La hora y el hombre: un romance histórico
- Idioma:
- inglés
- Estado:
- Obra completa
- Autoría:
- Escrita por el autor
- Estado del texto:
- Sin ruido de escaneo detectado (medición automática sobre todo el texto, no revisada a mano)
- Extensión:
- ~170.000 palabras · 821 pasajes
Cita esta obra
- APAHarriet Martineau. (n.d.). The Hour and the Man, An Historical Romance [La hora y el hombre: un romance histórico]. Digital reproduction: SigPhi. https://sigphiai.com/es/works/harriet-martineau/the-hour-and-the-man-an-historical-romance
- MLAHarriet Martineau. The Hour and the Man, An Historical Romance [La hora y el hombre: un romance histórico]. Digital reproduction, SigPhi, https://sigphiai.com/es/works/harriet-martineau/the-hour-and-the-man-an-historical-romance.
- ChicagoHarriet Martineau. The Hour and the Man, An Historical Romance [La hora y el hombre: un romance histórico]. Digital reproduction, SigPhi. https://sigphiai.com/es/works/harriet-martineau/the-hour-and-the-man-an-historical-romance.
Referencia de la edición reproducida. SigPhi es la reproducción digital. Se incluyen año, editorial y traductor cuando constan; «n.d.» indica que no consta el año.
De qué trata
La novela que Harriet Martineau escribió en 1841 sobre Toussaint Louverture y la revolución de Haití, cuando la esclavitud aún era legal en buena parte del mundo.
Contexto e historia
Martineau era escritora y socióloga y abolicionista declarada, cosa que en los Estados Unidos le había costado amenazas. Hacer de un antiguo esclavo negro el héroe trágico de una novela seria era, en 1841, una decisión política tanto como literaria: el libro pide al lector británico que reconozca grandeza moral y capacidad de gobierno en un hombre a quien su mundo negaba ambas cosas. Como novela histórica tiene los defectos del género y de la época, e idealiza a su protagonista; como documento del movimiento abolicionista y de cómo se usó la ficción para cambiar opiniones, es de primer orden. En el corpus está también su obra económica y sociológica, que es la más conocida.
Contexto editorial, no una fuente citable: a diferencia de los pasajes de la obra, estos datos no se pueden comprobar contra el corpus.
this din, from being accustomed always to hear more or less of it, the boy amused himself with chasing the fireflies, whose light began to glance around as darkness descended. His sister was poring over her work, which she was just finishing, when a gleam of greenish light made both look up. It came from a large meteor which sailed past towards the mountains, whither were tending also the huge masses of cloud which gather about the high peaks previous to the season of rain and hurricanes. There was nothing surprising in this meteor, for the sky was full of them in August nights; but it was very beautiful. The globe of green light floated on till it burst above the mountains, illuminating the lower clouds, and revealing along the slopes of the uplands the coffee-groves, waving and bowing their heads in the wandering winds of that high region. Genifrede shivered at the sight, and her brother threw himself upon her lap. Before he had asked half his questions about the lights of the sky, the short twilight was gone, and the evening star cast a faint shadow from the tufted posts of the piazza upon the white wall of the cottage. In a low tone, full of awe, Genifrede told the boy such stories as she had heard from her father of the mysteries of the heavens. He felt that she trembled as she told of the northern lights, which had been actually seen by some travelled persons now in Cap Francais. It took some time and argument to give him an idea of cold countries; but his uncle Paul, the fisherman, had seen hail on the coast, only thirty miles from hence; and this was a great step in the evidence. Denis listened with all due belief to his sister's description of those pale lights shooting up over the sky, till he cried out vehemently, "There they are! look!" Genifrede screamed, and covered her face with her hands; while the boy shouted to his father, and ran to call his mother to see the lights.…