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Seleccions dels escrits de Kierkegaard

Søren Kierkegaard

Idioma:
anglès
Completesa:
Selecció o obra parcial
Autoria:
Escrita per l'autor
Estat del text:
Sense soroll d'escaneig detectat (mesura automàtica sobre tot el text, no revisada a mà)
Extensió:
~100.000 paraules · 496 passatges
Cita aquesta obra
  • APASøren Kierkegaard. (n.d.). Selections from the writings of Kierkegaard [Seleccions dels escrits de Kierkegaard]. Digital reproduction: SigPhi. https://sigphiai.com/ca/works/kierkegaard/selections-from-the-writings-of-kierkegaard
  • MLASøren Kierkegaard. Selections from the writings of Kierkegaard [Seleccions dels escrits de Kierkegaard]. Digital reproduction, SigPhi, https://sigphiai.com/ca/works/kierkegaard/selections-from-the-writings-of-kierkegaard.
  • ChicagoSøren Kierkegaard. Selections from the writings of Kierkegaard [Seleccions dels escrits de Kierkegaard]. Digital reproduction, SigPhi. https://sigphiai.com/ca/works/kierkegaard/selections-from-the-writings-of-kierkegaard.

Referència de l'edició que reprodueix SigPhi: SigPhi n'és la reproducció digital, no l'editor. L'any de l'edició no consta a les metadades (per això «n.d.») i el traductor només hi surt quan consta.

De què tracta

Antologia de Kierkegaard en anglès.

Context i història

**Avís: és una selecció**, i Kierkegaard és un autor a qui les antologies fan especialment mal: escrivia sota pseudònims que es contradiuen entre ells a posta, i llegir-ne fragments solts fa desaparèixer justament això. Al catàleg hi ha també obres seves senceres.

Context editorial, no una font citable: a diferència dels passatges de l'obra, aquestes dades no es poden contrastar amb el corpus.

Com comença
had had nothing to do with the world, had been neither aroused and fired, nor disquieted and disturbed. Like a sleep-walker he bore the law of his actions within himself, and the amiable, kindly expression of his countenance concerned no one, but only mirrored the disposition of his soul. Selections from the Writings of Kierkegaard 47 The other person they called the Dressmaker, and that was his occupation. Of him it was impossible to get a consistent impression. He was dressed according to the very latest fashion, with his hair curled and perfumed, fragrant with eau-de-cologne. One moment his carriage did not lack self-possession, whereas in the next it assumed a certain dancing, festive air, a certain hovering motion which, however, was kept in rather definite bounds by the robustness of his figure. Even when he was most malicious in his speech his voice ever had a touch of the smooth-tonguedness of the shop, the suaveness of the dealer in fancy-goods, which evidently was utterly disgusting to himself and only satisfied his spirit of defiance. As I think of him now I understand him better, to be sure, than when I first saw him step out of his carriage and I involuntarily laughed. At the same time there is some contradiction left still. He had transformed or bewitched himself, had by the magic of his own will assumed the appearance of one almost halfwitted, but had not thereby entirely satisfied himself; and this is why his reflectiveness now and then peered forth from beneath his disguise.

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