SigPhi · William James

The Principles of Psychology, Volume 1 (of 2)

Page 15 of 47

of which, moreover, it knows nothing, it is plain that the object is a long way off. All talk of pictures, impressions, etc., ceases because of the lack of all the conditions to give such figures any meaning. It is not even clear that we shall ever find our way out of the darkness into the world of light and reality again. We begin with complete trust in physics and the senses, and are forthwith led away from the object into a nervous labyrinth, where the object is entirely displaced by a set of nervous changes which are totally unlike anything but themselves. Finally, we land in the dark chamber of the skull. The object has gone completely, and knowledge has not yet appeared. Nervous signs are the raw material of all knowledge of the outer world according to the most decided realism. But in order to pass beyond these signs into a knowledge of the outer world, we must posit an interpreter who shall read back these signs into their objective meaning. But that interpreter, again, must implicitly contain the meaning of the universe within itself; and these signs are really but excitations which cause the soul to unfold what is within itself. Inasmuch as by common consent the soul communicates with the outer world only through these signs, and never comes nearer to the object than such signs can bring it, it follows that the principles of interpretation must be in the mind itself, and that the resulting construction is primarily only an expression of the mind's own nature.

All reaction is of this sort; it expresses the nature of the reacting agent, and knowledge comes under the same head, this fact makes it necessary for us either to admit a pre-established harmony between the laws and nature of thought and the laws and nature of things, or else to allow that the objects of perception, the universe as it appears, are purely phenomenal, being but the way in which the mind reacts against the ground of its sensations."[213] The dualism of Object and Subject and their pre-established harmony are what the psychologist as such must assume, whatever ulterior monistic philosophy he may, as an individual who has the right also to be a metaphysician, have in reserve. I hope that this general point is now made clear, so that we may leave it, and descend to some distinctions of detail.

* * * * * _There are two kinds of knowledge_ broadly and practically distinguishable: we may call them respectively _knowledge of acquaintance_ and _knowledge-about_. Most languages express the distinction; thus, _γνῶναι, εὶδέναι; noscere, scire; kennen, wissen; connaître, savoir_.[214] I am acquainted with many people and things, which I know very little about, except their presence in the places where I have met them. I know the color blue when I see it, and the flavor of a pear when I taste it; I know an inch when I move my finger through it; a second of time, when I feel it pass; an effort of attention when I make it; a difference between two things when I notice it; but _about_ the inner nature of these facts or what makes them what they are, I can say nothing at all. I cannot impart acquaintance with them to any one who has not already made it himself. I cannot _describe_ them, make a blind man guess what blue is like, define to a child a syllogism, or tell a philosopher in just what respect distance is just what it is, and differs from other forms of relation. At most, I can say to my friends, Go to certain places and act in certain ways, and these objects will probably come. All the elementary natures of the world, its highest genera, the simple qualities of matter and mind, together with the kinds of relation that subsist between them, must either not be known at all, or known in this dumb way of acquaintance without _knowledge-about_. In minds able to speak at all there is, it is true, _some_ knowledge about everything. Things can at least be classed, and the times of their appearance told. But in general, the less we analyze a thing, and the fewer of its relations we perceive, the less we know about it and the more our familiarity with it is of the acquaintance-type. The two kinds of knowledge are, therefore, as the human mind practically exerts them, relative terms. That is, the same thought of a thing may be called knowledge-about it in comparison with a simpler thought, or acquaintance with it in comparison with a thought of it that is more articulate and explicit still.

The grammatical sentence expresses this. Its 'subject' stands for an object of acquaintance which, by the addition of the predicate, is to get something known about it. We may already know a good deal, when we hear the subject named--its name may have rich connotations. But, know we much or little then, we know more still when the sentence is done. We can relapse at will into a mere condition of acquaintance with an object by scattering our attention and staring at it in a vacuous trance-like way. We can ascend to knowledge _about_ it by rallying our wits and proceeding to notice and analyze and think. What we are only acquainted with is only _present_ to our minds; we _have_ it, or the idea of it. But when we know about it, we do more than merely have it; we seem, as we think over its relations, to subject it to a sort of _treatment_ and to _operate_ upon it with our thought. The words _feeling_ and _thought_ give voice to the antithesis. Through feelings we become acquainted with things, but only by our thoughts do we know about them. Feelings are the germ and starting point of cognition, thoughts the developed tree. The minimum of grammatical subject, of objective presence, of reality known about, the mere beginning of knowledge, must be named by the word that says the least. Such a word is the interjection, as _lo! there! ecco! voilà!_ or the article or demonstrative pronoun introducing the sentence, as _the, it, that_. In Chapter XII we shall see a little deeper into what this distinction, between the mere mental having or feeling of an object and the thinking of it, portends.

The mental states usually distinguished as feelings are the _emotions_, and the _sensations_ we get from skin, muscle, viscus, eye, ear, nose, and palate. The 'thoughts,' as recognized in popular parlance, are the _conceptions_ and _judgments_. When we treat of these mental states in particular we shall have to say a word about the cognitive function and value of each. It may perhaps be well to notice now that our senses only give us acquaintance with facts of body, and that of the mental states of other persons we only have conceptual knowledge. Of our own past states of mind we take cognizance in a peculiar way. They are 'objects of memory,' and appear to us endowed with a sort of warmth and intimacy that makes the perception of them seem more like a process of sensation than like a thought.

FOOTNOTES: [198] Messrs. Payton Spence (Journal of Spec. Phil., x, 338, xiv, 286) and M. M. Garver (Amer. Jour. of Science, 3d series, xx, 189) argue, the one from speculative, the other from experimental grounds, that, the physical condition of consciousness being neural vibration, the consciousness must itself be incessantly interrupted by unconsciousness--about fifty times a second, according to Garver.

[199] That the appearance of mental activity here is real can be proved by suggesting to the 'hypnotized' somnambulist that he shall remember when he awakes. He will then often do so.

[200] For more details, cf. Malebranche, Rech. de la Verité, bk.

iii, chap. i; J. Locke, Essay conc. H. U., book iii, ch. i; C. Wolf, Psychol. rationalis, § 59; Sir W. Hamilton, Lectures on Metaph., lecture xvii; J. Bascom, Science of Mind, § 12; Th. Jouffroy, Mélanges Philos., 'du Sommeil'; H. Holland, Chapters on Mental Physiol., p. 80; B. Brodie, Psychol. Researches, p. 147; E. M. Chesley, Journ. of Spec.

Phil., vol. xi, p. 72; Th. Ribot, Maladies de la Personnalité, pp.

[202] See his articles in the Chicago Open Court, for July, August and November, 1889. Also in the Revue Philosophique for 1889 and '90.

[203] This whole phenomenon shows how an idea which remains itself below the threshold of a certain conscious self may occasion associative effects therein. The skin-sensations unfelt by the patient's primary consciousness awaken nevertheless their usual visual associates therein.

[204] See Proceedings of American Soc. for Psych. Research, vol. i, p.

548.

[205] Proceedings of the (London) Soc. for Psych. Research, May, 1887, p. 268 ff.

[206] M. Janet designates by numbers the different personalities which the subject may display.

[207] How to conceive of this state of mind is not easy. It would be much simpler to understand the process, if adding new strokes made the first one visible. There would then be two different objects apperceived as totals,--paper with one stroke, paper with many strokes; and, blind to the former, he would see all that was in the latter, because he would have apperceived it as a different total in the first instance.

A process of this sort occurs sometimes (not always) when the new strokes, instead of being mere repetitions of the original one, are lines which combine with it into a total object, say a human face. The subject of the trance then may regain his sight of the line to which he had previously been blind, by seeing it as part of the face.

[208] Perception of Space and Matter, 1879, part ii, chap. 3.

[209] For a very good condensed history of the various opinions, see W. Volkmann von Volkmar, Lehrbuch d. Psychologie, § 16, Anm. Complete references to Sir W. Hamilton are given in J. E. Walter, Perception of Space and Matter, pp. 65-6.

[210] Most contemporary writers ignore the question of the soul's seat. Lotze is the only one who seems to have been much concerned about it, and his views have varied. Cf. Medicinische Psychol., § 10.

Microcosmus, bk. iii, ch. 2. Metaphysic, bk. iii, ch. 5. Outlines of Psychol., part ii, ch. 3. See also G. T. Fechner, Psychophysik, chap.

xxxvii.

[211] I purposely ignore 'clairvoyance' and action upon distant things by 'mediums,' as not yet matters of common consent.

[212] I disregard _consequences_ which may later come to the thing from the fact that it is known. The knowing _per se_ in no wise affects the thing.

[213] B. P. Bowne: Metaphysics, pp. 407-10. Cf. also Lotze: Logik, §§ 308, 326-7.

[214] Cf. John Grote: Exploratio Philosophica, p. 60; H. Helmholtz, Popular Scientific Lectures, London, p. 308-9.

CHAPTER IX.[215] THE STREAM OF THOUGHT.

We now begin our study of the mind from within. Most books start with sensations, as the simplest mental facts, and proceed synthetically, constructing each higher stage from those below it. But this is abandoning the empirical method of investigation. No one ever had a simple sensation by itself. Consciousness, from our natal day, is of a teeming multiplicity of objects and relations, and what we call simple sensations are results of discriminative attention, pushed often to a very high degree. It is astonishing what havoc is wrought in psychology by admitting at the outset apparently innocent suppositions, that nevertheless contain a flaw. The bad consequences develop themselves later on, and are irremediable, being woven through the whole texture of the work. The notion that sensations, being the simplest things, are the first things to take up in psychology is one of these suppositions.

The only thing which psychology has a right to postulate at the outset is the fact of thinking itself, and that must first be taken up and analyzed. If sensations then prove to be amongst the elements of the thinking, we shall be no worse off as respects them than if we had taken them for granted at the start.

_The first fact for us, then, as psychologists, is that thinking of some sort goes on._ I use the word thinking, in accordance with what was said on p. 186, for every form of consciousness indiscriminately.

If we could say in English 'it thinks,' as we say 'it rains 'or 'it blows,' we should be stating the fact most simply and with the minimum of assumption. As we cannot, we must simply say that _thought goes on_.

FIVE CHARACTERS IN THOUGHT.

How does it go on? We notice immediately five important characters in the process, of which it shall be the duty of the present chapter to treat in a general way: 1) Every thought tends to be part of a personal consciousness.

2) Within each personal consciousness thought is always changing.

3) Within each personal consciousness thought is sensibly continuous.

4) It always appears to deal with objects independent of itself.

5) It is interested in some parts of these objects to the exclusion of others, and welcomes or rejects--_chooses_ from among them, in a word--all the while.

In considering these five points successively, we shall have to plunge _in medias res_ as regards our vocabulary, and use psychological terms which can only be adequately defined in later chapters of the book.

But every one knows what the terms mean in a rough way; and it is only in a rough way that we are now to take them. This chapter is like a painter's first charcoal sketch upon his canvas, in which no niceties appear.

1) _Thought tends to Personal Form._ When I say _every thought is part of a personal consciousness_, 'personal consciousness' is one of the terms in question. Its meaning we know so long as no one asks us to define it, but to give an accurate account of it is the most difficult of philosophic tasks. This task we must confront in the next chapter; here a preliminary word will suffice.

In this room--this lecture-room, say--there are a multitude of thoughts, yours and mine, some of which cohere mutually, and some not.

They are as little each-for-itself and reciprocally independent as they are all-belonging-together. They are neither: no one of them is separate, but each belongs with certain others and with none beside.

My thought belongs with my other thoughts, and your thought with your other thoughts. Whether anywhere in the room there be a mere thought, which is nobody's thought, we have no means of ascertaining, for we have no experience of its like. The only states of consciousness that we naturally deal with are found in personal consciousnesses, minds, selves, concrete particular I's and you's.

Each of these minds keeps its own thoughts to itself. There is no giving or bartering between them. No thought even comes into direct _sight_ of a thought in another personal consciousness than its own.

Absolute insulation, irreducible pluralism, is the law. It seems as if the elementary psychic fact were not _thought_ or _this thought_ or _that thought_, but _my thought_, every thought being _owned_. Neither contemporaneity, nor proximity in space, nor similarity of quality and content are able to fuse thoughts together which are sundered by this barrier of belonging to different personal minds. The breaches between such thoughts are the most absolute breaches in nature. Everyone will recognize this to be true, so long as the existence of _something_ corresponding to the term 'personal mind' is all that is insisted on, without any particular view of its nature being implied. On these terms the personal self rather than the thought might be treated as the immediate datum in psychology. The universal conscious fact is not 'feelings and thoughts exist,' but 'I think' and 'I feel.'[216] No psychology, at any rate, can question the _existence_ of personal selves. The worst a psychology can do is so to interpret the nature of these selves as to rob them of their worth. A French writer, speaking of our ideas, says somewhere in a fit of anti-spiritualistic excitement that, misled by certain peculiarities which they display, we 'end by personifying' the procession which they make,--such personification being regarded by him as a great philosophic blunder on our part. It could only be a blunder if the notion of personality meant something essentially different from anything to be found in the mental procession. But if that procession be itself the very 'original' of the notion of personality, to personify it cannot possibly be wrong. It is already personified. There are no marks of personality to be gathered _aliunde_, and then found lacking in the train of thought. It has them all already; so that to whatever farther analysis we may subject that form of personal selfhood under which thoughts appear, it is, and must remain, true that the thoughts which psychology studies do continually tend to appear as parts of personal selves.

I say 'tend to appear' rather than 'appear,' on account of those facts of sub-conscious personality, automatic writing, etc., of which we studied a few in the last chapter. The buried feelings and thoughts proved now to exist in hysterical anæsthetics, in recipients of post-hypnotic suggestion, etc., themselves are parts of _secondary personal selves_. These selves are for the most part very stupid and contracted, and are cut off at ordinary times from communication with the regular and normal self of the individual; but still they form conscious unities, have continuous memories, speak, write, invent distinct names for themselves, or adopt names that are suggested; and, in short, are entirely worthy of that title of secondary personalities which is now commonly given them. According to M. Janet these secondary personalities are always abnormal, and result from the splitting of what ought to be a single complete self into two parts, of which one lurks in the background whilst the other appears on the surface as the only self the man or woman has. For our present purpose it is unimportant whether this account of the origin of secondary selves is applicable to all possible cases of them or not, for it certainly is true of a large number of them. Now although the _size_ of a secondary self thus formed will depend on the number of thoughts that are thus split-off from the main consciousness, the _form_ of it tends to personality, and the later thoughts pertaining to it remember the earlier ones and adopt them as their own. M. Janet caught the actual moment of inspissation (so to speak) of one of these secondary personalities in his anæsthetic somnambulist Lucie. He found that when this young woman's attention was absorbed in conversation with a third party, her anæsthetic hand would write simple answers to questions whispered to her by himself. "Do you hear?" he asked. "_No,_" was the unconsciously written reply. "But to answer you must hear." "_Yes, quite so._" "Then how do you manage?" "_I don't know._" "There must be some one who hears me." "_Yes._" "Who?" "_Someone other than Lucie._" "Ah! another person. Shall we give her a name?" "_No._" "Yes, it will be more convenient." "_Well, Adrienne, then._" "Once baptized, the subconscious personage," M. Janet continues, "grows more definitely outlined and displays better her psychological characters. In particular she shows us that she is conscious of the feelings excluded from the consciousness of the primary or normal personage. She it is who tells us that I am pinching the arm or touching the little finger in which Lucie for so long has had no tactile sensations."[217] In other cases the adoption of the name by the secondary self is more spontaneous. I have seen a number of incipient automatic writers and mediums as yet imperfectly 'developed,' who immediately and of their own accord write and speak in the name of departed spirits.

These may be public characters, as Mozart, Faraday, or real persons formerly known to the subject, or altogether imaginary beings.

Without prejudicing the question of real 'spirit-control' in the more developed sorts of trance-utterance, I incline to think that these (often deplorably unintelligent) rudimentary utterances are the work of an inferior fraction of the subject's own natural mind, set free from control by the rest, and working after a set pattern fixed by the prejudices of the social environment. In a spiritualistic community we get optimistic messages, whilst in an ignorant Catholic village the secondary personage calls itself by the name of a demon, and proffers blasphemies and obscenities, instead of telling us how happy it is in the summer-land.[218] Beneath these tracts of thought, which, however rudimentary, are still organized selves with a memory, habits, and sense of their own identity, M. Janet thinks that the facts of catalepsy in hysteric patients drive us to suppose that there are thoughts quite unorganized and impersonal. A patient in cataleptic trance (which can be produced artificially in certain hypnotized subjects) is without memory on waking, and seems insensible and unconscious as long as the cataleptic condition lasts. If, however, one raises the arm of such a subject it stays in that position, and the whole body can thus be moulded like wax under the hands of the operator, retaining for a considerable time whatever attitude he communicates to it. In hysterics whose arm, for example, is anæsthetic, the same thing may happen. The anæsthetic arm may remain passively in positions which it is made to assume; or if the hand be taken and made to hold a pencil and trace a certain letter, it will continue tracing that letter indefinitely on the paper. These acts, until recently, were supposed to be accompanied by no consciousness at all: they were physiological reflexes. M. Janet considers with much more plausibility that feeling escorts them.

The feeling is probably merely that of the position or movement of the limb, and it produces no more than its natural effects when it discharges into the motor centres which keep the position maintained, or the movement incessantly renewed.[219] Such thoughts as these, says M. Janet, "are known by _no one_, for disaggregated sensations reduced to a state of mental dust are not synthetized in any personality."[220] He admits, however, that these very same unutterably stupid thoughts tend to develop memory,--the cataleptic ere long moves her arm at a bare hint; so that they form no important exception to the law that all thought tends to assume the form of personal consciousness.

2) _Thought is in Constant Change._ I do not mean necessarily that no one state of mind has any duration--even if true, that would be hard to establish. The change which I have more particularly in view is that which takes place in sensible intervals of time; and the result on which I wish to lay stress is this, that _no state once gone can recur and be identical with what it was before_. Let us begin with Mr. Shadworth Hodgson's description: "I go straight to the facts, without saying I go to perception, or sensation, or thought, or any special mode at all. What I find when I look at my consciousness at all is that what I cannot divest myself of, or not have in consciousness, if I have any consciousness at all, is a sequence of different feelings. I may shut my eyes and keep perfectly still, and try not to contribute anything of my own will; but whether I think or do not think, whether I perceive external things or not, I always have a succession of different feelings.

Anything else that I may have also, of a more special character, comes in as parts of this succession, Not to have the succession of different feelings is not to be conscious at all...The chain of consciousness is a sequence of _differents_."[221] Such a description as this can awaken no possible protest from any one. We all recognize as different great classes of our conscious states. Now we are seeing, now hearing; now reasoning, now willing; now recollecting, now expecting; now loving, now hating; and in a hundred other ways we know our minds to be alternately engaged. But all these are complex states. The aim of science is always to reduce complexity to simplicity; and in psychological science we have the celebrated 'theory of _ideas_' which, admitting the great difference among each other of what may be called concrete conditions of mind, seeks to show how this is all the resultant effect of variations in the _combination_ of certain simple elements of consciousness that always remain the same. These mental atoms or molecules are what Locke called 'simple ideas.' Some of Locke's successors made out that the only simple ideas were the sensations strictly so called. Which ideas the simple ones may be does not, however, now concern us. It is enough that certain philosophers have thought they could see under the dissolving-view-appearance of the mind elementary facts of _any_ sort that remained unchanged amid the flow.

And the view of these philosophers has been called little into question, for our common experience seems at first sight to corroborate it entirely. Are not the sensations we get from the same object, for example, always the same? Does not the same piano-key, struck with the same force, make us hear in the same way? Does not the same grass give us the same feeling of green, the same sky the same feeling of blue, and do we not get the same olfactory sensation no matter how many times we put our nose to the same flask of cologne? It seems a piece of metaphysical sophistry to suggest that we do not; and yet a close attention to the matter shows that _there is no proof that the same bodily sensation is ever got by us twice_.

_What is got twice is the same_ OBJECT. We hear the same _note_ over and over again; we see the same _quality_ of green, or smell the same objective perfume, or experience the same _species_ of pain. The realities, concrete and abstract, physical and ideal, whose permanent existence we believe in, seem to be constantly coming up again before our thought, and lead us, in our carelessness, to suppose that our 'ideas' of them are the same ideas. When we come, some time later, to the chapter on Perception, we shall see how inveterate is our habit of not attending to sensations as subjective facts, but of simply using them as stepping-stones to pass over to the recognition of the realities whose presence they reveal. The grass out of the window now looks to me of the same green in the sun as in the shade, and yet a painter would have to paint one part of it dark brown, another part bright yellow, to give its real, sensational effect. We take no heed, as a rule, of the different way in which the same things look and sound and smell at different distances and under different circumstances. The sameness of the _things_ is what we are concerned to ascertain; and any sensations that assure us of that will probably be considered in a rough way to be the same with each other. This is what makes off-hand testimony about the subjective identity of different sensations well-nigh worthless as a proof of the fact. The entire history of Sensation is a commentary on our inability to tell whether two sensations received apart are exactly alike. What appeals to our attention far more than the absolute quality or quantity of a given sensation is its _ratio_ to whatever other sensations we may have at the same time. When everything is dark a somewhat less dark sensation makes us see an object white. Helmholtz calculates that the white marble painted in a picture representing an architectural view by moonlight is, when seen by daylight, from ten to twenty thousand times brighter than the real moonlit marble would be.[222] Such a difference as this could never have been _sensibly_ learned; it had to be inferred from a series of indirect considerations. There are facts which make us believe that our sensibility is altering all the time, so that the same object cannot easily give us the same sensation over again. The eye's sensibility to light is at its maximum when the eye is first exposed, and blunts itself with surprising rapidity.

A long night's sleep will make it see things twice as brightly on wakening, as simple rest by closure will make it see them later in the day.[223] We feel things differently according as we are sleepy or awake, hungry or full, fresh or tired; differently at night and in the morning, differently in summer and in winter, and above all things differently in childhood, manhood, and old age. Yet we never doubt that our feelings reveal the same world, with the same sensible qualities and the same sensible things occupying it. The difference of the sensibility is shown best by the difference of our emotion about the things from one age to another, or when we are in different organic moods. What was bright and exciting becomes weary, flat, and unprofitable. The bird's song is tedious, the breeze is mournful, the sky is sad.

To these indirect presumptions that our sensations, following the mutations of our capacity for feeling, are always undergoing an essential change, must be added another presumption, based on what must happen in the brain. Every sensation corresponds to some cerebral action. For an identical sensation to recur it would have to occur the second time _in an unmodified brain_. But as this, strictly speaking, is a physiological impossibility, so is an unmodified feeling an impossibility; for to every brain-modification, however small, must correspond a change of equal amount in the feeling which the brain subserves.

All this would be true if even sensations came to us pure and single and not combined into 'things.' Even then we should have to confess that, however we might in ordinary conversation speak of getting the same sensation again, we never in strict theoretic accuracy could do so; and that whatever was true of the river of life, of the river of elementary feeling, it would certainly be true to say, like Heraclitus, that we never descend twice into the same stream.

But if the assumption of 'simple ideas of sensation' recurring in immutable shape is so easily shown to be baseless, how much more baseless is the assumption of immutability in the larger masses of our thought!

For there it is obvious and palpable that our state of mind is never precisely the same. Every thought we have of a given fact is, strictly speaking, unique, and only bears a resemblance of kind with our other thoughts of the same fact. When the identical fact recurs, we _must_ think of it in a fresh manner, see it under a somewhat different angle, apprehend it in different relations from those in which it last appeared. And the thought by which we cognize it is the thought of it-in-those-relations, a thought suffused with the consciousness of all that dim context. Often we are ourselves struck at the strange differences in our successive views of the same thing. We wonder how we ever could have opined as we did last month about a certain matter.

We have outgrown the possibility of that state of mind, we know not how. From one year to another we see things in new lights. What was unreal has grown real, and what was exciting is insipid. The friends we used to care the world for are shrunken to shadows; the women, once so divine, the stars, the woods, and the waters, how now so dull and common! the young girls that brought an aura of infinity, at present hardly distinguishable existences; pictures so empty; and as for the books, what _was_ there to find so mysteriously significant in Goethe, or in John Mill so full of weight? Instead of all this, more zestful than ever is the work, the work; and fuller and deeper the import of common duties and of common goods.

But what here strikes us so forcibly on the flagrant scale exists on every scale, down to the imperceptible transition from one hour's outlook to that of the next. Experience is remoulding us every moment, and our mental reaction on every given thing is really a resultant of our experience of the whole world up to that date. The analogies of brain-physiology must again be appealed to to corroborate our view.

Our earlier chapters have taught us to believe that, whilst we think, our brain changes, and that, like the aurora borealis, its whole internal equilibrium shifts with every pulse of change. The precise nature of the shifting at a given moment is a product of many factors.

The accidental state of local nutrition or blood-supply may be among them. But just as one of them certainly is the influence of outward objects on the sense-organs during the moment, so is another certainly the very special susceptibility in which the organ has been left at that moment by all it has gone through in the past. Every brain-state is partly determined by the nature of this entire past succession.

Alter the latter in any part, and the brain-state must be somewhat different. Each present brain-state is a record in which the eye of Omniscience might read all the foregone history of its owner. It is out of the question, then, that any total brain-state should identically recur. Something like it may recur; but to suppose _it_ to recur would be equivalent to the absurd admission that all the states that had intervened between its two appearances had been pure nonentities, and that the organ after their passage was exactly as it was before. And (to consider shorter periods) just as, in the senses, an impression feels very differently according to what has preceded it; as one color succeeding another is modified by the contrast, silence sounds delicious after noise, and a note, when the scale is sung up, sounds unlike itself when the scale is sung down; as the presence of certain lines in a figure changes the apparent form of the other lines, and as in music the whole æsthetic effect comes from the manner in which one set of sounds alters our feeling of another; so, in thought, we must admit that those portions of the brain that have just been maximally excited retain a kind of soreness which is a condition of our present consciousness, a codeterminant of how and what we now shall feel.[224] Ever some tracts are waning in tension, some waxing, whilst others actively discharge. The states of tension have as positive an influence as any in determining the total condition, and in deciding what the _psychosis_ shall be. All we know of submaximal nerve-irritations, and of the summation of apparently ineffective stimuli, tends to show that _no_ changes in the brain are physiologically ineffective, and that presumably none are bare of psychological result. But as the brain-tension shifts from one relative state of equilibrium to another, like the gyrations of a kaleidoscope, now rapid and now slow, is it likely that its faithful psychic concomitant is heavier-footed than itself, and that it cannot match each one of the organ's irradiations by a shifting inward iridescence of its own? But if it can do this, its inward iridescences must be infinite, for the brain-redistributions are in infinite variety. If so coarse a thing as a telephone-plate can be made to thrill for years and never reduplicate its inward condition, how much more must this be the case with the infinitely delicate brain?

I am sure that this concrete and total manner of regarding the mind's