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Cartas de Abelardo y Eloísa

Pedro Abelardo

Idioma:
inglés
Traducción:
Scott Moncrieff
Estado:
Obra completa
Autoría:
Escrita por el autor
Estado del texto:
Texto limpio
Extensión:
~56.400 palabras · 268 pasajes
Cita esta obra
  • APAPedro Abelardo. (n.d.). Cartas de Abelardo y Eloísa. SigPhi. https://sigphiai.com/es/works/peter-abelard/letters-of-abelard-and-heloise
  • MLAPedro Abelardo. "Cartas de Abelardo y Eloísa." SigPhi, https://sigphiai.com/es/works/peter-abelard/letters-of-abelard-and-heloise.
  • ChicagoPedro Abelardo. Cartas de Abelardo y Eloísa. SigPhi. https://sigphiai.com/es/works/peter-abelard/letters-of-abelard-and-heloise.

De qué trata

Las cartas de Abelardo y Eloísa.

Contexto e historia

Él le escribe como director espiritual; ella le responde que no se arrepiente de nada y que entró en el convento por obediencia a él y no a Dios. Las cartas de Eloísa son lo que hace inmortal la colección, y algunos han dudado de que sean suyas justamente porque son demasiado buenas.

Contexto editorial, no una fuente citable: a diferencia de los pasajes de la obra, estos datos no se pueden comprobar contra el corpus.

Cómo empieza
It is very surprising that the _Letters of Abelard and Heloise_ have not sooner appeared in English, since it is generally allowed, by all who have seen them in other languages, that they are written with the greatest passion of any in this kind which are extant. And it is certain that the _Letters from a Nun to a Cavalier_, which have so long been known and admired among us, are in all respects inferior to them. Whatever those were, these are known to be genuine Pieces occasioned by an amour which had very extraordinary consequences, and made a great noise at the time when it happened, being between two of the most distinguished Persons of that age. These _Letters_, therefore, being truly written by the Persons themselves, whose names they bear, and who were both remarkable for their genius and learning, as well as by a most extravagant passion for each other, are every where full of sentiments of the heart, (which are not to be imitated in a feigned story,) and touches of Nature, much more moving than any which could flow from the Pen of a Writer of Novels, or enter into the imagination of any who had not felt the like emotions and distresses.

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