La anarquía y la cuestión sexual
- Idioma:
- inglés
- Estado:
- Obra completa
- Autoría:
- Escrita por el autor
- Estado del texto:
- Texto limpio
- Extensión:
- ~1680 palabras · 8 pasajes
Cita esta obra
- APAEmma Goldman. (n.d.). La anarquía y la cuestión sexual. SigPhi. https://sigphiai.com/es/works/emma-goldman/anarchy-and-the-sex-question
- MLAEmma Goldman. "La anarquía y la cuestión sexual." SigPhi, https://sigphiai.com/es/works/emma-goldman/anarchy-and-the-sex-question.
- ChicagoEmma Goldman. La anarquía y la cuestión sexual. SigPhi. https://sigphiai.com/es/works/emma-goldman/anarchy-and-the-sex-question.
De qué trata
Un artículo temprano (1896) sobre el matrimonio, el amor y la dependencia económica de las mujeres.
Contexto e historia
La primera formulación de lo que Matrimonio y amor desarrollaría quince años después: que el matrimonio es ante todo una institución económica. Vale como documento del feminismo anarquista antes de que tuviera nombre. Es un artículo corto y no un libro: su tamaño en el catálogo no es ningún defecto de la copia. Buena parte de la obra de Goldman tuvo esta forma, en su revista Mother Earth y en folletos.
Contexto editorial, no una fuente citable: a diferencia de los pasajes de la obra, estos datos no se pueden comprobar contra el corpus.
The workingman, whose strength and muscles are so admired by the pale, puny off-springs of the rich, yet whose labour barely brings him enough to keep the wolf of starvation from the door, marries only to have a wife and house-keeper, who must slave from morning till night, who must make every effort to keep down expenses. Her nerves are so tired by the continual effort to make the pitiful wages of her husband support both of them that she grows irritable and no longer is successful in concealing her want of affection for her lord and master, who, alas! soon comes to the conclusion that his hopes and plans have gone astray, and so practically begins to think that marriage is a failure. THE CHAIN GROWS HEAVIER AND HEAVIER As the expenses grow larger instead of smaller, the wife, who has lost all of the little strength she had at marriage, likewise feels herself betrayed, and the constant fretting and dread of starvation consumes her beauty in a short time after marriage. She grows despondent, neglects her household duties, and as there are no ties of love and sympathy between herself and her husband to give them strength to face the misery and poverty of their lives, instead of clinging to each other, they become more and more estranged, more and more impatient with each other's faults. The man cannot, like the millionaire, go to his club, but he goes to a saloon and tries to drown his misery in a glass of beer or whiskey. The unfortunate partner of his misery, who is too honest to seek forgetfulness in the arms of a lover, and who is too poor to allow herself any legitimate recreation or amusement, remains amid the squalid, half-kept surroundings she calls home, and bitterly bemoans the folly that made her a poor man's wife. Yet there is no way for them to part from each other. BUT THEY MUST WEAR IT.…
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