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Assaigs — segona sèrie

Ralph Waldo Emerson

Idioma:
anglès
Completesa:
Obra completa
Autoria:
Escrita per l'autor
Estat del text:
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Extensió:
~58.900 paraules · 280 passatges
Cita aquesta obra
  • APARalph Waldo Emerson. (n.d.). Assaigs — segona sèrie. SigPhi. https://sigphiai.com/ca/works/ralph-waldo-emerson/essays-second-series
  • MLARalph Waldo Emerson. "Assaigs — segona sèrie." SigPhi, https://sigphiai.com/ca/works/ralph-waldo-emerson/essays-second-series.
  • ChicagoRalph Waldo Emerson. Assaigs — segona sèrie. SigPhi. https://sigphiai.com/ca/works/ralph-waldo-emerson/essays-second-series.

De què tracta

La segona sèrie (1844): «The Poet», «Experience», «Character», «Nature».

Context i història

«Experience» és el més fosc que va escriure i el millor: està marcat per la mort del seu fill de cinc anys, i hi diu que ni tan sols el dolor aconsegueix ensenyar-nos res. Qui només conegui l'Emerson optimista no l'ha llegit. **Avís d'edició: el volum «Essays by Ralph Waldo Emerson» aplega aquesta sèrie i la primera. No són cap duplicat.**

Context editorial, no una font citable: a diferència dels passatges de l'obra, aquestes dades no es poden contrastar amb el corpus.

Com comença
Those who are esteemed umpires of taste are often persons who have acquired some knowledge of admired pictures or sculptures, and have an inclination for whatever is elegant; but if you inquire whether they are beautiful souls, and whether their own acts are like fair pictures, you learn that they are selfish and sensual. Their cultivation is local, as if you should rub a log of dry wood in one spot to produce fire, all the rest remaining cold. Their knowledge of the fine arts is some study of rules and particulars, or some limited judgment of color or form, which is exercised for amusement or for show. It is a proof of the shallowness of the doctrine of beauty as it lies in the minds of our amateurs, that men seem to have lost the perception of the instant dependence of form upon soul. There is no doctrine of forms in our philosophy. We were put into our bodies, as fire is put into a pan to be carried about; but there is no accurate adjustment between the spirit and the organ, much less is the latter the germination of the former. So in regard to other forms, the intellectual men do not believe in any essential dependence of the material world on thought and volition.…

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