doubts is not that man's life an answer. When he appeared, it was the belief of all military men that there could be nothing new in war; as it is the belief of men to-day, that nothing new can be undertaken in politics, or in church, or in letters, or in trade, or in farming, or in our social manners and customs; and as it is, at all times, the belief of society that the world is used up. But Bonaparte knew better than society; and, moreover, knew that he knew better. I think all men know better than they do; know that the institutions we so volubly commend are go-carts and baubles; but they dare not trust their presentiments. Bonaparte relied on his own sense, and did not care a bean for other people's. The world treated his novelties just as it treats everybody's novelties,--made infinite objection: mustered all the impediments; but he snapped his finger at their objections. "What creates great difficulty," he remarks, "in the profession of the land commander, is the necessity of feeding so many men and animals. If he allows himself to be guided by the commissaries, he will never stir, and all his expeditions will fail." An example of his common sense is what he says of the passage of the Alps in winter, which all writers, one repeating after the other, had described as impracticable. "The winter," says Napoleon, "is not the most unfavorable season for the passage of lofty mountains. The snow is then firm, the weather settled, and there is nothing to fear from avalanches, the real and only danger to be apprehended in the Alps. On those high mountains, there are often very fine days in December, of a dry cold, with extreme calmness in the air." Read his account, too, of the way in which battles are gained.
"In all battles, a moment occurs, when the bravest troops, after having made the greatest efforts, feel inclined to run. That terror proceeds from a want of confidence in their own courage; and it only requires a slight opportunity, a pretense, to restore confidence to them. The art is to give rise to the opportunity, and to invent the pretense.
At Arcola, I won the battle with twenty-five horsemen. I seized that moment of lassitude, gave every man a trumpet, and gained the day with this handful. You see that two armies are two bodies which meet, and endeavor to frighten each other: a moment of panic occurs, and that moment must be turned to advantage. When a man has been present in many actions, he distinguishes that moment without difficulty; it is as easy as casting up an addition."
This deputy of the nineteenth century added to his gifts a capacity for speculation on general topics. He delighted in running through the range of practical, of literary, and of abstract questions. His opinion is always original, and to the purpose. On the voyage to Egypt, he liked, after dinner, to fix on three or four persons to support a proposition, and as many to oppose it. He gave a subject, and the discussions turned on questions of religion, the different kinds of government, and the art of war. One day, he asked, whether the planets were inhabited? On another, what was the age of the world? Then he proposed to consider the probability of the destruction of the globe, either by water or by fire; at another time, the truth or fallacy of presentiments, and the interpretation of dreams. He was very fond of talking of religion. In 1806, he conversed with Fournier, bishop of Montpelier, on matters of theology. There were two points on which they could not agree, viz., that of hell, and that of salvation out of the pale of the church. The Emperor told Josephine, that he disputed like a devil on these two points, on which the bishop was inexorable.
To the philosophers he readily yielded all that was proved against religion as the work of men and time; but he would not hear of materialism. One fine night, on deck, amid a clatter of materialism, Bonaparte pointed to the stars, and said, "You may talk as long as you please, gentlemen, but who made all that?" He delighted in the conversation of men of science, particularly of Monge and Berthollet; but the men of letters he slighted; "they were manufacturers of phrases." Of medicine, too, he was fond of talking, and with those of its practitioners whom he most esteemed,-with Corvisart at Paris, and with Antonomarchi at St. Helena. "Believe me, "he said to the last, "we had better leave off all these remedies: life is a fortress which neither you nor I know anything about. Why throw obstacles in the way of its defense? Its own means are superior to all the apparatus of your laboratories. Corvisart candidly agreed with me, that all your filthy mixtures are good for nothing. Medicine is a collection of uncertain prescriptions, the results of which, taken collectively, are more fatal than useful to mankind. Water, air, and cleanliness, are the chief articles in my pharmacopeia."
His memoirs, dictated to Count Montholon and General Gourgaud, at St.
Helena, have great value, after all the deduction that, it seems, is to be made from them, on account of his known disingenuousness. He has the goodnature of strength and conscious superiority. I admire his simple, clear narrative of his battles;--good as Caesar's; his good-natured and sufficiently respectful account of Marshal Wurmser and his other antagonists, and his own equality as a writer to his varying subject. The most agreeable portion is the Campaign in Egypt.
He had hours of thought and wisdom. In intervals of leisure, either in the camp or the palace, Napoleon appears as a man of genius, directing on abstract questions the native appetite for truth, and the impatience of words, he was wont to show in war. He could enjoy every play of invention, a romance, a _bon mot_, as well as a stratagem in a campaign. He delighted to fascinate Josephine and her ladies, in a dim-lighted apartment, by the terrors of a fiction, to which his voice and dramatic power lent every addition.
I call Napoleon the agent or attorney of the middle class of modern society; of the throng who fill the markets, shops, counting-houses, manufactories, ships, of the modern world, aiming to be rich. He was the agitator, the destroyer of prescription, the internal improver, the liberal, the radical, the inventor of means, the opener of doors and markets, the subverter of monopoly and abuse. Of course, the rich and aristocratic did not like him. England, the center of capital, and Rome and Austria, centers of tradition and genealogy, opposed him. The consternation of the dull and conservative classes, the terror of the foolish old men and old women of the Roman conclave,--who in their despair took hold of anything, and would cling to red-hot iron,--the vain attempts of statists to amuse and deceive him, of the emperor of Austria to bribe him; and the instinct of the young, ardent, and active men, everywhere, which pointed him out as the giant of the middle class, make his history bright and commanding. He had the virtues of the masses of his constituents; he had also their vices. I am sorry that the brilliant picture has its reverse. But that is the fatal quality which we discover in our pursuit of wealth, that it is treacherous, and is bought by the breaking or weakening of the sentiments; and it is inevitable that we should find the same fact in the history of this champion, who proposed to himself simply a brilliant career, without any stipulation or scruple concerning the means.
Bonaparte was singularly destitute of generous sentiments. The highest-placed individual in the most cultivated age and population of the world,--he has not the merit of common truth and honesty. He is unjust to his generals; egotistic, and monopolizing; meanly stealing the credit of their great actions from Kellermann, from Bernadotte; intriguing to involve his faithful Junot in hopeless bankruptcy, in order to drive him to a distance from Paris, because the familiarity of his manners offends the new pride of his throne. He is a boundless liar. The official paper, his "Moniteurs," and all his bulletins, are proverbs for saying what he wished to be believed; and worse,--he sat, in his premature old age, in his lonely island, coldly falsifying facts, and dates, and characters, and giving to history, a theatrical eclat. Like all Frenchmen, he has a passion for stage effect. Every action that breathes of generosity is poisoned by this calculation.
His star, his love of glory, his doctrine of the immortality of the soul, are all French. "I must dazzle and astonish. If I were to give the liberty of the press, my power could not last three days." To make a great noise is his favorite design. "A great reputation is a great noise; the more there is made, the farther off it is heard. Laws, institutions, monuments, nations, all fall; but the noise continues, and resounds in after ages." His doctrine of immortality is simply fame. His theory of influence is not flattering. "There are two levers for moving men,--interest and fear. Love is a silly infatuation, depend upon it. Friendship is but a name. I love nobody. I do not even love my brothers; perhaps Joseph, a little, from habit, and because he is my elder; and Duroc, I love him too; but why?--because his character pleases me; he is stern and resolute, and, I believe, the fellow never shed a tear. For my part, I know very well that I have no true friends.
As long as I continue to be what I am, I may have as many pretended friends as I please. Leave sensibility to women; but men should be firm in heart and purpose, or they should have nothing to do with war and government." He was thoroughly unscrupulous. He would steal, slander, assassinate, drown, and poison, as his interest dictated. He had no generosity; but mere vulgar hatred; he was intensely selfish; he was perfidious; he cheated at cards; he was a prodigious gossip; and opened letters; and delighted in his infamous police; and rubbed his hands with joy when he had intercepted some morsel of intelligence concerning the men and women about him, boasting that "he knew everything;" and interfered with the cutting the dresses of the women; and listened after the hurrahs and the compliments of the street, incognito. His manners were coarse. He treated women with low familiarity. He had the habit of pulling their ears and pinching their cheeks, when he was in good humor, and of pulling the ears and whiskers of men, and of striking and horse-play with them, to his last days.
It does not appear that he listened at keyholes, or, at least, that he "was caught at it". In short, when you have penetrated through all the circles of power and splendor, you were not dealing with a gentleman, at last; but with an impostor and a rogue; and he fully deserves the epithet of Jupiter Scapin, or a sort of Scamp Jupiter.
In describing the two parties into which modern society divides itself,--the democrat and the conservative,--I said, Bonaparte represents the democrat, or the party of men of business, against the stationary or conservative party. I omitted then to say, what is material to the statement, namely, that these two parties differ only as young and old. The democrat is a young conservative; the conservative is an old democrat. The aristocrat is the democrat ripe, and gone to seed,--because both parties stand on the one ground of the supreme value of property, which one endeavors to get, and the other to keep.
Bonaparte may be said to represent the whole history of this party, its youth and its age; yes, and with poetic justice, its fate, in his own. The counter-revolution, the counter-party, still waits for its organ and representative, in a lover and a man of truly public and universal aims.
Here was an experiment, under the most favorable conditions, of the powers of intellect without conscience. Never was such a leader so endowed, and so weaponed; never leader found such aids and followers.
And what was the result of this vast talent and power, of these immense armies, burned cities, squandered treasures, immolated millions of men, of this demoralized Europe? It came to no result. All passed away, like the smoke of his artillery and left no trace. He left France smaller, poorer, feebler, than he found it; and the whole contest for freedom was to be begun again. The attempt was, in principle, suicidal.
France served him with life, and limb, and estate, as long as it could identify its interest with him; but when men saw that after victory was another war; after the destruction of armies, new conscriptions; and they who had toiled so desperately were never nearer to the reward,--they could not spend what they had earned, nor repose on their down-beds, nor strut in their chateaux,--they deserted him. Men found that his absorbing egotism was deadly to all other men. It resembled the torpedo, which inflicts a succession of shocks on any one who takes hold of it, producing spasms which contract the muscles of the hand, so that the man cannot open his fingers; and the animal inflicts new and more violent shocks, until he paralyzes and kills his victim. So, this exorbitant egotist narrowed, impoverished, and absorbed the power and existence of those who served him; and the universal cry of France, and of Europe, in 1814, was, "enough of him;" "assez de Bonaparte."
It was not Bonaparte's fault. He did all that in him lay, to live and thrive without moral principle. It was the nature of things, the eternal law of man and of the world, which baulked and ruined him; and the result, in a million experiments, will be the same. Every experiment, by multitudes or by individuals, that has a sensual and selfish aim, will fail. The pacific Fourier will be as inefficient as the pernicious Napoleon. As long as our civilization is essentially one of property, of fences, of exclusiveness, it will be mocked by delusions. Our riches will leave us sick; there will be bitterness in our laughter; and our wine will burn our mouth. Only that good profits, which we can taste with all doors open, and which serves all men.
VII. GOETHE; OR, THE WRITER I find a provision in the constitution of the world for the writer or secretary, who is to report the doings of the miraculous spirit of life that everywhere throbs and works. His office is a reception of the facts into the mind, and then a selection of the eminent and characteristic experiences.
Nature will be reported. All things are engaged in writing their history. The planet, the pebble, goes attended by its shadow. The rolling rock leaves its scratches on the mountain; the river, its channel in the soil; the animal, its bones in the stratum; the fern and leaf their modest epitaph in the coal. The falling drop makes its sculpture in the sand or the stone. Not a foot steps into the snow, or along the ground, but prints in characters more or less lasting, a map of its march. Every act of the man inscribes itself in the memories of his fellows, and in his own manners and face. The air is full of sounds; the sky, of tokens; the ground is all memoranda and signatures; and every object covered over with hints, which speak to the intelligent.
In nature, this self-registration is incessant, and the narrative is the print of the seal. It neither exceeds nor comes short of the fact.
But nature strives upward; and, in man, the report is something more than print of the seal. It is a new and finer form of the original.
The record is alive, as that which it recorded is alive. In man, the memory is a kind of looking-glass, which, having received the images of surrounding objects, is touched with life, and disposes them in a new order. The facts which transpired do not lie in it inert; but some subside, and others shine; so that soon we have a new picture, composed of the eminent experiences. The man cooperates. He loves to communicate; and that which is for him to say lies as a load on his heart until it is delivered. But, besides the universal joy of conversation, some men are born with exalted powers for this second creation. Men are born to write. The gardener saves every slip, and seed, and peach-stone; his vocation is to be a planter of plants. Not less does the writer attend his affairs. Whatever he beholds or experiences, comes to him as a model, and sits for its picture. He counts it all nonsense that they say, that some things are undescribable. He believes that all that can be thought can be written, first or last; and he would report the Holy Ghost, or attempt it. Nothing so broad, so subtle, or so dear, but comes therefore commended to his pen,--and he will write. In his eyes, a man is the faculty of reporting, and the universe is the possibility of being reported. In conversation, in calamity, he finds new materials; as our German poet said, "some god gave me the power to paint what I suffer." He draws his rents from rage and pain. By acting rashly, he buys the power of talking wisely. Vexations, and a tempest of passion, only fill his sails; as the good Luther writes, "When I am angry I can pray well, and preach well;" and if we knew the genesis of fine-strokes of eloquence, they might recall the complaisance of Sultan Amurath, who struck off some Persian heads, that his physician, Vesalius, might see the spasms in the muscles of the neck.
His failures are the preparation of his victories. A new thought, or a crisis of passion, apprises him that all that he has yet learned and written is exoteric--is not the fact, but some rumor of the fact. What then? Does he throw away the pen? No; he begins again to describe in the new light which has shined on him,--if, by some means, he may yet save some true word. Nature conspires. Whatever can be thought can be spoken, and still rises for utterance, though to rude and stammering organs. If they cannot compass it, it waits and works, until, at last, it moulds them to its perfect will, and is articulated.
This striving after imitative expression, which one meets everywhere, is significant of the aim of nature, but is mere stenography. There are higher degrees, and nature has more splendid endowments for those whom she elects to a superior office; for the class of scholars or writers, who see connection where the multitude see fragments, and who are impelled to exhibit the facts in order, and so to supply the axis on which the frame of things turns. Nature has dearly at heart the formation of the speculative man, or scholar. It is an end never lost sight of, and is prepared in the original casting of things. He is no permissive or accidental appearance, but an organic agent, one of the estates of the realm, provided and prepared from of old and from everlasting, in the knitting and contexture of things. Presentiments, impulses, cheer him. There is a certain heat in the breast, which attends the perception of a primary truth, which is the shining of the spiritual sun down into the shaft of the mine. Every thought which dawns on the mind, in the moment of its emergency announces its own rank,--whether it is some whimsy, or whether it is a power.
If he have his incitements, there is, on the other side, invitation and need enough of his gift. Society has, at all times, the same want, namely, of one sane man with adequate powers of expression to held up each object of monomania in its right relation. The ambitious and mercenary bring their last new mumbo-jumbo, whether tariff, Texas, railroad, Romanism, mesmerism, or California; and, by detaching the object from its relations, easily succeed in making it seen in a glare; and a multitude go mad about it, and they are not to be reproved or cured by the opposite multitude, who are kept from this particular insanity by an equal frenzy on another crochet. But let one man have the comprehensive eye that can replace this isolated prodigy in its right neighborhood and bearings,--the illusion vanishes, and the returning reason of the community thanks the reason of the monitor.
The scholar is the man of the ages, but he must also wish, with other men, to stand well with his contemporaries. But there is a certain ridicule, among superficial people, thrown on the scholars or clerisy, which is of no import, unless the scholars heed it. In this country, the emphasis of conversation, and of public opinion, commends the practical man; and the solid portion of the community is named with significant respect in every circle. Our people are of Bonaparte's opinion concerning ideologists. Ideas are subversive of social order and comfort, and at last make a fool of the possessor. It is believed, the ordering a cargo of goods from New York to Smyrna; or, the running up and down to procure a company of subscribers to set a-going five or ten thousand spindles; or, the negotiations of a caucus, and the practising on the prejudices and facility of country-people, to secure their votes in November,--is practical and commendable.
If I were to compare action of a much higher strain with a life of contemplation, I should not venture to pronounce with much confidence in favor of the former. Mankind have such a deep stake in inward illumination, that there is much to be said by the hermit or monk in defense of his life of thought and prayer. A certain partiality, a headiness, and loss of balance, is the tax which all action must pay.
Act, if you like,--but you do it at your peril. Men's actions are too strong for them. Show me a man who has acted, and who has not been the victim and slave of his action. What they have done commits and enforces them to do the same again. The first act, which was to be an experiment, becomes a sacrament. The fiery reformer embodies his aspiration in some rite or covenant, and he and his friends cleave to the form and lose the aspiration. The Quaker has established Quakerism, the Shaker has established his monastery and his dance; and, although each prates of spirit, there is no spirit, but repetition, which is anti-spiritual.
But where are his new things of today? In actions of enthusiasm, this drawback appears: but in those lower activities, which have no higher aim than to make us more comfortable and more cowardly, in actions of cunning, actions that steal and lie, actions that divorce the speculative from the practical faculty, and put a ban on reason and sentiment, there is nothing else but drawback and negation. The Hindoos write in their sacred books, "Children only, and not the learned, speak of the speculative and the practical faculties as two. They are but one, for both obtain the selfsame end, and the place which is gained by the followers of the one is gained by the followers of the other.
That man seeth, who seeth that the speculative and the practical doctrines are one." For great action must draw on the spiritual nature.
The measure of action is the sentiment from which it proceeds. The greatest action may easily be one of the most private circumstances.
This disparagement will not come from the leaders, but from inferior persons. The robust gentlemen who stand at the head of the practical class, share the ideas of the time, and have too much sympathy with the speculative class. It is not from men excellent in any kind, that disparagement of any other is to be looked for. With such, Talleyrand's question is ever the main one; not, is he rich? is he committed? is he well-meaning? has he this or that faculty? is he of the movement?
is he of the establishment?--but, Is he anybody? does he stand for something? He must be good of his kind. That is all that Talleyrand, all that State-street, all that the common sense of mankind asks. Be real and admirable, not as we know, but as you know. Able men do not care in what kind a man is able, so only that he is able. A master likes a master, and does not stipulate whether it be orator, artist, craftsman, or king.
Society has really no graver interest than the well-being of the literary class. And it is not to be denied that men are cordial in their recognition and welcome of intellectual accomplishments. Still the writer does not stand with us on any commanding ground. I think this to be his own fault. A pound passes for a pound. There have been times when he was a sacred person; he wrote Bibles; the first hymns; the codes; the epics; tragic songs; Sibylline verses; Chaldean oracles; Laconian sentences inscribed on temple walls. Every word was true, and woke the nations to new life. He wrote without levity, and without choice. Every word was carved, before his eyes, into the earth and sky; and the sun and stars were only letters of the same purport; and of no more necessity. But how can he be honored, when he does not honor himself; when he loses himself in the crowd; when he is no longer the lawgiver, but the sycophant, ducking to the giddy opinion of a reckless public; when he must sustain with shameless advocacy some bad government, or must bark, all the year round, in opposition; or write conventional criticism, or profligate novels; or, at any rate, write without thought, and without recurrence, by day and night, to the sources of inspiration?
Some reply to these questions may be furnished by looking over the list of men of literary genius in our age. Among these, no more instructive name occurs than that of Goethe, to represent the power and duties of the scholar or writer.
I described Bonaparte as a representative of the popular external life and aims of the nineteenth century. Its other half, its poet, is Goethe, a man quite domesticated in the century, breathing its air, enjoying its fruits, impossible at any earlier time, and taking away, by his colossal parts, the reproach of weakness, which, but for him, would lie on the intellectual works of the period. He appears at a time when a general culture has spread itself, and has smoothed down all sharp individual traits; when, in the absence of heroic characters, a social comfort and cooperation have come in. There is no poet, but scores of poetic writers; no Columbus, but hundreds of post-captains, with transit-telescope, barometer, and concentrated soup and pemmican; no Demosthenes, no Chatham, but any number of clever parliamentary and forensic debaters; no prophet or saint, but colleges of divinity; no learned man, but learned societies, a cheap press, reading-rooms, and book-clubs, without number. There was never such a miscellany of facts.
The world extends itself like American trade. We conceive Greek or Roman life,--life in the middle ages--to be a simple and comprehensive affair; but modern life to respect a multitude of things, which is distracting.
Goethe was the philosopher of this multiplicity; hundred-handed, Argus-eyed, able and happy to cope with this rolling miscellany of facts and sciences, and, by his own versatility, to dispose of them with ease; a manly mind, unembarrassed by the variety of coats of convention with which life had got encrusted, easily able by his subtlety to pierce these, and to draw his strength from nature, with which he lived in full communion. What is strange, too, he lived in a small town, in a petty state, in a defeated state, and in a time when Germany played no such leading part in the world's affairs as to swell the bosom of her sons with any metropolitan pride, such as might have cheered a French, or English, or, once, a Roman or Attic genius.
Yet there is no trace of provincial limitation in his muse. He is not a debtor to his position, but was born with a free and controlling genius.
The Helena, or the second part of Faust, is a philosophy of literature set in poetry; the work of one who found himself the master of histories, mythologies, philosophies, sciences, and national literatures, in the encyclopaedical manner in which modern erudition, with its international intercourse of the whole earth's population, researches into Indian, Etruscan, and all Cyclopaean arts, geology, chemistry, astronomy; and every one of these kingdoms assuming a certain aerial and poetic character, by reason of the multitude. One looks at a king with reverence; but if one should chance to be at a congress of kings, the eye would take liberties with the peculiarities of each.
These are not wild miraculous songs, but elaborate forms, to which the poet has confided the results of eighty years of observation. This reflective and critical wisdom makes the poem more truly the flower of this time. It dates itself. Still he is a poet,--poet of a prouder laurel than any contemporary, and under this plague of microscopes (for he seems to see out of every pore of his skin), strikes the harp with a hero's strength and grace.
The wonder of the book is its superior intelligence. In the menstruum of this man's wit, the past and the present ages, and their religions, politics, and modes of thinking, are dissolved into archetypes and ideas. What new mythologies sail through his head! The Greeks said, that Alexander went as far as Chaos; Goethe went, only the other day, as far; and one step farther he hazarded, and brought himself safe back. There is a heart-cheering freedom in his speculation. The immense horizon which journeys with us lends its majesties to trifles, and to matters of convenience and necessity, as to solemn and festal performances. He was the soul of his century. If that was learned, and had become, by population, compact organization, and drill of parts, one great Exploring Expedition, accumulating a glut of facts and fruits too fast for any hitherto-existing savants to classify, this man's mind had ample chambers for the distribution of all. He had a power to unite the detached atoms again by their own law. He has clothed our modern existence with poetry. Amid littleness and detail, he detected the Genius of life, the old cunning Proteus, nestling close beside us, and showed that the dullness and prose we ascribe to the age was only another of his masks:--"His very flight is presence in disguise:" that he had put off a gay uniform for a fatigue dress, and was not a whit less vivacious or rich in Liverpool or the Hague, than once in Rome or Antioch. He sought him in public squares and main streets, in boulevards and hotels; and, in the solidest kingdom of routine and the senses, he showed the lurking daemonic power; that, in actions of routine, a thread of mythology and fable spins itself; and this, by tracing the pedigree of every usage and practice, every institution, utensil, and means, home to its origin in the structure of man. He had an extreme impatience of conjecture, and of rhetoric. "I have guesses enough of my own; if a man write a book, let him set down only what he knows." He writes in the plainest and lowest tone, omitting a great deal more than he writes, and putting ever a thing for a word. He has explained the distinction between the antique and the modern spirit and art. He has defined art, its scope and laws. He has said the best things about nature that ever were said. He treats nature as the old philosophers, as the seven wise masters did,--and, with whatever loss of French tabulation and dissection, poetry and humanity remain to us; and they have some doctorial skill. Eyes are better, on the whole, than telescopes or microscopes. He has contributed a key to many parts of nature, through the rare turn for unity and simplicity in his mind.
Thus Goethe suggested the leading idea of modern botany, that a leaf, or the eye of a leaf, is the unit of botany, and that every part of the plant is only a transformed leaf to meet a new condition; and, by varying the conditions, a leaf may be converted into any other organ, and any other organ into a leaf. In like manner, in osteology, he assumed that one vertebra of the spine might be considered the unit of the skeleton; the head was only the uppermost vertebra transformed.
"The plant goes from knot to knot, closing, at last, with the flower and the seed. So the tape-worm, the caterpillar, goes from knot to knot, and closes with the head. Men and the higher animals are built up through the vertebrae, the powers being concentrated in the head."
In optics, again, he rejected the artificial theory of seven colors, and considered that every color was the mixture of light and darkness in new proportions. It is really of very little consequence what topic he writes upon. He sees at every pore, and has a certain gravitation toward truth. He will realize what you say. He hates to be trifled with, and to be made to say over again some old wife's fable, that has had possession of men's faith these thousand years. He may as well see if it is true as another. He sifts it. I am here, he would say, to be the measure and judge of these things. Why should I take them on trust?
And, therefore, what he says of religion, of passion, of marriage, of manners, property, of paper money, of periods or beliefs, of omens, of luck, or whatever else, refuses to be forgotten.
Take the most remarkable example that could occur of this tendency to verify every term in popular use. The Devil had played an important part in mythology in all times. Goethe would have no word that does not cover a thing. The same measure will still serve: "I have never heard of any crime which I might not have committed." So he flies at the throat of this imp. He shall be real; he shall be modern; he shall be European; he shall dress like a gentleman, and accept the manner, and walk in the streets, and be well initiated in the life of Vienna, and of Heidelberg, in 1820,--or he shall not exist. Accordingly, he stripped him of mythologic gear, of horns, cloven foot, harpoon tail, brimstone, and blue-fire, and, instead of looking in books and pictures, looked for him in his own mind, in every shade of coldness, selfishness, and unbelief that, in crowds, or in solitude, darkens over the human thought,--and found that the portrait gained reality and terror by everything he added, and by everything he took away. He found that the essence of this hobgoblin, which had hovered in shadow about the habitations of men, ever since they were men, was pure intellect, applied,--as always there is a tendency,--to the service of the senses: and he flung into literature, in his Mephistopheles, the first organic figure that has been added for some ages, and which will remain as long as the Prometheus. I have no design to enter into any analysis of his numerous works. They consist of translations, criticisms, dramas, lyric and every other description of poems, literary journals, and portraits of distinguished men. Yet I cannot omit to specify the Wilhelm Meister.
Wilhelm Meister is a novel in every sense, the first of its kind, called by its admirers the only delineation of modern society,--as if other novels, those of Scott, for example, dealt with costume and condition, this with the spirit of life. It is a book over which some veil is still drawn. It is read by very intelligent persons with wonder and delight. It is preferred by some such to Hamlet, as a work of genius. I suppose no book of this century can compare with it in its delicious sweetness, so new, so provoking to the mind, gratifying it