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Creative Evolution

Henri Bergson

Idioma:
anglès
Completesa:
Obra completa
Autoria:
Escrita per l'autor
Estat del text:
Text net · 10 passatges il·legibles, exclosos de les respostes
Extensió:
~180.000 paraules · 844 passatges
Cita aquesta obra
  • APAHenri Bergson. (n.d.). Creative Evolution. SigPhi. https://sigphiai.com/ca/works/henri-bergson/creative-evolution
  • MLAHenri Bergson. "Creative Evolution." SigPhi, https://sigphiai.com/ca/works/henri-bergson/creative-evolution.
  • ChicagoHenri Bergson. Creative Evolution. SigPhi. https://sigphiai.com/ca/works/henri-bergson/creative-evolution.

De què tracta

La proposta de Bergson que l'evolució no s'explica ni per l'atzar ni per un pla previ, sinó per un impuls —l'élan vital— que va provant camins i es reparteix en direccions divergents.

Context i història

Publicat el 1907, va tenir un èxit enorme fora de la filosofia i el va convertir en una celebritat; el 1927 li van donar el Nobel de literatura. La part que ha resistit millor no és l'élan vital, que la biologia no va acceptar mai, sinó la crítica de la manera com l'enteniment fabrica el temps: Bergson sosté que el pensament, fet per a l'acció, converteix la durada en una successió d'instants immòbils, i que per això no pot pensar el que canvia.

Context editorial, no una font citable: a diferència dels passatges de l'obra, aquestes dades no es poden contrastar amb el corpus.

Com comença
The history of the evolution of life, incomplete as it yet is, already reveals to us how the intellect has been formed, by an uninterrupted progress, along a line which ascends through the vertebrate series up to man. It shows us in the faculty of understanding an appendage of the faculty of acting, a more and more precise, more and more complex and supple adaptation of the consciousness of living beings to the conditions of existence that are made for them. Hence should result this consequence that our intellect, in the narrow sense of the word, is intended to secure the perfect fitting of our body to its environment, to represent the relations of external things among themselves--in short, to think matter. Such will indeed be one of the conclusions of the present essay. We shall see that the human intellect feels at home among inanimate objects, more especially among solids, where our action finds its fulcrum and our industry its tools; that our concepts have been formed on the model of solids; that our logic is, pre-eminently, the logic of solids; that, consequently, our intellect triumphs in geometry, wherein is revealed the kinship of logical thought with unorganized matter, and where the intellect has only to follow its natural movement, after the lightest possible contact with experience, in order to go from discovery to discovery, sure that experience is following behind it and will justify it invariably. But from this it must also follow that our thought, in its purely logical form, is incapable of presenting the true nature of life, the full meaning of the evolutionary movement. Created by life, in definite circumstances, to act on definite things, how can it embrace life, of which it is only an emanation or an aspect? Deposited by the evolutionary movement in the course of its way, how can it be applied to the evolutionary movement itself?…

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