Where I have been There was none seen.
_Sept. 14._ No bravery is to be named with that which can face its own deeds.
* * * * * In religion there is no society.
* * * * * Do not dissect a man till he is dead.
* * * * * Love does not analyze its object.
* * * * * We do not know the number of muscles in a caterpillar dead; much less the faculties of a man living.
* * * * * You must believe that I know before you can tell me.
* * * * * To the highest communication I can make no reply; I lend only a silent ear.
_Sept. 18. Saturday._ Barn.—It is a great event, the hearing of a bell ring in one of the neighboring towns, particularly in the night. It excites in me an unusual hilarity, and I feel that I am in season wholly and enjoy a prime and leisure hour.
_Sept. 20. Monday._ Visited Sampson Wilder of Boston. His method of setting out peach trees is as follows:— Dig a hole six feet square and two deep, and remove the earth; cover the bottom to the depth of six inches with lime and ashes in equal proportions, and upon this spread another layer of equal thickness, of horn parings, tips of horns, bones, and the like, then fill up with a compost of sod and strong animal manure, say four bushels of hog manure to a cartload of sod. Cover the tree—which should be budded at two years old—but slightly, and at the end of two years dig a trench round it three feet from the tree and six inches deep, and fill it with lime and ashes.
For grapes:— Let your trench be twelve feet wide and four deep, cover the bottom with paving-stones six inches, then old bricks with mortar attached or loose six inches more, then beef-bones, horns, etc., six more (Captain Bobadil), then a compost similar to the preceding. Set your roots one foot from the north side, the trench running east and west, and bury eight feet of the vine crosswise the trench, not more than eight inches below the surface. Cut it down for three or four years, that root may accumulate, and then train it from the sun up an inclined plane.
_Sept. 28. Tuesday._ I anticipate the coming in of spring as a child does the approach of some pomp through a gate of the city.
_Sept. 30._ Better wait Than be too late.[292] _Nov. 29. Cambridge._—One must fight his way, after a fashion, even in the most civil and polite society. The most truly kind and gracious have to be won by a sort of valor, for the seeds of suspicion seem to lurk in every spadeful of earth, as well as those of confidence. The president and librarian turn the cold shoulder to your application, though they are known for benevolent persons. They wonder if you can be anything but a thief, contemplating frauds on the library. It is the instinctive and salutary principle of self-defense; that which makes the cat show her talons when you take her by the paw.[293] Certainly that valor which can open the hearts of men is superior to that which can only open the gates of cities.[294] You must always let people see that they serve themselves more than you,—not by your ingratitude, but by sympathy and congratulation.
* * * * * The twenty-first volume of Chalmers's English Poets contains Hoole's and Mickle's Translations. In the shape of a note to the Seventh Book of the Lusiad, Mickle has written a long "Inquiry into the Religious Tenets and Philosophy of the Bramins."
_Nov. 30. Tuesday._ Cambridge.—When looking over the dry and dusty volumes of the English poets, I cannot believe that those fresh and fair creations I had imagined are contained in them. English poetry from Gower down, collected into one alcove, and so from the library window compared with the commonest nature, seems very mean. Poetry cannot breathe in the scholar's atmosphere. The Aubreys and Hickeses, with all their learning, prophane it yet indirectly by their zeal. You need not envy his feelings who for the first time has cornered up poetry in an alcove. I can hardly be serious with myself when I remember that I have come to Cambridge after poetry; and while I am running over the catalogue and collating and selecting, I think if it would not be a shorter way to a complete volume to step at once into the field or wood, with a very low reverence to students and librarians. Milton did not foresee what company he was to fall into.[295] On running over the titles of these books, looking from time to time at their first pages or farther, I am oppressed by an inevitable sadness. One must have come into a library by an oriel window, as softly and undisturbed as the light which falls on the books through a stained window, and not by the librarian's door, else all his dreams will vanish. Can the Valhalla be warmed by steam and go by clock and bell?
Good poetry seems so simple and natural a thing that when we meet it we wonder that all men are not always poets. Poetry is nothing but healthy speech. Though the speech of the poet goes to the heart of things, yet he is that one especially who speaks civilly to Nature as a second person and in some sense is the patron of the world. Though more than any he stands in the midst of Nature, yet more than any he can stand aloof from her. The best lines, perhaps, only suggest to me that that man simply saw or heard or felt what seems the commonest fact in my experience.
One will know how to appreciate Chaucer best who has come down to him the natural way through the very meagre pastures of Saxon and ante-Chaucerian poetry. So human and wise he seems after such diet that we are as liable to misjudge him so as usually.[296] * * * * * The Saxon poetry extant seems of a more serious and philosophical cast than the very earliest that can be called English. It has more thought, but less music. It translates Boëthius, it paraphrases the Hebrew Bible, it solemnly sings of war, of life and death, and chronicles events.
The earliest English poetry is tinctured with romance through the influence of the Normans, as the Saxon was not. The ballad and metrical romance belong to this period. Those old singers were for the most part imitators or translators.[297] Or will it not appear, when viewed at a sufficient distance, that our brave new poets are also secondary as they, and refer the eye that reads them and their poetry, too, back and backward without end?
* * * * * Nothing is so attractive and unceasingly curious as character. There is no plant that needs such tender treatment, there is none that will endure so rough. It is the violet and the oak. It is the thing we mean, let us say what we will. We mean our own character, or we mean yours.
It is divine and related to the heavens, as the earth is by the flashes of the Aurora. It has no acquaintance nor companion. It goes silent and unobserved longer than any planet in space, but when at length it does show itself, it seems like the flowering of all the world, and its before unseen orbit is lit up like the trail of a meteor. I hear no good news ever but some trait of a noble character. It reproaches me plaintively. I am mean in contrast, but again am thrilled and elevated that I can see my own meanness, and again still, that my own aspiration is realized in that other. You reach me, my friend, not by your kind or wise words to me here or there; but as you retreat, perhaps after years of vain familiarity, some gesture or unconscious action in the distance speaks to me with more emphasis than all those years. I am not concerned to know what eighth planet is wandering in space up there, or when Venus or Orion rises, but if, in any cot to east or west and set behind the woods, there is any planetary character illuminating the earth.
Packed in my mind lie all the clothes Which outward nature wears, For, as its hourly fashions change, It all things else repairs.
My eyes look inward, not without, And I but hear myself, And this new wealth which I have got Is part of my own pelf.
For while I look for change abroad, I can no difference find, Till some new ray of peace uncalled Lumines my inmost mind, As, when the sun streams through the wood, Upon a winter's morn, Where'er his silent beams may stray The murky night is gone.
How could the patient pine have known The morning breeze would come, Or simple flowers anticipate The insect's noonday hum, Till that new light with morning cheer From far streamed through the aisles, And nimbly told the forest trees For many stretching miles?[298] _[Dec.] 12. Sunday._ All music is only a sweet striving to express character. Now that lately I have heard of some traits in the character of a fair and earnest maiden whom I had only known superficially, but who has gone hence to make herself more known by distance, they sound like strains of a wild harp music. They make all persons and places who had thus forgotten her to seem late and behindhand. Every maiden conceals a fairer flower and more luscious fruit than any calyx in the field, and if she go with averted face, confiding in her own purity and high resolves, she will make the heavens retrospective, and all nature will humbly confess its queen.[299] There is apology enough for all the deficiency and shortcoming in the world in the patient waiting of any bud of character to unfold itself.
Only character can command our reverent love. It is all mysteries in itself.
What is it gilds the trees and clouds And paints the heavens so gay, But yonder fast-abiding light With its unchanging ray?
I've felt within my inmost soul Such cheerful morning news, In the horizon of my mind I've seen such morning hues, As in the twilight of the dawn, When the first birds awake, Is heard within some silent wood Where they the small twigs break; Or in the eastern skies is seen Before the sun appears, Foretelling of the summer heats Which far away he bears.
P. M. Walden.—I seem to discern the very form of the wind when, blowing over the hills, it falls in broad flakes upon the surface of the pond, this subtle element obeying the same law with the least subtle. As it falls it spreads itself like a mass of lead dropped upon an anvil. I cannot help being encouraged by this blithe activity in the elements in these degenerate days of men. Who hears the rippling of the rivers will not utterly despair of anything. The wind in the wood yonder sounds like an incessant waterfall, the water dashing and roaring among rocks.
_[Dec.] 13. Monday._ We constantly anticipate repose. Yet it surely can only be the repose that is in entire and healthy activity. It must be a repose without rust. What is leisure but opportunity for more complete and entire action? Our energies pine for exercise. That time we spend in our duties is so much leisure, so that there is no man but has sufficient of it.
I make my own time, I make my own terms. I cannot see how God or Nature can ever get the start of me.
* * * * * This ancient Scotch poetry, at which its contemporaries so marvelled, sounds like the uncertain lisping of a child. When man's speech flows freest it but stutters and stammers. There is never a free and clear deliverance; but, read now when the illusion of smooth verse is destroyed by the antique spelling, the sense is seen to stammer and stumble all the plainer. To how few thoughts do all these sincere efforts give utterance! An hour's conversation with these men would have done more. I am astonished to find how meagre that diet is which has fed so many men. The music of sound, which is all-sufficient at first, is speedily lost, and then the fame of the poet must rest on the music of the sense. A great philosophical and moral poet would give permanence to the language by making the best sound convey the best sense.
_[Dec.] 14. Tuesday._ To hear the sunset described by the old Scotch poet Douglas, as I have seen it, repays me for many weary pages of antiquated Scotch. Nothing so restores and humanizes antiquity and makes it blithe as the discovery of some natural sympathy between it and the present. Why is it that there is something melancholy in antiquity? We forget that it had any other future than our present. As if it were not as near to _the_ future as ourselves! No, thank heavens, these ranks of men to right and left, posterity and ancestry, are not to be thridded by any earnest mortal. The heavens stood over the heads of our ancestors as near as to us. Any living word in their books abolishes the difference of time. It need only be considered from the present standpoint.
_[Dec.] 15. Wednesday._ A mild summer sun shines over forest and lake.
The earth looks as fair this morning as the Valhalla of the gods.
Indeed our spirits never go beyond nature. In the woods there is an inexpressible happiness. Their mirth is but just repressed. In winter, when there is but one green leaf for many rods, what warm content is in them! They are not rude, but tender, even in the severest cold. Their nakedness is their defense. All their sounds and sights are elixir to my spirit. They possess a divine health. God is not more well. Every sound is inspiriting and fraught with the same mysterious assurance, from the creaking of the boughs in January to the soft sough of the wind in July.
How much of my well-being, think you, depends on the condition of my lungs and stomach,—such cheap pieces of Nature as they, which, indeed, she is every day reproducing with prodigality. Is the arrow indeed fatal which rankles in the breast of the bird on the bough, in whose eye all this fair landscape is reflected, and whose voice still echoes through the wood?
The trees have come down to the bank to see the river go by. This old, familiar river is renewed each instant; only the channel is the same.[300] The water which so calmly reflects the fleeting clouds and the primeval trees I have never seen before. It may have washed some distant shore, or framed a glacier or iceberg at the north, when I last stood here. Seen through a mild atmosphere, the works of the husbandman, his plowing and reaping, have a beauty to the beholder which the laborer never sees.[301] I seem to see somewhat more of my own kith and kin in the lichens on the rocks than in any books. It does seem as if mine were a peculiarly wild nature, which so yearns toward all wildness. I know of no redeeming qualities in me but a sincere love for some things, and when I am reproved I have to fall back on to this ground.[302] This is my argument in reserve for all cases. My love is invulnerable. Meet me on that ground, and you will find me strong. When I am condemned, and condemn myself utterly, I think straightway, "But I rely on my love for some things." Therein I am whole and entire. Therein I am God-propped.
When I see the smoke curling up through the woods from some farmhouse invisible, it is more suggestive of the poetry of rural and domestic life than a nearer inspection can be. Up goes the smoke as quietly as the dew exhales in vapor from these pine leaves and oaks; as busy, disposing itself in circles and in wreaths, as the housewife on the hearth below. It is cotemporary with a piece of human biography, and waves as a feather in some _man's_ cap. Under that rod of sky there is some plot a-brewing, some ingenuity has planted itself, and we shall see what it will do. It tattles of more things than the boiling of the pot.
It is but one of man's breaths. All that is interesting in history or fiction is transpiring beneath that cloud. The subject of all life and death, of happiness and grief, goes thereunder.
When the traveller in the forest, attaining to some eminence, descries a column of smoke in the distance, it is a very gentle hint to him of the presence of man. It seems as if it would establish friendly relations between them without more ado.[303] _[Dec.] 18. Saturday._ Some men make their due impression upon their generation, because a petty occasion is enough to call forth all their energies; but are there not others who would rise to much higher levels, whom the world has never provoked to make the effort? I believe there are men now living who have never opened their mouths in a public assembly, in whom nevertheless there is such a well of eloquence that the appetite of any age could never exhaust it; who pine for an occasion worthy of them, and will pine till they are dead; who can admire, as well as the rest, at the flowing speech of the orator, but do yet miss the thunder and lightning and visible sympathy of the elements which would garnish their own utterance.
If in any strait I see a man fluttered and his ballast gone, then I lose all hope of him, he is undone; but if he reposes still, though he do nothing else worthy of him, if he is still a man in reserve, then is there everything to hope of him. The age may well go pine itself that it cannot put to use this gift of the gods. He lives on, still unconcerned, not needing to be used. The greatest occasion will be the slowest to come.
* * * * * Sometimes a particular body of men do unconsciously assert that their will is fate, that the right is decided by their fiat without appeal, and when this is the case they can never be mistaken; as when one man is quite silenced by the thrilling eloquence of another, and submits to be neglected as to his fate, because such is not the willful vote of the assembly, but their instinctive decision.
sprite to haunt his tomb. The ghost of a priest is no better than that of a highwayman. It is pleasant to hear of one who has blest whole regions after his death by having frequented them while alive, who has prophaned or tabooed no place by being buried in it.[304] It adds not a little to the fame of Little John that his grave was long "celebrous for the yielding of excellent whetstones."[305] A forest is in all mythologies a sacred place, as the oaks among the Druids and the grove of Egeria; and even in more familiar and common life a celebrated wood is spoken of with respect, as "Barnsdale Wood" and "Sherwood." Had Robin Hood no Sherwood to resort [to], it would be difficult to invest his story with the charms it has got. It is always the tale that is untold, the deeds done and the life lived in the unexplored secrecy of the wood, that charm us and make us children again,—to read his ballads, and hear of the greenwood tree.
_Dec. 24. Friday._ I want to go soon and live away by the pond, where I shall hear only the wind whispering among the reeds. It will be success if I shall have left myself behind. But my friends ask what I will do when I get there. Will it not be employment enough to watch the progress of the seasons?[306] _Dec. 25. Saturday._ It does seem as if Nature did for a long time gently overlook the prophanity of man. The wood still kindly echoes the strokes of the axe, and when the strokes are few and seldom, they add a new charm to a walk. All the elements strive to _naturalize_ the sound.[307] Such is our sympathy with the seasons that we experience the same degree of heat in the winter as in the summer.
It is not a true apology for any coarseness to say that it is natural.
The grim woods can afford to be very delicate and perfect in the details.
I don't want to feel as if my life were a sojourn any longer. That philosophy cannot be true which so paints it. It is time now that I begin to live.
_Dec. 26. Sunday._ He is the rich man and enjoys the fruits of riches, who, summer and winter forever, can find delight in the contemplation of his soul. I could look as unweariedly up to that cope as into the heavens of a summer day or a winter night. When I hear this bell ring, I am carried back to years and Sabbaths when I was newer and more innocent, I fear, than now, and it seems to me as if there were a world within a world. Sin, I am sure, is not in overt acts or, indeed, in acts of any kind, but is in proportion to the time which has come behind us and displaced eternity,—that degree to which our elements are mixed with the elements of the world. The whole duty of life is contained in the question how to respire and aspire both at once.
_Dec. 29. Wednesday._ One does not soon learn the trade of life. That one may work out a true life requires more art and delicate skill than any other work. There is need of the nice fingers of the girl as well as the tough hand of the farmer. The daily work is too often toughening the pericarp of the heart as well as the hand. Great familiarity with the world must be nicely managed, lest it win away and bereave us of some susceptibility. Experience bereaves us of our innocence; wisdom bereaves us of our ignorance. Let us walk in the world without learning its ways. Whole weeks or months of my summer life slide away in thin volumes like mist or smoke, till at length some warm morning, perchance, I see a sheet of mist blown down the brook to the swamp, its shadow flitting across the fields, which have caught a new significance from that accident; and as that vapor is raised above the earth, so shall the next weeks be elevated above the plane of the actual;[308] or when the setting sun slants across the pastures, and the cows low to my inward ear and only enhance the stillness, and the eve is as the dawn, a beginning hour and not a final one, as if it would never have done, with its clear western amber inciting men to lives of as limpid purity.
Then do other parts of my day's work shine than I had thought at noon, for I discover the real purport of my toil, as, when the husbandman has reached the end of the furrow and looks back, he can best tell where the pressed earth shines most.[309] * * * * * All true greatness runs as level a course, and is as unaspiring, as the plow in the furrow. It wears the homeliest dress and speaks the homeliest language. Its theme is gossamer and dew lines, johnswort and loosestrife, for it has never stirred from its repose and is most ignorant of foreign parts. Heaven is the inmost place. The good have not to travel far. What cheer may we not derive from the thought that our courses do not diverge, and we wend not asunder, but as the web of destiny is woven it [is] fulled, and we are cast more and more into the centre! And our fates even are social.[310] There is no wisdom which can take [the] place of humanity, and I find that in old Chaucer that love rings longest which rhymes best with some saw of Milton's or Edmunds's.
I wish I could be as still as God is. I can recall to my mind the stillest summer hour, in which the grasshopper sings over the mulleins, and there is a valor in that time the memory of which is armor that can laugh at any blow of fortune. A man should go out [of] nature with the chirp of the cricket or the trill of the veery ringing in his ear. These earthly sounds should only die away for a season, as the strains of the harp rise and swell. Death is that expressive pause in the music of the blast.[311] I would be as clean as ye, O woods. I shall not rest till I be as innocent as you. I know that I shall sooner or later attain to an unspotted innocence, for when I consider that state even now I am thrilled.
If we were wise enough, we should see to what virtue we were indebted for any happier moment we might have, nor doubt we had earned this at some time.
These motions everywhere in nature must surely [be] the circulations of God. The flowing sail, the running stream, the waving tree, the roving wind,—whence else their infinite health and freedom?[312] I can see nothing so proper and holy as unrelaxed play and frolic in this bower God has built for us. The suspicion of sin never comes to this thought.
Oh, if men felt this they would never build temples even of marble or diamond, but it would be sacrilege and prophane, but disport them forever in this paradise.
In the coldest day it melts somewhere.
It seems as if only one trait, one little incident in human biography, need to be said or written in some era, that all readers may go mad after it, and the man who did the miracle is made a demigod henceforth.
What we all do, not one can tell; and when some lucky speaker utters a truth of our experience and not of our speculation, we think he must have had the nine Muses and the three Graces to help him. I can at length stretch me when I come to Chaucer's breadth; and I think, "Well, I could be _that_ man's acquaintance,"[313] for he walked in that low and retired way that I do, and was not too good to live. I am grieved when they hint of any unmanly submissions he may have made, for that subtracts from his breadth and humanity.
_Dec. 30. Thursday._ I admire Chaucer for a sturdy English wit. The easy height he speaks from in his Prologue to the Canterbury Tales is as good as anything in it,—as if he were indeed better than any of the company there assembled.[314] The poet does not have to go out of himself and cease to tattle of his domestic affairs, to win our confidence, but is so broad that we see no limits to his sympathy.
Great delicacy and gentleness of character is constantly displayed in Chaucer's verse. The simplest and humblest words come readily to his lips. The natural innocence of the man appears in the simple and pure spirit in which "The Prioresses Tale" is conceived, in which the child sings _O alma redemptoris mater_, and in the account of the departure of Custance with her child upon the sea, in "The Man of Lawes Tale."[315] The whole story of Chanticleer and Dame Partlet in "The Nonnes Preestes Tale" is genuine humanity. I know nothing better in its kind. The poets seem to be only more frank and plain-spoken than other men. Their verse is but confessions. They always confide in the reader, and speak privily with him, keeping nothing back.[316] I know of no safe rule by which to judge of the purity of a former age but that I see that the impure of the present age are not apt to rise to noble sentiments when they speak or write, and suspect, therefore, that there may be more truth than is allowed in the apology that such was the manner of the age.[317] Within the circuit of this plodding life, There are moments of an azure hue And as unspotted fair as is the violet Or anemone, when the spring strews them By some south woodside; which make untrue The best philosophy which has so poor an aim But to console man for his grievance here.
I have remembered when the winter came, High in my chamber in the frosty nights, How in the summer past some Unrecorded beam slanted across Some upland pasture where the Johnswort grew, Or heard, amidst the verdure of my mind, the bee's long-smothered hum, So by the cheap economy of God made rich to go upon my wintry work again.
In the still, cheerful cold of winter nights, When, in the cold light of the moon, On every twig and rail and jutting spout The icy spears are doubling their length Against the glancing arrows of the sun, And the shrunk wheels creak along the way, Some summer accident long past Of lakelet gleaming in the July beams, Or hum of bee under the blue flag, Loitering in the meads, or busy rill which now stands dumb and still, its own memorial, purling at its play along the slopes, and through the meadows next, till that its sound was quenched in the staid current of its parent stream.
In memory is the more reality. I have seen how the furrows shone but late upturned, and where the fieldfare followed in the rear, when all the fields stood bound and hoar beneath a thick integument of snow.[318] * * * * * When the snow is falling thick and fast, the flakes nearest you seem to be driving straight to the ground, while the more distant seem to float in the air in a quivering bank, like feathers, or like birds at play, and not as if sent on any errand. So, at a little distance, all the works of Nature proceed with sport and frolic. They are more in the eye and less in the deed.
_Dec. 31. Friday._ Books of natural history make the most cheerful winter reading. I read in Audubon with a thrill of delight, when the snow covers the ground, of the magnolia, and the Florida keys, and their warm sea breezes; of the fence-rail, and the cotton-tree, and the migrations of the rice-bird; or of the breaking up of winter in Labrador. I seem to hear the melting of the snow on the forks of the Missouri as I read. I imbibe some portion of health from these reminiscences of luxuriant nature.
There is a singular health for me in those words Labrador and East Main which no desponding creed recognizes. How much more than federal are these States! If there were no other vicissitudes but the seasons, with their attendant and consequent changes, our interest would never flag. Much more is a-doing than Congress wots of in the winter season.
What journal do the persimmon and buckeye keep, or the sharp-shinned hawk? What is transpiring from summer to winter in the Carolinas, and the Great Pine Forest, and the Valley of the Mohawk? The merely political aspect of the land is never very cheering. Men are degraded when considered as the members of a political organization. As a nation the people never utter one great and healthy word. From this side all nations present only the symptoms of disease. I see but Bunker's Hill and Sing Sing, the District of Columbia and Sullivan's Island, with a few avenues connecting them. But paltry are all these beside one blast of the east or south wind which blows over them all.
In society you will not find health, but in nature. You must converse much with the field and woods, if you would imbibe such health into your mind and spirit as you covet for your body. Society is always diseased, and the best is the sickest. There is no scent in it so wholesome as that of the pines, nor any fragrance so penetrating and restorative as that of everlasting in high pastures. Without that our feet at least stood in the midst of nature, all our faces would be pale and livid.
I should like to keep some book of natural history always by me as a sort of elixir, the reading of which would restore the tone of my system and secure me true and cheerful views of life. For to the sick, nature is sick, but to the well, a fountain of health. To the soul that contemplates some trait of natural beauty no harm nor disappointment can come. The doctrines of despair, of spiritual or political servitude, no priestcraft nor tyranny, was ever [_sic_] taught by such as drank in the harmony of nature.[319] VI 1842 (ÆT. 24-25) _Jan. 1._ Virtue is the deed of the bravest. It is that art which demands the greatest confidence and fearlessness. Only some hardy soul ventures upon it. Virtue is a bravery so hardy that it deals in what it has no experience in. The virtuous soul possesses a fortitude and hardihood which not the grenadier nor pioneer can match. It never shrunk. It goes singing to its work. Effort is its relaxation. The rude pioneer work of this world has been done by the most devoted worshippers of beauty.[320] Their resolution has possessed a keener edge than the soldier's. In winter is their campaign; they never go into quarters.
They are elastic under the heaviest burden, under the extremest physical suffering.
Methinks good courage will not flag here on the Atlantic border as long as we are outflanked by the _Fur Countries_. There is enough in that sound to cheer one under any circumstances. The spruce, the hemlock, and the pine will not countenance despair. Methinks some creeds in vestries and churches do forget the hunter wrapped in furs by the Great Slave Lake, or how the Esquimaux sledges are drawn by dogs, and in the twilight of the northern night the hunter does not give over to follow the seal and walrus over the ice. These men are sick and of diseased imaginations who would toll the world's knell so soon.
Cannot these sedentary sects do better than prepare the shrouds and write the epitaphs of those other busy living men? The practical faith of men belies the preacher's consolation. This is the creed of the hypochondriac.[321] There is no infidelity so great as that which prays, and keeps the Sabbath, and founds churches. The sealer of the South Pacific preaches a truer doctrine. The church is the hospital for men's souls, but the reflection that he may one day occupy a ward in it should not discourage the cheerful labors of the able-bodied man. Let him remember the sick in their extremities, but not look thither as to his goal.[322] _Jan. 2. Sunday._ The ringing of the church bell is a much more melodious sound than any that is heard within the church. All great values are thus public, and undulate like sound through the atmosphere.
Wealth cannot purchase any great private solace or convenience. Riches are only the means of sociality. I will depend on the extravagance of my neighbors for my luxuries, for they will take care to pamper me if I will be overfed. The poor man who sacrificed nothing for the gratification seems to derive a safer and more natural enjoyment from his neighbor's extravagance than he does himself. It is a new natural product, from the contemplation of which he derives new vigor and solace as from a natural phenomenon.
In moments of quiet and leisure my thoughts are more apt to revert to some natural than any human relation.
Chaucer's sincere sorrow in his latter days for the grossness of his earlier works, and that he "cannot recall and annul" what he had "written of the base and filthy love of men towards women; but alas they are now continued from man to man," says he, "and I cannot do what I desire," is all very creditable to his character.
Chaucer is the make-weight of his century,—a worthy representative of England while Petrarch and Boccaccio lived in Italy, and Tell and Tamerlane in Switzerland and Asia, and Bruce and Rienzi in Europe, and Wickliffe and Gower in his own land. Edward III and John of Gaunt and the Black Prince complete the company. The fame of Roger Bacon came down from the preceding century, and Dante, though just departed, still exerted the influence of a living presence.[323] With all his grossness he is not undistinguished for the tenderness and delicacy of his muse. A simple pathos and feminine gentleness is peculiar to him which not even Wordsworth can match.[324] And then his best passages of length are marked by a happy and healthy wit which is rather rare in the poetry of any nation. On the whole, he impresses me as greater than his reputation, and not a little like Homer and Shakespeare, for he would have held up his head in their company. Among