Mabinogion
- Idioma:
- anglès
- Completesa:
- Obra completa
- Autoria:
- Anònima o composta
- Estat del text:
- Text net
- Extensió:
- ~100.000 paraules · 495 passatges
Cita aquesta obra
- APAMabinogion. (n.d.). Mabinogion. SigPhi. https://sigphiai.com/ca/works/mabinogion/the-mabinogion
- MLAMabinogion. "Mabinogion." SigPhi, https://sigphiai.com/ca/works/mabinogion/the-mabinogion.
- ChicagoMabinogion. Mabinogion. SigPhi. https://sigphiai.com/ca/works/mabinogion/the-mabinogion.
De què tracta
«El Mabinogi»: els contes gal·lesos medievals, en un sol volum.
Context i història
Onze relats de manuscrits del segle XIV que conserven material molt més antic: Pwyll, Branwen, la caça del senglar Twrch Trwyth, i les primeres aparicions d'Artús a la literatura europea. **Avís: al catàleg hi ha també els volums 1, 2 i 3, i encara no s'ha comprovat si aquest els conté.** Cas obert.
Context editorial, no una font citable: a diferència dels passatges de l'obra, aquestes dades no es poden contrastar amb el corpus.
Whilst engaged on the Translations contained in these volumes, and on the Notes appended to the various Tales, I have found myself led unavoidably into a much more extensive course of reading than I had originally contemplated, and one which in great measure bears directly upon the earlier Mediæval Romance. Before commencing these labours, I was aware, generally, that there existed a connexion between the Welsh Mabinogion and the Romance of the Continent; but as I advanced, I became better acquainted with the closeness and extent of that connexion, its history, and the proofs by which it is supported. At the same time, indeed, I became aware, and still strongly feel, that it is one thing to collect facts, and quite another to classify and draw from them their legitimate conclusions; and though I am loth that what has been collected with some pains, should be entirely thrown away, it is unwillingly, and with diffidence, that I trespass beyond the acknowledged province of a translator. In the twelfth and thirteenth centuries there arose into general notoriety in Europe, a body of “Romance,” which in various forms retained its popularity till the Reformation. In it the plot, the incidents, the characters, were almost wholly those of Chivalry, that bond which united the warriors of France, Spain, and Italy, with those of pure Teutonic descent, and embraced more or less firmly all the nations of Europe, excepting only the Slavonic races, not yet risen to power, and the Celts, who had fallen from it.…
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