Assaigs de Ralph Waldo Emerson
- Idioma:
- anglès
- Completesa:
- Obra completa
- Autoria:
- Escrita per l'autor
- Estat del text:
- Sense soroll d'escaneig detectat (mesura automàtica sobre tot el text, no revisada a mà)
- Extensió:
- ~96.200 paraules · 457 passatges
Cita aquesta obra
- APARalph Waldo Emerson. (n.d.). Essays by Ralph Waldo Emerson [Assaigs de Ralph Waldo Emerson]. Digital reproduction: SigPhi. https://sigphiai.com/ca/works/ralph-waldo-emerson/essays-by-ralph-waldo-emerson
- MLARalph Waldo Emerson. Essays by Ralph Waldo Emerson [Assaigs de Ralph Waldo Emerson]. Digital reproduction, SigPhi, https://sigphiai.com/ca/works/ralph-waldo-emerson/essays-by-ralph-waldo-emerson.
- ChicagoRalph Waldo Emerson. Essays by Ralph Waldo Emerson [Assaigs de Ralph Waldo Emerson]. Digital reproduction, SigPhi. https://sigphiai.com/ca/works/ralph-waldo-emerson/essays-by-ralph-waldo-emerson.
Referència de l'edició que reprodueix SigPhi: SigPhi n'és la reproducció digital, no l'editor. L'any de l'edició no consta a les metadades (per això «n.d.») i el traductor només hi surt quan consta.
De què tracta
Volum que aplega les dues sèries d'assaigs en un sol llibre.
Context i història
**Avís d'edició: les dues sèries també consten per separat al catàleg («Essays — First Series» i «Essays — Second Series»). No és cap duplicat: aquest és el volum aplegat i aquelles són les unitats originals de 1841 i 1844. Es queden totes tres, i qui compari còpies no n'ha de retirar cap.**
Context editorial, no una font citable: a diferència dels passatges de l'obra, aquestes dades no es poden contrastar amb el corpus.
must settle its value in his mind. What is nature to him? There is never a beginning, there is never an end, to the inexplicable continuity of this web of God, but always circular power returning into itself.[12] Therein it resembles his own spirit, whose beginning, whose ending, he never can find,--so entire, so boundless. Far too as her splendors shine, system on system shooting like rays, upward, downward, without center, without circumference,--in the mass and in the particle, Nature hastens to render account of herself to the mind. Classification begins. To the young mind everything is individual, stands by itself. By and by it finds how to join two things and see in them one nature; then three, then three thousand; and so, tyrannized over by its own unifying instinct, it goes on tying things together, diminishing anomalies, discovering roots running under ground whereby contrary and remote things cohere and flower out from one stem. It presently learns that since the dawn of history there has been a constant accumulation and classifying of facts. But what is classification but the perceiving that these objects are not chaotic, and are not foreign, but have a law which is also a law of the human mind? The astronomer discovers that geometry, a pure abstraction of the human mind, is the measure of planetary motion. The chemist finds proportions and intelligible method throughout matter; and science is nothing but the finding of analogy, identity, in the most remote parts. The ambitious soul sits down before each refractory fact; one after another reduces all strange constitutions, all new powers, to their class and their law, and goes on forever to animate the last fiber of organization, the outskirts of nature, by insight. Thus to him, to this school-boy under the bending dome of day, is suggested that he and it proceed from one Root; one is leaf and one is flower; relation, sympathy, stirring in every vein. And what is that root?…
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