الأبانيشاد
- اللغة:
- الإنجليزية
- الحالة:
- مختارات أو عمل جزئي
- التأليف:
- مجهول المؤلف أو مركَّب
- حالة النص:
- نص سليم
- الحجم:
- ~19,400 كلمة · 92 مقطعًا
استشهد بهذا العمل
- APAالأوبانيشاد. (n.d.). الأبانيشاد. SigPhi. https://sigphiai.com/ar/works/upanishads/the-upanishads
- MLAالأوبانيشاد. "الأبانيشاد." SigPhi, https://sigphiai.com/ar/works/upanishads/the-upanishads.
- Chicagoالأوبانيشاد. الأبانيشاد. SigPhi. https://sigphiai.com/ar/works/upanishads/the-upanishads.
عمّ يتحدث
«الأوبانيشاد».
السياق والتاريخ
نهاية الﭬيدا وبداية الفلسفة الهندية: حوارات وقصائد من بين القرنين الثامن والثالث قبل الميلاد، تنتقل من الطقس إلى سؤال ما الذي وراء كل شيء. ومن هنا يأتي «براهمان» و«آتمان» و«أنت ذاك». وقال شوبنهاور إنها كانت عزاء حياته وستكون عزاء موته.
سياق تحريري، لا مصدر قابل للاقتباس: بخلاف مقاطع العمل نفسه، لا يمكن التحقق من هذه المعلومات في المدونة.
This volume is reverently dedicated to all seekers of truth and lovers of wisdom Preface The translator's idea of rendering the Upanishads into clear simple English, accessible to Occidental readers, had its origin in a visit paid to a Boston friend in 1909. The gentleman, then battling with a fatal malady, took from his library shelf a translation of the Upanishads and, opening it, expressed deep regret that the obscure and unfamiliar form shut from him what he felt to be profound and vital teaching. The desire to unlock the closed doors of this ancient treasure house, awakened at that time, led to a series of classes on the Upanishads at The Vedanta Centre of Boston during its early days in St. Botolph Street. The translation and commentary then given were transcribed and, after studious revision, were published in the Centre's monthly magazine, "The Message of the East," in 1913 and 1914.. Still further revision has brought it to its present form. So far as was consistent with a faithful rendering of the Sanskrit text, the Swami throughout his translation has sought to eliminate all that might seem obscure and confusing to the modern mind. While retaining in remarkable measure the rhythm and archaic force of the lines, he has tried not to sacrifice directness and simplicity of style. Where he has been obliged to use the Sanskrit term for lack of an exact English equivalent, he has invariably interpreted it by a familiar English word in brackets; and everything has been done to remove the sense of strangeness in order that the Occidental reader may not feel himself an alien in the new regions of thought opened to him. Even more has the Swami striven to keep the letter subordinate to the spirit.…