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La deportación, su significado y su amenaza

Emma Goldman

Idioma:
inglés
Estado:
Obra completa
Autoría:
Escrita por el autor
Estado del texto:
Sin ruido de escaneo detectado (medición automática sobre todo el texto, no revisada a mano)
Extensión:
~13.300 palabras · 63 pasajes
Cita esta obra
  • APAEmma Goldman. (n.d.). Deportation, its meaning and menace [La deportación, su significado y su amenaza]. Digital reproduction: SigPhi. https://sigphiai.com/es/works/emma-goldman/deportation-its-meaning-and-menace
  • MLAEmma Goldman. Deportation, its meaning and menace [La deportación, su significado y su amenaza]. Digital reproduction, SigPhi, https://sigphiai.com/es/works/emma-goldman/deportation-its-meaning-and-menace.
  • ChicagoEmma Goldman. Deportation, its meaning and menace [La deportación, su significado y su amenaza]. Digital reproduction, SigPhi. https://sigphiai.com/es/works/emma-goldman/deportation-its-meaning-and-menace.

Referencia de la edición reproducida. SigPhi es la reproducción digital. Se incluyen año, editorial y traductor cuando constan; «n.d.» indica que no consta el año.

De qué trata

Contra la deportación política, escrito mientras Estados Unidos preparaba la suya.

Contexto e historia

De 1919, en pleno Terror Rojo, escrito con Berkman desde la cárcel. Aquel diciembre los dos iban en el Buford rumbo a Rusia. El argumento —que deportar disidentes castiga la opinión— no ha caducado. Es un artículo corto y no un libro: su tamaño en el catálogo no es ningún defecto de la copia. Buena parte de la obra de Goldman tuvo esta forma, en su revista Mother Earth y en folletos.

Contexto editorial, no una fuente citable: a diferencia de los pasajes de la obra, estos datos no se pueden comprobar contra el corpus.

Extracto de la edición disponible
fury of the storm that is menacing the American plutocracy. As the Czars pointed at the Jew as the sole source and cause of the Russian people’s poverty and servitude, so the feudal lords of America have chosen the “foreign radical,” “the Bolshevik” as the vicarious victim for the sins of the capitalist order. But while no intelligent and self-respecting Russian ever degraded himself with the Czar’s bloody work, we see in our democracy so-called cultured people, professional men and women, “good Americans,” inspired and aided by the “respectable, reputable” press, turn into bestial mobs. We see high Government officials, State and Federal, play the part of the hooligans, encouraging and aiding the American Black Hundred of legionaries, in a frenzied crusade against the “foreigner,” whose sole crime consists in taking seriously the American guarantees of free speech, free press, and free assembly. The war hate against everything German was vicious enough, though the people of America were repeatedly assured that we were not making war against the German people. One can understand also, though not countenance, the vulgar clamor against the best and finest expressions of German culture, the stupid prohibition of the language of Goethe and Schiller, of the revolutionary music of Wagner and Beethoven, the poetry of Heine, the writings of Nietzsche, and all the other great creative works of Teuton genius. But what possible reason is there for the post-war hatred toward aliens in general and Russians in particular? The outrages and cruelties perpetrated upon Germans in America during the war pale almost into insignificance compared with the horrible treatment the Russians in the United States are now subjected to. In fact, the Czarist pogroms, barring a few exceptions, never rivaled the fearful excesses now happening almost daily in various American cities, their victims, men and women, guilty only of being Russians.…

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