Pierre-Joseph Proudhon
- Idioma:
- anglès
- Completesa:
- Obra completa
- Autoria:
- Escrita per l'autor
- Estat del text:
- Sense soroll d'escaneig detectat (mesura automàtica sobre tot el text, no revisada a mà)
- Extensió:
- ~180.000 paraules · 844 passatges
Cita aquesta obra
- APAProudhon. (n.d.). What is Property? An Inquiry into the Principle of Right and of Government [Pierre-Joseph Proudhon]. Digital reproduction: SigPhi. https://sigphiai.com/ca/works/proudhon/what-is-property-an-inquiry-into-the-principle-of-right-and-of-government
- MLAProudhon. What is Property? An Inquiry into the Principle of Right and of Government [Pierre-Joseph Proudhon]. Digital reproduction, SigPhi, https://sigphiai.com/ca/works/proudhon/what-is-property-an-inquiry-into-the-principle-of-right-and-of-government.
- ChicagoProudhon. What is Property? An Inquiry into the Principle of Right and of Government [Pierre-Joseph Proudhon]. Digital reproduction, SigPhi. https://sigphiai.com/ca/works/proudhon/what-is-property-an-inquiry-into-the-principle-of-right-and-of-government.
Referència de l’edició reproduïda. SigPhi és la reproducció digital, no l’editor. S’hi inclouen l’any, l’editorial i el traductor quan consten; «n.d.» indica que no consta l’any. La responsabilitat d’un pròleg o d’una nota es determina segons el passatge citat.
De què tracta
El llibre que comença amb la pregunta del títol i la respon amb la frase que se n'ha citat sempre: la propietat és un robatori.
Context i història
Publicat el 1840. La frase demana una precisió que el llibre fa i que gairebé mai no s'hi afegeix: Proudhon no ataca la possessió —el dret d'algú a fer servir el que treballa— sinó la propietat entesa com el dret de cobrar per una cosa sense treballar-hi, la renda i l'interès. També és el primer llibre on algú es diu anarquista a si mateix i ho reivindica. Marx el va elogiar quan va sortir i el va atacar durament set anys després, en un altre llibre que també és en aquest catàleg.
Context editorial, no una font citable: a diferència dels passatges de l'obra, aquestes dades no es poden contrastar amb el corpus.
There are those to whom letter-writing is a bore, and who, assailed with questions and compliments, reply in the greatest haste, solely that the job may be over with, and who return politeness for politeness, mingling it with more or less wit. This kind of correspondence, though coming from celebrated people, is insignificant and unworthy of collection and classification. "After those who write letters in performance of a disagreeable duty, and almost side by side with them in point of insignificance, I should put those who write in a manner wholly external, wholly superficial, devoted only to flattery, lavishing praise like gold, without counting it; and those also who weigh every word, who reply formally and pompously, with a view to fine phrases and effects. They exchange words only, and choose them solely for their brilliancy and show. You think it is you, individually, to whom they speak; but they are addressing themselves in your person to the four corners of Europe. Such letters are empty, and teach as nothing but theatrical execution and the favorite pose of their writers. "I will not class among the latter the more prudent and sagacious authors who, when writing to individuals, keep one eye on posterity. We know that many who pursue this method have written long, finished, charming, flattering, and tolerably natural letters. Beranger furnishes us with the best example of this class. "Proudhon, however, is a man of entirely different nature and habits. In writing, he thinks of nothing but his idea and the person whom he addresses: ad rem et ad hominem. A man of conviction and doctrine, to write does not weary him; to be questioned does not annoy him.…