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Human, All-Too-Human A Book for Free Spirits, Part 1

Nietzsche

Idioma:
anglès
Completesa:
Obra completa
Autoria:
Escrita per l'autor
Estat del text:
Text net
Extensió:
~98.100 paraules · 466 passatges
Cita aquesta obra
  • APANietzsche. (n.d.). Human, All-Too-Human A Book for Free Spirits, Part 1. SigPhi. https://sigphiai.com/ca/works/nietzsche/human-all-too-human-a-book-for-free-spirits-part-1
  • MLANietzsche. "Human, All-Too-Human A Book for Free Spirits, Part 1." SigPhi, https://sigphiai.com/ca/works/nietzsche/human-all-too-human-a-book-for-free-spirits-part-1.
  • ChicagoNietzsche. Human, All-Too-Human A Book for Free Spirits, Part 1. SigPhi. https://sigphiai.com/ca/works/nietzsche/human-all-too-human-a-book-for-free-spirits-part-1.

De què tracta

«Humà, massa humà» (1878), primera part: el llibre on Nietzsche trenca amb Wagner, amb Schopenhauer i amb ell mateix.

Context i història

Canvia de tot: del tractat a l'aforisme, del romanticisme a la sospita, de la metafísica a la psicologia. El mètode nou és preguntar-se d'on ve un sentiment noble en comptes d'admirar-lo, i d'aquí surt tota la crítica moral posterior. Traducció anglesa de l'edició completa dirigida per Oscar Levy (1909-1913), que és la que hi ha en domini públic. Té més de cent anys i es nota. L'original és ALEMANY, i per citar mana l'original: al catàleg n'hi ha dos, «Also sprach Zarathustra» i «Der Wille zur Macht»; per a la resta, aquí només hi ha la traducció.

Context editorial, no una font citable: a diferència dels passatges de l'obra, aquestes dades no es poden contrastar amb el corpus.

Com comença
I have been told frequently, and always with great surprise, that there is something common and distinctive in all my writings, from the _Birth of Tragedy_ to the latest published _Prelude to a Philosophy of the Future._ They all contain, I have been told, snares and nets for unwary birds, and an almost perpetual unconscious demand for the inversion of customary valuations and valued customs. What? _Everything_ only--human-all-too-human? People lay down my writings with this sigh, not without a certain dread and distrust of morality itself, indeed almost tempted and encouraged to become advocates of the _worst_ things: as being perhaps only the _best_ disparaged? My writings have been called a school of suspicion and especially of disdain, more happily, also, a school of courage and even of audacity. Indeed, I myself do not think that any one has ever looked at the world with such a profound suspicion; and not only as occasional Devil's Advocate, but equally also, to speak theologically, as enemy and impeacher of God; and he who realises something of the consequences involved, in every profound suspicion, something of the chills and anxieties of loneliness to which every uncompromising _difference of outlook_ condemns him who is affected therewith, will also understand how often I sought shelter in some kind of reverence or hostility, or scientificality or levity or stupidity, in order to recover from myself, and, as it were, to obtain temporary self-forgetfulness; also why, when I did not find what I _needed,_ I was obliged to manufacture it, to counterfeit and to imagine it in a suitable manner (and what else have poets ever done? And for what purpose has all the art in the world existed?).…

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