Creative Evolution
- Idioma:
- anglès
- Completesa:
- Obra completa
- Autoria:
- Escrita per l'autor
- Estat del text:
- Amb errors d'escaneig (mesura automàtica sobre tot el text, no revisada a mà) · 10 passatges il·legibles, exclosos de les respostes
- Extensió:
- ~180.000 paraules · 844 passatges
Cita aquesta obra
- APAHenri Bergson. (n.d.). Creative Evolution. Digital reproduction: SigPhi. https://sigphiai.com/ca/works/henri-bergson/creative-evolution
- MLAHenri Bergson. Creative Evolution. Digital reproduction, SigPhi, https://sigphiai.com/ca/works/henri-bergson/creative-evolution.
- ChicagoHenri Bergson. Creative Evolution. Digital reproduction, SigPhi. https://sigphiai.com/ca/works/henri-bergson/creative-evolution.
Referència de l'edició que reprodueix SigPhi: SigPhi n'és la reproducció digital, no l'editor. L'any de l'edició no consta a les metadades (per això «n.d.») i el traductor només hi surt quan consta.
De què tracta
La proposta de Bergson que l'evolució no s'explica ni per l'atzar ni per un pla previ, sinó per un impuls —l'élan vital— que va provant camins i es reparteix en direccions divergents.
Context i història
Publicat el 1907, va tenir un èxit enorme fora de la filosofia i el va convertir en una celebritat; el 1927 li van donar el Nobel de literatura. La part que ha resistit millor no és l'élan vital, que la biologia no va acceptar mai, sinó la crítica de la manera com l'enteniment fabrica el temps: Bergson sosté que el pensament, fet per a l'acció, converteix la durada en una successió d'instants immòbils, i que per això no pot pensar el que canvia.
Context editorial, no una font citable: a diferència dels passatges de l'obra, aquestes dades no es poden contrastar amb el corpus.
From this survival of the past it follows that consciousness cannot go through the same state twice. The circumstances may still be the same, but they will act no longer on the same person, since they find him at a new moment of his history. Our personality, which is being built up each instant with its accumulated experience, changes without ceasing. By changing, it prevents any state, although superficially identical with another, from ever repeating it in its very depth. That is why our duration is irreversible. We could not live over again a single moment, for we should have to begin by effacing the memory of all that had followed. Even could we erase this memory from our intellect, we could not from our will. Thus our personality shoots, grows and ripens without ceasing. Each of its moments is something new added to what was before. We may go further: it is not only something new, but something unforeseeable. Doubtless, my present state is explained by what was in me and by what was acting on me a moment ago. In analyzing it I should find no other elements. But even a superhuman intelligence would not have been able to foresee the simple indivisible form which gives to these purely abstract elements their concrete organization. For to foresee consists of projecting into the future what has been perceived in the past, or of imagining for a later time a new grouping, in a new order, of elements already perceived. But that which has never been perceived, and which is at the same time simple, is necessarily unforeseeable. Now such is the case with each of our states, regarded as a moment in a history that is gradually unfolding: it is simple, and it cannot have been already perceived, since it concentrates in its indivisibility all that has been perceived and what the present is adding to it besides. It is an original moment of a no less original history.