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Eloisa or, A series of original letters

Jean-Jacques Rousseau

Idioma:
anglès
Completesa:
Obra completa
Autoria:
Escrita per l'autor
Estat del text:
Sense soroll d'escaneig detectat (mesura automàtica sobre tot el text, no revisada a mà)
Extensió:
~310.000 paraules · 1.496 passatges
Cita aquesta obra
  • APAJean-Jacques Rousseau. (n.d.). Eloisa or, A series of original letters. Digital reproduction: SigPhi. https://sigphiai.com/ca/works/jean-jacques-rousseau/eloisa-or-a-series-of-original-letters
  • MLAJean-Jacques Rousseau. Eloisa or, A series of original letters. Digital reproduction, SigPhi, https://sigphiai.com/ca/works/jean-jacques-rousseau/eloisa-or-a-series-of-original-letters.
  • ChicagoJean-Jacques Rousseau. Eloisa or, A series of original letters. Digital reproduction, SigPhi. https://sigphiai.com/ca/works/jean-jacques-rousseau/eloisa-or-a-series-of-original-letters.

Referència de l'edició que reprodueix SigPhi: SigPhi n'és la reproducció digital, no l'editor. L'any de l'edició no consta a les metadades (per això «n.d.») i el traductor només hi surt quan consta.

De què tracta

Novel·la en cartes: Julie i el seu preceptor Saint-Preux s'estimen, la diferència d'estament ho impedeix, i ella es casa amb Wolmar i mira de refer la vida al voltant del deure.

Context i història

Va sortir el 1761 amb el títol de Julie, ou la Nouvelle Héloïse i va ser el llibre més venut del segle: hi ha lectors documentats que van escriure a Rousseau plorant, demanant-li si Julie havia existit de debò. Aquesta és una traducció anglesa del segle XVIII, on la novel·la porta el títol d'Eloisa; per citar Rousseau, el text és el francès.

Context editorial, no una font citable: a diferència dels passatges de l'obra, aquestes dades no es poden contrastar amb el corpus.

Com comença
simple, if you will, but sensible, who mutually expressing the real sentiments of their hearts, have no intention to display their wit. They know and love each other too well for self-admiration to have any influence among them. They are children, and therefore think like children. They are not natives of France, how then can they be supposed to write correctly? They lived in solitude, and therefore could know but little of the world. Entirely filled with one single sentiment, they are in a constant delirium, and yet presume to philosophise. Would you have them know how to observe, to judge, and to reflect? No: of these they are ignorant; but they are versed in the art of love, and all their words and actions are connected with that passion. Their ideas are extravagant, but is not the importance which they give to these romantic notions more amusing than all the wit they could have displayed. They speak of every thing; they are constantly mistaken; they teach us nothing, except the knowledge of themselves; but in making themselves known, they obtain our affection. Their errors are more engaging than the wisdom of the wise. Their honest hearts, even in their transgressions, bear still the prejudice of virtue, always confident and always betrayed. Nothing answers their expectations; every event serves to undeceive them. They are deaf to the voice of discouraging truth: they find nothing correspond with their own feelings, and therefore, detaching themselves from the rest of the universe, they create, in their separate society, a little world of their own, which presents an entire new scene. N. I confess, that a young fellow of twenty, and girls of eighteen, though not; uninstructed, ought not to talk like philosophers, even though they may suppose themselves such. I own also, for this distinction has not escaped me, that these girls became wives of merit, and the young man a better observer.…

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