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I gioielli indiscreti

Denis Diderot

Lingua:
inglese
Stato:
Opera completa
Autorialità:
Scritta dall'autore
Stato del testo:
Nessun rumore di scansione rilevato (misura automatica su tutto il testo, non verificata a mano)
Estensione:
~81.100 parole · 385 passi
Cita quest'opera
  • APADenis Diderot. (n.d.). Les Bijoux Indiscrets, or, The Indiscreet Toys [I gioielli indiscreti]. Digital reproduction: SigPhi. https://sigphiai.com/it/works/denis-diderot/les-bijoux-indiscrets-or-the-indiscreet-toys
  • MLADenis Diderot. Les Bijoux Indiscrets, or, The Indiscreet Toys [I gioielli indiscreti]. Digital reproduction, SigPhi, https://sigphiai.com/it/works/denis-diderot/les-bijoux-indiscrets-or-the-indiscreet-toys.
  • ChicagoDenis Diderot. Les Bijoux Indiscrets, or, The Indiscreet Toys [I gioielli indiscreti]. Digital reproduction, SigPhi. https://sigphiai.com/it/works/denis-diderot/les-bijoux-indiscrets-or-the-indiscreet-toys.

Riferimento dell'edizione che SigPhi riproduce: SigPhi ne è la riproduzione digitale, non l'editore. L'anno dell'edizione non figura nei metadati (da qui «n.d.») e il traduttore compare solo quando è noto.

Di che cosa tratta

I gioielli indiscreti in una vecchia traduzione inglese.

Contesto e storia

Il primo romanzo di Diderot, scritto per denaro nel 1748 e motivo di vergogna per lui da allora in poi. Sotto la battuta licenziosa c'è la satira contro Luigi XV e una difesa della scienza sperimentale. **Anche l'originale francese è nel catalogo, ed è quello che va citato.**

Contesto editoriale, non una fonte citabile: a differenza dei passi dell'opera, questi dati non si possono verificare sul corpus.

Come comincia
"Yes, 'tis she: her Toy made a discourse two hours long." Alcina bore her new reputation with admirable tranquillity. She listened to these expressions, and many more, with a serenity, which the rest of the women could not shew. They were every moment under apprehensions of some indiscretions being committed by their Toys: but the adventure of the following chapter compleated their confusion. As soon as the company had broke up, Mangogul gave his hand to the favorite, and conduced her to her appartment. She was far from having that lively chearful air, which seldom quitted her. She had lost considerably at play, and the effect of the dreadful ring had plunged her into a pensiveness, out of which she was not yet thoroughly recovered. She knew the Sultan's curiosity, and she had not sufficient confidence in the promises of a man less amorous than despotic, to be free from uneasiness. "What ails you, my soul's delight?" said Mangogul. "You are pensive." "I played with bad luck without example," answered Mirzoza. "I lost the possibility. I had twelve tableaux, and I don't think I mark'd three times." "That is vexatious," replied Mangogul; "but what think you of my secret?" "Prince," said the favorite, "I persist in deeming it diabolical. Doubtless it will amuse you, but that amusement will be attended with dismal consequences. You are going to spread discord in every family, undeceive husbands, throw lovers into despair, ruin wives, dishonour daughters, and raise a thousand other hurly-burlys. Ah! Prince, I conjure you.----" "By the light," said Mangogul, "you moralize like Nicole! I would be glad to know why the concern for your neighbour touches you so to the quick. No, no, madam; I will keep my ring. And what do I matter those husbands undeceived, those lovers thrown into despair, those wives ruined, those daughters dishonoured, provided I amuse myself.…

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