Homes representatius: set conferències
- Idioma:
- anglès
- Completesa:
- Obra completa
- Autoria:
- Escrita per l'autor
- Estat del text:
- Sense soroll d'escaneig detectat (mesura automàtica sobre tot el text, no revisada a mà)
- Extensió:
- ~59.800 paraules · 284 passatges
Cita aquesta obra
- APARalph Waldo Emerson. (n.d.). Representative Men Seven Lectures [Homes representatius: set conferències]. Digital reproduction: SigPhi. https://sigphiai.com/ca/works/ralph-waldo-emerson/representative-men-seven-lectures
- MLARalph Waldo Emerson. Representative Men Seven Lectures [Homes representatius: set conferències]. Digital reproduction, SigPhi, https://sigphiai.com/ca/works/ralph-waldo-emerson/representative-men-seven-lectures.
- ChicagoRalph Waldo Emerson. Representative Men Seven Lectures [Homes representatius: set conferències]. Digital reproduction, SigPhi. https://sigphiai.com/ca/works/ralph-waldo-emerson/representative-men-seven-lectures.
Referència de l’edició reproduïda. SigPhi és la reproducció digital, no l’editor. S’hi inclouen l’any, l’editorial i el traductor quan consten; «n.d.» indica que no consta l’any. La responsabilitat d’un pròleg o d’una nota es determina segons el passatge citat.
De què tracta
Set conferències sobre Plató, Swedenborg, Montaigne, Shakespeare, Napoleó i Goethe.
Context i història
La resposta americana als «Herois» de Carlyle, i molt millor: per a Emerson el gran home no ens domina sinó que ens mostra el que podríem ser. Cadascun dels set és al catàleg amb obra pròpia, excepte Swedenborg.
Context editorial, no una font citable: a diferència dels passatges de l'obra, aquestes dades no es poden contrastar amb el corpus.
the day of life. The eye repeats every day the finest eulogy on things--"He saw that they were good." We know where to find them; and these performers are relished all the more, after a little experience of the pretending races. We are entitled, also, to higher advantages. Something is wanting to science, until it has been humanized. The table of logarithms is one thing, and its vital play, in botany, music, optics, and architecture, another. There are advancements to numbers, anatomy, architecture, astronomy, little suspected at first, when, by union with intellect and will, they ascend into the life, and re-appear in conversation, character and politics. But this comes later. We speak now only of our acquaintance with them in their own sphere, and the way in which they seem to fascinate and draw to them some genius who occupies himself with one thing, all his life long. The possibility of interpretation lies in the identity of the observer with the observed. Each material thing has its celestial side; has its translation, through humanity, into the spiritual and necessary sphere, where it plays a part as indestructible as any other. And to these, their ends, all things continually ascend. The gases gather to the solid firmament; the chemic lump arrives at the plant, and grows; arrives at the quadruped, and walks; arrives at the man, and thinks. But also the constituency determines the vote of the representative. He is not only representative, but participant. Like can only be known by like. The reason why he knows about them is, that he is of them; he has just come out of nature, or from being a part of that thing. Animated chlorine knows of chlorine, and incarnate zinc, of zinc. Their quality makes this career; and he can variously publish their virtues, because they compose him. Man, made of the dust of the world, does not forget his origin; and all that is yet inanimate will one day speak and reason.…
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