Ennèades (I)
- Idioma:
- anglès
- Completesa:
- Obra completa
- Autoria:
- Escrita per l'autor
- Estat del text:
- Text net · 1 passatges il·legibles, exclosos de les respostes
- Extensió:
- ~86.100 paraules · 409 passatges
Cita aquesta obra
- APAPlotí. (n.d.). Ennèades (I). SigPhi. https://sigphiai.com/ca/works/plotinus/plotinos-complete-works-v-1
- MLAPlotí. "Ennèades (I)." SigPhi, https://sigphiai.com/ca/works/plotinus/plotinos-complete-works-v-1.
- ChicagoPlotí. Ennèades (I). SigPhi. https://sigphiai.com/ca/works/plotinus/plotinos-complete-works-v-1.
De què tracta
El primer dels quatre volums de Ploti en la traduccio de Kenneth Guthrie: l'altra edicio del corpus.
Context i història
Ploti va ensenyar a Roma al segle III i no escrivia per publicar; Porfiri, deixeble seu, va reunir els seus escrits despres de la seva mort i els va ordenar en sis grups de nou tractats —d'aqui «Ennèades», «novenes»—, un ordre que no es de Ploti. La seva filosofia parteix de Plato i el porta mes lluny: de l'U, que es mes enlla de l'esser i del pensament, en surt per emanacio l'Intel·lecte, i d'aquest l'Anima, i d'aquesta el mon sensible; l'anima humana pot desfer el cami cap amunt, i Porfiri diu que el seu mestre ho va aconseguir quatre vegades. D'aqui surt tot el neoplatonisme, i per ell passen Agusti, Dionisi, els arabs, Ficino i el Renaixement. AVIS AL LECTOR: al catàleg hi ha DUES edicions angleses del mateix material, «Select Works of Plotinus» (traduccio de Thomas Taylor) i els quatre volums de «Plotinos Complete Works» (traduccio de Kenneth Guthrie), amb traduccions i ordenacions diferents; i «An Essay on the Beautiful» es l'Ennèada I.6, que es dins de totes dues. No es cap error: son edicions distintes del mateix autor. La citacio ha de dir sempre quina edicio fa servir, i millor si dona tambe el numero d'Ennèada i de tractat.
Context editorial, no una font citable: a diferència dels passatges de l'obra, aquestes dades no es poden contrastar amb el corpus.
By PORPHYRY. (_Written when about 70 years of age, see 23._) I. PLOTINOS, LIKE PORPHYRY, DESPISED HIS PHYSICAL NATURE, BUT A PICTURE OF HIM WAS SECURED. Plotinos the philosopher, who lived recently, seemed ashamed of having a body. Consequently he never spoke of his family or home (Lycopolis, now Syout, in the Thebaid, in Egypt). He never would permit anybody to perpetuate him in a portrait or statue. One day that Amelius[1] begged him to allow a painting to be made of him, he said, "Is it not enough for me to have to carry around this image[2], in which nature has enclosed us? Must I besides transmit to posterity the image of this image as worthy of attention?" As Amelius never succeeded in getting Plotinos to reconsider his refusal, and to consent to give a sitting, Amelius begged his friend Carterius, the most famous painter of those times, to attend Plotinos's lectures, which were free to all. By dint of gazing at Plotinos, Carterius so filled his own imagination with Plotinos's features that he succeeded in painting them from memory. By his advice, Amelius directed Carterius in these labors, so that this portrait was a very good likeness. All this occurred without the knowledge of Plotinos. II. SICKNESS AND DEATH OF PLOTINOS; HIS BIRTHDAY UNKNOWN. Plotinos was subject to chronic digestive disorders; nevertheless, he never was willing to take any remedies, on the plea that it was unworthy of a man of his age to relieve himself by such means. Neither did he ever take any of the then popular "wild animal remedy," because, said he, he did not even eat the flesh of domestic animals, let alone that of savage ones. He never bathed, contenting himself, with daily massage at home. But when at the period of the plague, which was most virulent,[3] the man who rubbed him died of it, he gave up the massage.…