Gitanjali
- Idioma:
- anglès
- Completesa:
- Obra completa
- Autoria:
- Escrita per l'autor
- Estat del text:
- Sense soroll d'escaneig detectat (mesura automàtica sobre tot el text, no revisada a mà)
- Extensió:
- ~18.900 paraules · 90 passatges
Cita aquesta obra
- APARabindranath Tagore. (n.d.). Gitanjali (Song Offerings) [Gitanjali]. Digital reproduction: SigPhi. https://sigphiai.com/ca/works/rabindranath-tagore/gitanjali-song-offerings
- MLARabindranath Tagore. Gitanjali (Song Offerings) [Gitanjali]. Digital reproduction, SigPhi, https://sigphiai.com/ca/works/rabindranath-tagore/gitanjali-song-offerings.
- ChicagoRabindranath Tagore. Gitanjali (Song Offerings) [Gitanjali]. Digital reproduction, SigPhi. https://sigphiai.com/ca/works/rabindranath-tagore/gitanjali-song-offerings.
Referència de l’edició reproduïda. SigPhi és la reproducció digital, no l’editor. S’hi inclouen l’any, l’editorial i el traductor quan consten; «n.d.» indica que no consta l’any. La responsabilitat d’un pròleg o d’una nota es determina segons el passatge citat.
De què tracta
«Gitanjali» (1912): els poemes que li van donar el Nobel.
Context i història
Tagore els va traduir ell mateix del bengalí a l'anglès durant una travessia en vaixell, i Yeats en va escriure el pròleg. El 1913 va ser el primer no europeu a rebre el premi de literatura. Avís: és la versió anglesa de l'autor, no el bengalí original, i ell mateix deia que eren dos llibres diferents.
Context editorial, no una font citable: a diferència dels passatges de l'obra, aquestes dades no es poden contrastar amb el corpus.
The spring has done its flowering and taken leave. And now with the burden of faded futile flowers I wait and linger. The waves have become clamorous, and upon the bank in the shady lane the yellow leaves flutter and fall. What emptiness do you gaze upon! Do you not feel a thrill passing through the air with the notes of the far away song floating from the other shore? GITANJALI In the deep shadows of the rainy July, with secret steps, thou walkest, silent as night, eluding all watchers. To-day the morning has closed its eyes, heedless of the insistent calls of the loud east wind, and a thick veil has been drawn over the ever-wakeful blue sky. The woodlands have hushed their songs, and doors are all shut at every house. Thou art the solitary wayfarer in this deserted street. Oh my only friend, my best beloved, the gates are open in my house — do not pass by like a dream. Art thou abroad on this stormy night on the journey of love, my friend.^ The sky groans like one in despair. I have no sleep to-night. Ever and GITANJALI again I open my door and look out on the darkness, my friend! I can see nothing before me. I wonder where lies thy path ! By what dim shore of the ink-black river, by what far edge of the frowning forest, through what mazy depth of gloom art thou threading thy course to come to me, my friend.^ If the day is done, if birds sing no more, if the wind has flagged tired, then draw the veil of darkness thick upon me, even as thou hast wrapt the earth with the coverlet of sleep and tenderly closed the petals of the droop¬ ing lotus at dusk.…