Els somnis

the present situation, in the present action--in short, in all which previously has fixed and guided my memory; suppose, in other words, that I am asleep. Then these memories, perceiving that I have taken away the obstacle, have raised the trapdoor which has kept them beneath the floor of consciousness, arise from the depths; they rise, they move, they perform in the night of unconsciousness a great dance macabre. They rush together to the door which has been left ajar. They all want to get through. But they cannot; there are too many of them. From the multitudes which are called, which will be chosen? It is not hard to say. Formerly, when I was awake, the memories which forced their way were those which could involve claims of relationship with the present situation, with what I saw and heard around me. Now it is more vague images which occupy my sight, more indecisive sounds which affect my ear, more indistinct touches which are distributed over the surface of my body, but there are also the more numerous sensations which arise from the deepest parts of the organism. So, then, among the phantom memories which aspire to fill themselves with color, with sonority, in short with materiality, the only ones that succeed are those which can assimilate themselves with the color-dust that we perceive, the external and internal sensations that we catch, etc., and which, besides, respond to the affective tone of our general sensibility.[1] When this union is effected between the memory and the sensation, we have a dream. In a poetic page of the Enneades, the philosopher Plotinus, interpreter and continuator of Plato, explains to us how men come to life. Nature, he says, sketches the living bodies, but sketches them only. Left to her own forces she can never complete the task. On the other hand, souls inhabit the world of Ideas. Incapable in themselves of acting, not even thinking of action, they float beyond space and beyond time.…