Über die Reitkunst

(14) Or, "suspensory ligament"? Possibly Xenophon's anatomy is wrong, and he mistook the back sinew for a bone like the fibula. The part in question might intelligibly enough, if not technically, be termed {perone}, being of the brooch-pin order. If the young horse in walking bends his knees flexibly, you may safely conjecture that when he comes to be ridden he will have flexible legs, since the quality of suppleness invariably increases with age. (15) Supple knees are highly esteemed and with good reason, rendering as they do the horse less liable to stumble or break down from fatigue than those of stiffer build. (15) Lit. "all horses bend their legs more flexibly as time advances." Coming to the thighs below the shoulder-blades, (16) or arms, these if thick and muscular present a stronger and handsomer appearance, just as in the case of a human being. Again, a comparatively broad chest is better alike for strength and beauty, and better adapted to carry the legs well asunder, so that they will not overlap and interfere with one another. Again, the neck should not be set on dropping forward from the chest, like a boar's, but, like that of a game-cock rather, it should shoot upwards to the crest, and be slack (17) along the curvature; whilst the head should be bony and the jawbone small. In this way the neck will be well in front of the rider, and the eye will command what lies before the horse's feet. A horse, moreover, of this build, however spirited, will be least capable of overmastering the rider, (18) since it is not by arching but by stretching out his neck and head that a horse endeavours to assert his power. (19) (16) Lit.…