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Els místics persans: Jalaluddín Rumi

Rumi

Idioma:
anglès
Completesa:
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Autoria:
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Sense soroll d'escaneig detectat (mesura automàtica sobre tot el text, no revisada a mà)
Extensió:
~19.400 paraules · 92 passatges
Cita aquesta obra
  • APARumi. (n.d.). The Persian Mystics: Jalalu'd-din Rumi [Els místics persans: Jalaluddín Rumi]. Digital reproduction: SigPhi. https://sigphiai.com/ca/works/rumi/the-persian-mystics-jalalu-d-din-rumi
  • MLARumi. The Persian Mystics: Jalalu'd-din Rumi [Els místics persans: Jalaluddín Rumi]. Digital reproduction, SigPhi, https://sigphiai.com/ca/works/rumi/the-persian-mystics-jalalu-d-din-rumi.
  • ChicagoRumi. The Persian Mystics: Jalalu'd-din Rumi [Els místics persans: Jalaluddín Rumi]. Digital reproduction, SigPhi. https://sigphiai.com/ca/works/rumi/the-persian-mystics-jalalu-d-din-rumi.

Referència de l'edició que reprodueix SigPhi: SigPhi n'és la reproducció digital, no l'editor. L'any de l'edició no consta a les metadades (per això «n.d.») i el traductor només hi surt quan consta.

De què tracta

Rumi, en la sèrie «Els místics persas».

Context i història

Selecció del *Masnavi* i dels *ghazals* de Jalal-ad-Din Rumi (1207-1273), el poeta del sufisme i fundador dels dervixos giradors. La poesia hi és la forma del pensament, no el seu adorn: la separació de la canya del canyar, amb què obre el *Masnavi*, és alhora una imatge i una tesi sobre l'ànima.

Context editorial, no una font citable: a diferència dels passatges de l'obra, aquestes dades no es poden contrastar amb el corpus.

Com comença
Súfí poetry has greatly influenced Western thought. Many of the German mystics wrote as the Súfí poets had written before them. Particularly might be mentioned Eckhart, Tauler and Suso. Concerning the last mentioned I may quote the following passage to demonstrate my meaning: "Earthly friends must needs endure to be distinct and separate from those whom they love; but Thou, O fathomless sweetness of all true love, meltest into the heart of Thy beloved, and pourest Thyself fully into the essence of his soul, that nothing of Thee remains outside, but Thou art joined and united most lovingly with Thy beloved." There was rapturous language both with the Persian and German mystics. The great difference between them was that the German mystics, for the most part, were ascetics, the Persians were not. Then again in the nineteenth century Hegel was loud in his praise of Jalálu'd-Dín Rúmí, calling him a great thinker as well as a great poet, but somehow he seems to put Jalál's Pantheism first, his Mysticism second. Surely this was putting the cart before the horse? To trace the scope of the influence of Súfí thought in England would be extremely interesting, but the limits of this little book will not admit of our doing so. The influence was at first among the few; but optimistic lovers of the East believe that Oriental thought is daily becoming of more interest to Western minds. The student knows that Edward FitzGerald's rendering of Omar Khayyám, was anything but a faithful translation; that FitzGerald shook up Omar's words like so many dice and set them to the music of wine, roses, and pessimism. The Omar Khayyám Club read FitzGerald, but not Omar Khayyám, and in consequence they have fallen into the error of associating Omar with Bacchus. But, nevertheless, we must be grateful to FitzGerald. He has given us a great poem, and stirred, let us hope, many of his countless readers to a more faithful study of Persian poetry. The indefatigable Dr.…

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