Cape Cod
- Idioma:
- anglès
- Completesa:
- Obra completa
- Autoria:
- Escrita per l'autor
- Estat del text:
- Sense soroll d'escaneig detectat (mesura automàtica sobre tot el text, no revisada a mà)
- Extensió:
- ~76.200 paraules · 362 passatges
Cita aquesta obra
- APAHenry David Thoreau. (n.d.). Cape Cod. Digital reproduction: SigPhi. https://sigphiai.com/ca/works/thoreau/cape-cod
- MLAHenry David Thoreau. Cape Cod. Digital reproduction, SigPhi, https://sigphiai.com/ca/works/thoreau/cape-cod.
- ChicagoHenry David Thoreau. Cape Cod. Digital reproduction, SigPhi. https://sigphiai.com/ca/works/thoreau/cape-cod.
Referència de l’edició reproduïda. SigPhi és la reproducció digital, no l’editor. S’hi inclouen l’any, l’editorial i el traductor quan consten; «n.d.» indica que no consta l’any. La responsabilitat d’un pròleg o d’una nota es determina segons el passatge citat.
De què tracta
El llibre que Thoreau va fer de quatre viatges a la peninsula de Cape Cod entre el 1849 i el 1857: el mes fosc i el mes divertit dels seus.
Context i història
Comenca amb una escena que decideix el to: el dia que hi arriba, un vaixell d'emigrants irlandesos s'acaba de naufragar i la platja es plena de cadavers que la gent va identificant. A partir d'aqui Thoreau recorre a peu la costa exterior, la que dona a l'oceà obert, i escriu sobre la sorra, la salvatgeria del mar, els naufragis, els habitants —pescadors, ostrers, un vell que li explica mentides magnifiques— i la vegetacio que aguanta on no hi ha terra. La natura d'aqui no es la de «Walden»: no consola ningu i no esta feta per a nosaltres. Es va publicar postumament el 1865, i es el llibre on el seu humor sec es mes visible.
Context editorial, no una font citable: a diferència dels passatges de l'obra, aquestes dades no es poden contrastar amb el corpus.
absorb the greater part of the old clothes of the Cape, leaving but few rags for the pedlers. The wind-mills on the hills,—large weather-stained octagonal structures,—and the salt-works scattered all along the shore, with their long rows of vats resting on piles driven into the marsh, their low, turtle-like roofs, and their slighter wind-mills, were novel and interesting objects to an inlander. The sand by the road-side was partially covered with bunches of a moss-like plant, _Hudsonia tomentosa_, which a woman in the stage told us was called “poverty-grass,” because it grew where nothing else would. I was struck by the pleasant equality which reigned among the stage company, and their broad and invulnerable good-humor. They were what is called free and easy, and met one another to advantage, as men who had at length learned how to live. They appeared to know each other when they were strangers, they were so simple and downright. They were well met, in an unusual sense, that is, they met as well as they could meet, and did not seem to be troubled with any impediment. They were not afraid nor ashamed of one another, but were contented to make just such a company as the ingredients allowed. It was evident that the same foolish respect was not here claimed for mere wealth and station that is in many parts of New England; yet some of them were the “first people,” as they are called, of the various towns through which we passed. Retired sea-captains, in easy circumstances, who talked of farming as sea-captains are wont; an erect, respectable, and trustworthy-looking man, in his wrapper, some of the salt of the earth, who had formerly been the salt of the sea; or a more courtly gentleman, who, perchance, had been a representative to the General Court in his day; or a broad, red-faced Cape Cod man, who had seen too many storms to be easily irritated; or a fisherman’s wife, who had been waiting a week for a coaster to leave Boston, and had at…