thereto, if everything that is begotten, or that occurs, conforms to nature? Last, would that point of view not do away entirely with impiety towards the divinity, if it be the divinity that makes things such as they are, if the divinity resemble a poet, who would in his drama introduce a character whose business it was to ridicule and criticize the author?
THIS PROBLEM SOLVED BY REASON BEING DERIVED FROM INTELLIGENCE.
Let us, therefore, more clearly define the Reason (of the universe), and let us demonstrate that it should be what it is. To reach our conclusion more quickly, let us grant the existence of this Reason.
This Reason (of the universe) is not pure, absolute Intelligence.
Neither is it the pure Soul, but it depends therefrom. It is a ray of light that springs both from Intelligence and from the Soul united to Intelligence. These two principles beget Reason, that is, a rational quiet life.[69] Now all life is an actualization, even that which occupies the lowest rank. But the actualization (which constitutes the life of Reason) is not similar to the actualization of fire. The actualization of the life (peculiar to Reason), even without feeling, is not a blind movement. All things that enjoy the presence of Reason, and which participate therein in any manner soever, immediately receive a rational disposition, that is, a form; for the actualization which constitutes the life (of the Reason) can impart its forms, and for that actualization motion is to form beings. Its movement, like that of a dancer, is, therefore, full of art. A dancer, indeed, gives us the image of that life full of art; it is the art that moves it, because the art itself is its life. All this is said to explain the nature of life, whatever it be.
THE UNITY OF REASON IS CONSTITUTED BY THE CONTRARIES IT CONTAINS.
As reason proceeds from Intelligence and Life, which possesses both fulness and unity, Reason does not possess the unity and fulness of Intelligence and Life. Consequently, Reason does not communicate the totality and universality of its essence to the beings to which it imparts itself. It, therefore, opposes its parts to each other, and creates them defective; whereby, Reason constitutes and begets war and struggle. Thus Reason is the universal unity, because it could not be the absolute unity. Though reason imply struggle, because it consists of parts, it also implies unity and harmony. It resembles the reason of a drama, whose unity contains many diversities. In a drama, however, the harmony of the whole results from its component contraries being co-ordinated in the unity of action, while, in universal Reason, it is from unity that the struggle of contraries arises. That is why we may well compare universal Reason to the harmony formed by contrary sounds, and to examine why the reasons of the beings also contain contraries.
In a concert, these reasons produce low and high sounds, and, by virtue of the harmony, that constitutes their essence, they make these divers sounds contribute to unity, that is, to Harmony[70] itself, the supreme Reason of which they are only parts.[71] In the same way we must consider other oppositions in the universe, such as black and white, heat and cold, winged or walking animals, and reasonable and irrational beings. All these things are parts of the single universal Organism. Now if the parts of the universal Organism were often in mutual disagreement, the universal Organism, nevertheless, remains in perfect accord with itself because it is universal, and it is universal by the Reason that inheres in it. The unity of this Reason must therefore be composed of opposite reasons, because their very opposition somehow constitutes its essence. If the Reason (of the world) were not multiple, it would no longer be universal, and would not even exist any longer. Since it exists, Reason must, therefore, contain within itself some difference; and the greatest difference is opposition. Now if Reason contain a difference, and produce different things, the difference that exists in these things is greater than that which exists in Reason. Now difference carried to the highest degree is opposition. Therefore, to be perfect, Reason must from its very essence produce things not only different, but even opposed.
THE WHOLE IS GOOD THOUGH COMPOSED OF GOOD AND EVIL PARTS.
17. If Reason thus from its essence produce opposed things, the things it will produce will be so much the more opposed as they are more separated from each other. The sense-world is less unitary than its Reason, and consequently, it is more manifold, containing more oppositions. Thus, in individuals, the love of life has greater force; selfishness is more powerful in them; and often, by their avidity, they destroy what they love, when they love what is perishable. The love which each individual has for himself, makes him appropriate all he can in his relations with the universe. Thus the good and evil are led to do opposite things by the Art that governs the universe; just as a choric ballet would be directed. One part is good, the other poor; but the whole is good. It might be objected that in this case no evil person will be left. Still, nothing hinders the existence of the evil; only they will not be such as they would be taken by themselves.
Besides, this will be a motive of leniency in regard to them, unless Reason should decide that this leniency be not deserved, thereby making it impossible.[72] FOUNDED ON THE PUN ON LOGOS, AS CHARACTER, ROLE AND REASON, THE EVILS ARE SHOWN TO PLAY THEIR PART BADLY IN THE DRAMA OF LIFE.
Besides, if this world contain both bad and good people, and if the latter play the greater part in the world, there will take place that which is seen in dramas where the poet, at times, imposes his ideas on the actors, and again at others relies on their ingenuity.
The obtaining of the first, second or third rank by an actor does not depend on the poet. The poet only assigns to each the part he is capable of filling, and assigns to him a suitable place. Likewise (in the world), each one occupies his assigned place, and the bad man, as well as the good one, has the place that suits him. Each one, according to his nature and character, comes to occupy the place that suits him, and that he had chosen, and then speaks and acts with piety if he be good, and impiously, if he be evil. Before the beginning of the drama, the actors already had their proper characters; they only developed it. In dramas composed by men, it is the poet who assigns their parts to the actors; and the latter are responsible only for the efficiency or inefficiency of their acting; for they have nothing to do but repeat the words of the poet. But in this drama (of life), of which men imitate certain parts when their nature is poetic, it is the soul that is the actor. This actor receives his part from the creator, as stage-actors receive from the poet their masks, garments, their purple robe, or their rags. Thus in the drama of the world it is not from chance that the soul receives her part.
LIKE GOOD AND BAD ACTORS, SOULS ARE PUNISHED AND REWARDED BY THE MANAGER.
Indeed, the fate of a soul conforms to her character, and, by going through with her part properly, the soul fulfils her part in the drama managed by universal Reason. The soul sings her part, that is, she does that which is in her nature to do. If her voice and features be beautiful, by themselves, they lend charm to the poem, as would be natural. Otherwise they introduce a displeasing element, but which does not alter the nature of the work.[73] The author of the drama reprimands the bad actor as the latter may deserve it, and thus fulfils the part of a good judge. He increases the dignity of the good actor, and, if possible, invites him to play beautiful pieces, while he relegates the bad actor to inferior pieces. Likewise, the soul which takes part in the drama of which the world is the theatre, and which has undertaken a part in it, brings with her a disposition to play well or badly. At her arrival she is classed with the other actors, and after having been allotted to all the various gifts of fortune without any regard for her personality or activities, she is later punished or rewarded. Such actors have something beyond usual actors; they appear on a greater scene; the creator of the universe gives them some of his power, and grants them the freedom to choose between a great number of places. The punishments and rewards are so determined that the souls themselves run to meet them, because each soul occupies a place in conformity with her character, and is thus in harmony with the Reason of the universe.[74] THE SOUL MUST FIT HERSELF TO HER SPECIAL PART IN THE GREAT SCHEME.
Every individual, therefore, occupies, according to justice, the place he deserves, just as each string of the lyre is fixed to the place assigned to it by the nature of the sounds it is to render. In the universe everything is good and beautiful if every being occupy the place he deserves, if, for instance, he utter discordant sounds when in darkness and Tartarus; for such sounds fit that place. If the universe is to be beautiful, the individual must not behave "like a stone" in it; he must contribute to the unity of the universal harmony by uttering the sound suitable to him (as thought Epictetus[75]). The sound that the individual utters is the life he leads, a life which is inferior in greatness, goodness and power (to that of the universe).
The shepherd's pipe utters several sounds, and the weakest of them, nevertheless, contributes to the total Harmony, because this harmony is composed of unequal sounds whose totality constitutes a perfect harmony. Likewise, universal Reason though one, contains unequal parts.
Consequently, the universe contains different places, some better, and some worse, and their inequality corresponds to the inequality of the soul. Indeed, as both places and souls are different, the souls that are different find the places that are unequal, like the unequal parts of the pipe, or any other musical instrument. They inhabit different places, and each utters sounds proper to the place where they are, and to the universe. Thus what is bad for the individual may be good for the totality; what is against nature in the individual agrees with the nature in the whole. A sound that is feeble does not change the harmony of the universe, as--to use another example--one bad citizen does not change the nature of a well-regulated city; for often there is need of such a man in a city; he therefore fits it well.
UNIVERSAL REASON TRIES TO PATCH UP "GAGS" BY UNDISCIPLINED ACTORS.
18. The difference that exists between souls in respect to vice and virtue has several causes; among others, the inequality that exists between souls from the very beginning. This inequality conforms to the essence of universal Reason, of which they are unequal parts, because they differ from each other. We must indeed remember that souls have three ranks (the intellectual, rational, and sense lives), and that the same soul does not always exercise the same faculties. But, to explain our meaning, let us return to our former illustration. Let us imagine actors who utter words not written by the poet; as if the drama were incomplete, they themselves supply what is lacking, and fill omissions made by the poet. They seem less like actors than like parts of the poet, who foresaw what they were to say, so as to reattach the remainder so far as it was in his power.[76] In the universe, indeed, all things that are the consequences and results of bad deeds are an illicit union, or from a rape, may be born natural children that may become very distinguished men; likewise, from cities destroyed by perverse individuals, may rise other flourishing cities.
THIS ILLUSTRATION OF DRAMA ALLOWS BOTH GOOD AND EVIL TO BE ASCRIBED TO REASON.
It might indeed be objected that it is absurd to introduce into the world souls some of which do good, and others evil; for when we absolve universal Reason from the responsibility of evil, we are also simultaneously taking from it the merit for the good. What, however, hinders us from considering deeds done by actors as parts of a drama, in the universe as well as on the stage, and thus to derive from universal Reason both the good and the evil that are done here below?
For universal Reason exercises its influence on each of the actors with so much the greater force as the drama is more perfect, and as everything depends on it.[77] INTRODUCTION TO THE NEXT BOOK.
But why should we at all impute evil deeds to universal Reason? The souls contained in the universe will not be any more divine for that.
They will still remain parts of the universal Reason (and consequently, remain souls): for we shall have to acknowledge that all reasons are souls. Otherwise if the Reason of the universe be a Soul, why should certain "reasons" be souls, and others only ("seminal) reasons"?
THIRD ENNEAD, BOOK THREE.
Continuation of That on Providence.
SOULS SHOW KINSHIP TO WORLD-SOUL BY FIDELITY TO THEIR OWN NATURE.
1. The question (why some reasons are souls, while others are reasons merely, when at the same time universal Reason is a certain Soul), may be answered as follows. Universal Reason (which proceeds from the universal Soul) embraces both good and bad things, which equally belong to its parts; it does not engender them, but exists with them in its universality. In fact, these "logoses" (or reasons) (or, particular souls), are the acts of the universal Soul; and these reasons being parts (of the universal Soul) have parts (of the operations) as their acts (or energies). Therefore, just as the universal Soul, which is one, has different parts, so this difference occurs again in the reasons and in the operations they effect. Just as their works (harmonize), so do the souls themselves mutually harmonize; they harmonize in this, that their very diversity, or even opposition, forms an unity. By a natural necessity does everything proceed from, and return to unity; thus creatures which are different, or even opposed, are not any the less co-ordinated in the same system, and that because they proceed from the same principle. Thus horses or human beings are subsumed under the unity of the animal species, even though animals of any kind, such as horses, for example, bite each other, and struggle against each other with a jealousy which rises to fury; and though animals of either species, including man, do as much. Likewise, with inanimate things; they form divers species, and should likewise be subsumed under the genus of inanimate things; and, if you go further, to essence, and further still, to super-Essence (the One). Having thus related or subsumed everything to this principle, let us again descend, by dividing it. We shall see unity splitting, as it penetrates and embraces everything simultaneously in a unique (or all-embracing system). Thus divided, the unity constitutes a multiple organism; each of its constituent parts acts according to its nature, without ceasing to form part of the universal Being; thus is it that the fire burns, the horse behaves as a horse should, and men perform deeds as various as their characters. In short, every being acts, lives well or badly, according to its own nature.
APPARENT CHANCE REALLY IS THE PLAN OF A DIVINE GENERAL PROVIDENCE.
2. Circumstances, therefore, are not decisive of human fortune; they themselves only derive naturally from superior principles, and result from the mutual concatenation of all things. This concatenation, however, derives from the (Stoic) "predominant (element in the universe"), and every being contributes to it according to its nature; just as, in an army, the general commands, and the soldiers carry out his orders cooperatively. In the universe, in fact, everything has been strategically ordered by Providence, like a general, who considers everything, both actions and experiences,[81] victuals and drink, weapons and implements, arranging everything so that every detail finds its suitable location. Thus nothing happens which fails to enter into the general's plan, although his opponents' doings remain foreign to his influence, and though he cannot command their army. If indeed, Providence were[82] "the great Chief over all," to whom the universe is subordinated, what could have disarranged His plans, and could have failed to be intimately associated therewith?
WE CANNOT QUESTION OUR ORDER IN THE HIERARCHY OF NATURE.
3. Although I am able to make any desired decision, nevertheless my decision enters into the plan of the universe, because my nature has not been introduced into this plan subsequently; but it includes me and my character. But whence originates my character? This includes two points: is the cause of any man's character to be located in Him who formed him, or in that man himself? Must we, on the other hand, give up seeking its cause? Surely: just as it is hopeless to ask why plants have no sensation, or why animals are not men; it would be the same as asking why men are not gods. Why should we complain that men do not have a more perfect nature, if in the case of plants and animals nobody questions or accuses either these beings themselves, nor the power which has made them? (This would be senseless, for two reasons): if we say that they might have been better, we are either speaking of the qualities which each of them is capable of acquiring by himself; and in this case we should blame only him who has not acquired them--or, we are speaking of those qualities which he should derive not from himself, but from the Creator, in which case it would be as absurd to claim for man more qualities than he has received, than it would be to do so in the case of plants or animals. What we should examine is not if one being be inferior to another, but if it be complete within its own sphere; for evidently natural inequalities are unavoidable. This again depends on conformity to nature, not that inequalities depend on the will of the principle which has regulated all things.
THE CAUSE OF OUR IMPERFECTIONS IS DISTANCE FROM THE SUPREME.
The Reason of the Universe, indeed, proceeds from the universal Soul; and the latter, in turn, proceeds from Intelligence. Intelligence, however, is not a particular being; it consists of all (intelligible beings),[83] and all the beings form a plurality. Now, a plurality of being implies mutual differences between them, consisting of first, second and third ranks. Consequently, the souls of engendered animals are rather degradations of souls, seeming to have grown weaker by their procession. The (generating) reason of the animal, indeed, although it be animated, is a soul other than that from which proceeds universal Reason. This Reason itself loses excellence in the degree that it hastens down to enter into matter, and what it produces is less perfect. Nevertheless, we may well consider how admirable a work is the creature, although it be so far distant from the creator. We should, therefore, not attribute to the creator the (imperfections of the) creature; for any principle is superior to its product. So we may assert that (the principle even of imperfect things) is perfect; and, (instead of complaining), we should rather admire His communication of some traits of His power to beings dependent from Him. We have even reason to be more than grateful for His having given gifts greater than they can receive or assimilate; and as the gifts of Providence are superabundant, we can find the cause (of imperfection) only in the creatures themselves.
DOUBLENESS OF SOUL, REASONS AND PROVIDENCE.
4. If man were simple--that is, if he were no more than what he had been created, and if all his actions and passions derived from the same principle--we would no more exercise our reason to complain for his behoof than we have to complain for that of other animals. But we do have something to blame in the man, and that in the perverted man. We have good grounds for this blame, because man is not only that which he was created, but has, besides, another principle which is free (intelligence, with reason). This free principle, however, is not outside of Providence, and the Reason of the universe, any more than it would be reasonable to suppose that the things above depended on the things here below. On the contrary, it is superior things which shed their radiance on inferior ones, and this is the cause of the perfection of Providence. As to the Reason of the universe, it itself is double also; one produces things, while the other unites generated things to intelligible ones. Thus are constituted two providences: a superior one, from above (intellectual Reason, the principal power of the soul[84]), and an inferior one, the (natural and generative power, called) reason, which derives from the first; and from both results the concatenation of things, and universal Providence (or, Providence, and destiny).
MEN'S BETTER NATURE IS NOT DOMINANT BECAUSE OF THEIR SUB-CONSCIOUS NATURE.
Men (therefore, not being only what they were made) possess another principle (free intelligence with reason); but not all make use of all the principles they possess; some make use of the one principle (their intelligence), while others make use of the other (principle of reason), or even of the lower principle (of imagination and sensation).[85] All these principles are present in the man, even when they do not react on him; and even in this case, they are not inert; each fulfils its peculiar office; only they do not all act