The Philosophy of Fine Art, volume 3 (of 4)
- Idioma:
- inglés
- Estado:
- Obra completa
- Autoría:
- Recogida o compilada por otros
- Estado del texto:
- Texto limpio
- Extensión:
- ~180.000 palabras · 873 pasajes
Cita esta obra
- APAHegel. (n.d.). The Philosophy of Fine Art, volume 3 (of 4). SigPhi. https://sigphiai.com/es/works/georg-wilhelm-friedrich-hegel/the-philosophy-of-fine-art-volume-3-of-4
- MLAHegel. "The Philosophy of Fine Art, volume 3 (of 4)." SigPhi, https://sigphiai.com/es/works/georg-wilhelm-friedrich-hegel/the-philosophy-of-fine-art-volume-3-of-4.
- ChicagoHegel. The Philosophy of Fine Art, volume 3 (of 4). SigPhi. https://sigphiai.com/es/works/georg-wilhelm-friedrich-hegel/the-philosophy-of-fine-art-volume-3-of-4.
De qué trata
El tercer volumen de las lecciones de Hegel sobre estética, en traducción inglesa.
Contexto e historia
Como todas las lecciones de Hegel, este texto no lo escribió él: lo compusieron los editores tras su muerte a partir de sus apuntes y de cuadernos de estudiantes de cursos distintos. El esquema que se le cita —arte simbólico, clásico y romántico, y el paso de la arquitectura a la poesía— es suyo, pero la formulación concreta a menudo no. La tesis más discutida, la del fin del arte, no dice que el arte se acabe: dice que ha dejado de ser la manera más alta en que una época se dice a sí misma la verdad.
Contexto editorial, no una fuente citable: a diferencia de los pasajes de la obra, estos datos no se pueden comprobar contra el corpus.
[Summary. Nature of the relation between the system of Art-types, or the collective totality of ideal world-presentments, and their objective realization in independent works of art. Nature of the process in the evolution of the specific arts themselves, and of the aspects identical in all. The origins of art. Grace, Charm, and severe or agreeable Style] DIVISION OF THE SUBJECT [The principle of differentiation as determined by the sensuous aspect of the subject-matter, and the relation thereto of the human senses of Sight, Hearing, and intellectual Conception. Insufficiency of such a principle of classification. Alternative principle discussed and illustrated of more concrete nature, in which the evolution of truth as the reality of the Idea itself is presented] SUBSECTION I ARCHITECTURE INTRODUCTION [Of the beginnings of human art, and that of building in particular. Of the nature of the subordinate classification of architecture viewed as symbolic, classical and romantic] Division of Subject CHAPTER I INDEPENDENT AND SYMBOLIC ARCHITECTURE Introduction and Subdivision 1. Works of architecture erected in order to unite peoples 2. Works of architecture intermediate between the arts of building and sculpture (_a_) The influence of the generative activity of Nature on the form of buildings (_b_) Further modification of similar conceptions in the obelisks of Egypt and other examples (_c_) Temple enclosures, labyrinths, etc. 3.…
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